Respan Dataset Explorer

Select one behavior. Every returned turn has one binary label: Present or Absent. Source: final dense boolean release.

5,167,182physical rows

86shards

0.00%qualified row coverage

0.00%qualified cell coverage

Shard Start offset Rows Behavior Label Random row JSON API

turns-00075.parquet:13510

604b05f44a4ad59573f0c8c2

turn 2/3gpt-4.1-mini-2025-04-14EnglishIran1137 words

degenerate_repetitionAbsentFinal dense release

USER

حالا با توجه به اصلاحاتی که انجام دادی لطفا یه بار کل کد رو برام بفرست

ASSISTANT

البته! در ادامه نسخه کامل و اصلاح شده کد شما را آماده کرده‌ام.  
- بخش ورودی قیمت‌ها و کارمزدها حذف شده است.  
- محاسبات فقط بر اساس درصدهای ثابت مالیات خرید (3.1%) و فروش (5%) است.  
- محاسبه کارمزد از ضرب درصد مالیات روی قیمت‌ها انجام می‌شود.

---

```html
<!DOCTYPE html>
<html lang="fa">
<head>
<meta charset="UTF-8" />
<meta name="viewport" content="width=device-width, initial-scale=1" />
<title>تحلیل جداول قیمت با کارمزد تعداد سکه</title>
<style>
  body {
    font-family: Tahoma, sans-serif;
    direction: rtl;
    padding: 20px;
    background: #e9f0ec;
    color: #2b3a2f;
    max-width: 1100px;
    margin: auto;
  }
  h1, h2, h3 {
    color: #217346;
    margin-bottom: 12px;
  }
  label {
    font-weight: bold;
    display: inline-block;
    width: 200px;
    text-align: left;
  }
  input[type=number], input[type=text] {
    padding: 6px 10px;
    margin-bottom: 10px;
    border-radius: 5px;
    border: 1px solid #999;
    font-size: 14px;
    width: 150px;
    box-sizing: border-box;
  }
  textarea {
    width: 100%;
    height: 140px;
    resize: vertical;
    margin-bottom: 10px;
    font-family: monospace;
    font-size: 14px;
    direction: ltr;
  }
  button {
    background: #217346;
    border: none;
    padding: 10px 18px;
    color: white;
    border-radius: 6px;
    cursor: pointer;
    font-size: 16px;
    margin-bottom: 20px;
  }
  button:hover {
    background: #1a5a2a;
  }
  .table-wrapper {
    background: white;
    padding: 15px;
    border-radius: 10px;
    margin-bottom: 30px;
    box-shadow: 0 4px 12px rgba(33,115,70,0.3);
  }
  table {
    width: 100%;
    border-collapse: collapse;
    margin-top: 10px;
    direction: rtl;
  }
  table th, table td {
    border: 1px solid #217346;
    padding: 8px 10px;
    text-align: center;
  }
  table th {
    background-color: #217346;
    color: white;
  }
  .error {
    color: red;
    font-weight: bold;
    margin: 10px 0 15px;
    text-align: center;
  }
  .comparison-table {
    margin-top: 30px;
    margin-bottom: 50px;
  }
  form div {
    margin-bottom: 10px;
  }
  .results-container {
    margin-top: 15px;
    direction: rtl;
  }
  .original-table-container {
    overflow-x: auto;
    max-height: 300px;
  }
  .tax-calc {
    font-family: monospace;
    font-size: 0.9rem;
    margin: 5px 0 12px;
    color: #444;
  }
  .tax-calc span {
    margin: 0 8px;
  }
</style>
</head>
<body>

<h1>تحلیل جداول قیمت ـ محاسبه با کارمزد (تعداد سکه)</h1>

<!-- فرم ورودی قیمت و کارمزد حذف شده -->

<div class="table-wrapper">
  <label for="tableName">نام جدول:</label>
  <input type="text" id="tableName" placeholder="نام جدول را وارد کنید" aria-required="true" />

  <label for="tableHtml">کد کامل HTML جدول:</label>
  <textarea id="tableHtml" placeholder="کل کد جدول HTML را اینجا قرار دهید..." aria-required="true"></textarea>

  <button onclick="addTable()">افزودن و تحلیل جدول</button>

  <div id="errorMsg" class="error" style="display:none;"></div>
</div>

<div id="resultsContainer"></div>

<div id="comparisonSection" class="table-wrapper" style="display:none;">
  <h2>مقایسه کلی جداول</h2>
  <table id="comparisonTable" class="comparison-table" aria-label="مقایسه کلی جداول">
    <thead>
      <tr>
        <th>نام جدول</th>
        <th>نوع قیمت</th>
        <th>کمترین قیمت (خرید)</th>
        <th>بیشترین قیمت (فروش)</th>
        <th>میانگین حجم معامله</th>
        <th>حجم کل خرید (صدک‌ها)</th>
        <th>حجم کل فروش (صدک‌ها)</th>
        <th>سود تخمینی پس از کارمزد و مالیات</th>
        <th>جزئیات مالیات و کارمزد خرید</th>
        <th>جزئیات مالیات و کارمزد فروش</th>
      </tr>
    </thead>
    <tbody id="comparisonBody"></tbody>
  </table>
</div>

<script>
const allTablesAnalysis = [];
const BUY_TAX_PERCENT = 3.1; // مالیات خرید ثابت 3.1%
const SELL_TAX_PERCENT = 5;  // مالیات فروش ثابت 5%

function showError(msg) {
  const e = document.getElementById('errorMsg');
  e.style.display = 'block';
  e.textContent = msg;
}

function hideError() {
  document.getElementById('errorMsg').style.display = 'none';
}

function htmlToTableElement(html) {
  const template = document.createElement('template');
  template.innerHTML = html.trim();
  const table = template.content.querySelector('table');
  return table;
}

function parseNum(str) {
  if(!str) return NaN;
  let val = parseFloat(str.replace(/,/g, '').trim());
  return isNaN(val) ? NaN : val;
}

function extractData(table) {
  if(!table) return [];

  const rows = Array.from(table.querySelectorAll('tr'));
  if(rows.length < 3) return [];

  const dataRows = rows.slice(2);

  const data = [];

  for(const row of dataRows) {
    const cells = row.querySelectorAll('td');
    if(cells.length < 16) continue;

    const entry = {
      date: cells[0].textContent.trim(),
      time: cells[1].textContent.trim(),
      min: parseNum(cells[2].textContent),
      median: parseNum(cells[3].textContent),
      mean: parseNum(cells[4].textContent),
      qty: parseNum(cells[5].textContent),
      p10_price: parseNum(cells[6].textContent),
      p10_qty: parseNum(cells[7].textContent),
      p30_price: parseNum(cells[8].textContent),
      p30_qty: parseNum(cells[9].textContent),
      p50_price: parseNum(cells[10].textContent),
      p50_qty: parseNum(cells[11].textContent),
      p70_price: parseNum(cells[12].textContent),
      p70_qty: parseNum(cells[13].textContent),
      p90_price: parseNum(cells[14].textContent),
      p90_qty: parseNum(cells[15].textContent),
    };

    if(isNaN(entry.min) || isNaN(entry.median) || isNaN(entry.mean) || isNaN(entry.qty)) continue;

    data.push(entry);
  }
  return data;
}

function calcFeesAndTaxes(priceCoin, taxPercent) {
  const feeCoin = priceCoin * taxPercent / 100;
  const totalAfterTax = priceCoin + feeCoin;

  const formula = `${priceCoin.toFixed(2)} + مالیات ${taxPercent.toFixed(2)}% = ${feeCoin.toFixed(2)} <strong>= ${(totalAfterTax).toFixed(2)}</strong>`;
  return {
    feeCoin,
    totalAfterTax,
    formula
  };
}

function analyzePriceFieldWithPercentiles(data, priceField) {
  if(data.length === 0) return null;

  const percentilePairs = [
    {price: 'p10_price', qty: 'p10_qty'},
    {price: 'p30_price', qty: 'p30_qty'},
    {price: 'p50_price', qty: 'p50_qty'},
    {price: 'p70_price', qty: 'p70_qty'},
    {price: 'p90_price', qty: 'p90_qty'}
  ];

  const minPrice = Math.min(...data.map(d => d[priceField]));
  const maxPrice = Math.max(...data.map(d => d[priceField]));
  const avgQty = data.reduce((acc,d) => acc + d.qty, 0) / data.length;
  const avgPrice = data.reduce((acc,d) => acc + d[priceField], 0) / data.length;

  let totalBuyVolume = 0;
  let totalSellVolume = 0;

  for(const d of data) {
    for(const p of percentilePairs) {
      const cPrice = d[p.price];
      const cQty = d[p.qty] || 0;

      if(isNaN(cPrice) || isNaN(cQty)) continue;

      if(cPrice <= avgPrice) {
        totalBuyVolume += cQty;
      }
      if(cPrice >= avgPrice) {
        totalSellVolume += cQty;
      }
    }
  }

  return {
    priceField,
    minPrice,
    maxPrice,
    avgQty,
    avgPrice,
    totalBuyVolume,
    totalSellVolume
  };
}

function createTableAnalysis(name, data) {
  const priceFields = ['min', 'median', 'mean'];
  const analysisRows = [];

  for(const field of priceFields) {
    const result = analyzePriceFieldWithPercentiles(data, field);
    if(result) analysisRows.push(result);
  }
  return {name, analysisRows, data};
}

function formatNumber(num) {
  return num.toLocaleString(undefined, {maximumFractionDigits: 2});
}

function calculateFinalProfit(buyPrice, sellPrice, volume) {
  const buyCalc = calcFeesAndTaxes(buyPrice, BUY_TAX_PERCENT);
  const sellCalc = calcFeesAndTaxes(sellPrice, SELL_TAX_PERCENT);
  const profit = (sellCalc.totalAfterTax - buyCalc.totalAfterTax) * volume; 
  return {profit, buyCalc, sellCalc};
}

function renderSingleTable(name, rawHtml, analysis) {
  const resultsDiv = document.getElementById('resultsContainer');
  const wrapper = document.createElement('div');
  wrapper.className = 'table-wrapper';

  const tableHtml = rawHtml;
  const tableDisplay = `<div class="original-table-container" style="overflow-x:auto;max-height:320px;">${tableHtml}</div>`;

  let resultHtml = `<h3>نتایج جدول: ${name}</h3>`;
  resultHtml += `<table aria-label="نتایج جدول ${name}"><thead>
    <tr>
      <th>نوع قیمت</th>
      <th>کمترین قیمت (خرید)</th>
      <th>بیشترین قیمت (فروش)</th>
      <th>میانگین حجم معامله</th>
      <th>میانگین قیمت</th>
      <th>حجم کل خرید (صدک‌ها)</th>
      <th>حجم کل فروش (صدک‌ها)</th>
      <th>سود تخمینی پس از کارمزد و مالیات (با حجم حداقلی)</th>
      <th>محاسبه مالیات و کارمزد خرید (سکه)</th>
      <th>محاسبه مالیات و کارمزد فروش (سکه)</th>
    </tr>
  </thead><tbody>`;

  for(const row of analysis.analysisRows) {
    const volume = Math.min(row.totalBuyVolume, row.totalSellVolume);

    const {profit, buyCalc, sellCalc} = calculateFinalProfit(
      row.minPrice,
      row.maxPrice,
      volume
    );

    resultHtml += `<tr>
      <td>${row.priceField.toUpperCase()}</td>
      <td>${formatNumber(row.minPrice)}</td>
      <td>${formatNumber(row.maxPrice)}</td>
      <td>${formatNumber(row.avgQty)}</td>
      <td>${formatNumber(row.avgPrice)}</td>
      <td>${formatNumber(row.totalBuyVolume)}</td>
      <td>${formatNumber(row.totalSellVolume)}</td>
      <td>${formatNumber(profit)}</td>
      <td><div class="tax-calc">${buyCalc.formula}</div></td>
      <td><div class="tax-calc">${sellCalc.formula}</div></td>
    </tr>`;
  }
  resultHtml += '</tbody></table>';

  wrapper.innerHTML = tableDisplay + resultHtml;
  resultsDiv.appendChild(wrapper);
}

function renderComparisonTable() {
  const compSec = document.getElementById('comparisonSection');
  const tbody = document.getElementById('comparisonBody');

  if(allTablesAnalysis.length < 2) {
    compSec.style.display = 'none';
    return;
  }
  compSec.style.display = 'block';

  tbody.innerHTML = '';

  for(const analysis of allTablesAnalysis) {
    for(const row of analysis.analysisRows) {
      const volume = Math.min(row.totalBuyVolume, row.totalSellVolume);

      const {profit, buyCalc, sellCalc} = calculateFinalProfit(
        row.minPrice,
        row.maxPrice,
        volume
      );

      const tr = document.createElement('tr');
      tr.innerHTML = `
        <td>${analysis.name}</td>
        <td>${row.priceField.toUpperCase()}</td>
        <td>${formatNumber(row.minPrice)}</td>
        <td>${formatNumber(row.maxPrice)}</td>
        <td>${formatNumber(row.avgQty)}</td>
        <td>${formatNumber(row.totalBuyVolume)}</td>
        <td>${formatNumber(row.totalSellVolume)}</td>
        <td>${formatNumber(profit)}</td>
        <td><div class="tax-calc">${buyCalc.formula}</div></td>
        <td><div class="tax-calc">${sellCalc.formula}</div></td>
      `;
      tbody.appendChild(tr);
    }
  }
}

function clearInputs() {
  document.getElementById('tableName').value = '';
  document.getElementById('tableHtml').value = '';
}

function addTable() {
  hideError();

  const name = document.getElementById('tableName').value.trim();
  const html = document.getElementById('tableHtml').value.trim();

  if(!name) {
    showError('لطفا نام جدول را وارد کنید.');
    return;
  }
  if(!html) {
    showError('لطفا کد HTML جدول را وارد کنید.');
    return;
  }

  const table = htmlToTableElement(html);
  if(!table) {
    showError('کد HTML جدول معتبر نیست یا تگ <table> وجود ندارد.');
    return;
  }

  const data = extractData(table);
  if(!data.length) {
    showError('داده‌ای برای پردازش پیدا نشد یا فرمت جدول اشتباه است.');
    return;
  }

  const analysis = createTableAnalysis(name, data);
  allTablesAnalysis.push(analysis);

  renderSingleTable(name, html, analysis);
  renderComparisonTable();

  clearInputs();
  window.scrollTo({ top: document.body.scrollHeight, behavior: 'smooth' });
}
</script>

</body>
</html>
```

---

اگر سوال یا درخواست تغییر دیگری داشتید، خوشحال می‌شوم کمک کنم!

turns-00075.parquet:13511

57b625eb4531786c5640a827

turn 3/3gpt-4.1-mini-2025-04-14EnglishIran3105 words

degenerate_repetitionAbsentFinal dense release

USER

الان اینو چرا محاسبه نمیکنه ؟

<table class="datatable"><tr><th colspan="2" class="border-r-[1px]"></th> <th colspan="4" class="border-r-[1px]">Totals</th> <th colspan="10">Percentiles</th></tr> <tr><th class="!text-center !p-0 border-r-[1px] border-black">Date</th>  <th class="text-right">Min</th> <th class="text-right">Median</th> <th class="text-right">Mean</th> <th class="text-right border-r-[1px]">Qty</th> <th colspan="2" class="border-r-[1px]" style="background-color: rgb(0, 51, 0);">10%</th> <th colspan="2" class="border-r-[1px]" style="background-color: rgb(26, 51, 0);">30%</th> <th colspan="2" class="border-r-[1px]" style="background-color: rgb(51, 51, 0);">50%</th> <th colspan="2" class="border-r-[1px]" style="background-color: rgb(51, 26, 0);">70%</th> <th colspan="2" style="background-color: rgb(51, 0, 0);">90%</th></tr> <tr><td class="text-center !pr-0 border-r-[1px] border-black">03/05/2025</td>  <td class="text-right">0.36</td> <td class="text-right">0.40</td> <td class="text-right">0.49</td> <td class="text-right border-r-[1px] border-black">82,094</td> <td class="text-right" style="background-color: rgb(0, 51, 0);">0.40</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(0, 51, 0);">11,961</td><td class="text-right" style="background-color: rgb(26, 51, 0);">0.40</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(26, 51, 0);">32,094</td><td class="text-right" style="background-color: rgb(51, 51, 0);">0.40</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 51, 0);">42,094</td><td class="text-right" style="background-color: rgb(51, 26, 0);">0.41</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 26, 0);">62,094</td><td class="text-right" style="background-color: rgb(51, 0, 0);">0.49</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 0, 0);">82,094</td> </tr><tr><td class="text-center !pr-0 border-r-[1px] border-black">02/05/2025</td>  <td class="text-right">0.28</td> <td class="text-right">0.38</td> <td class="text-right">0.44</td> <td class="text-right border-r-[1px] border-black">149,744</td> <td class="text-right" style="background-color: rgb(0, 51, 0);">0.32</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(0, 51, 0);">16,613</td><td class="text-right" style="background-color: rgb(26, 51, 0);">0.37</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(26, 51, 0);">50,627</td><td class="text-right" style="background-color: rgb(51, 51, 0);">0.38</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 51, 0);">79,744</td><td class="text-right" style="background-color: rgb(51, 26, 0);">0.39</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 26, 0);">109,744</td><td class="text-right" style="background-color: rgb(51, 0, 0);">0.41</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 0, 0);">139,744</td> </tr><tr><td class="text-center !pr-0 border-r-[1px] border-black">01/05/2025</td>  <td class="text-right">0.39</td> <td class="text-right">0.40</td> <td class="text-right">0.47</td> <td class="text-right border-r-[1px] border-black">120,748</td> <td class="text-right" style="background-color: rgb(0, 51, 0);">0.40</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(0, 51, 0);">15,138</td><td class="text-right" style="background-color: rgb(26, 51, 0);">0.40</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(26, 51, 0);">40,669</td><td class="text-right" style="background-color: rgb(51, 51, 0);">0.40</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 51, 0);">60,669</td><td class="text-right" style="background-color: rgb(51, 26, 0);">0.41</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 26, 0);">90,748</td><td class="text-right" style="background-color: rgb(51, 0, 0);">0.42</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 0, 0);">110,748</td> </tr><tr><td class="text-center !pr-0 border-r-[1px] border-black">30/04/2025</td>  <td class="text-right">0.38</td> <td class="text-right">0.38</td> <td class="text-right">0.44</td> <td class="text-right border-r-[1px] border-black">676,013</td> <td class="text-right" style="background-color: rgb(0, 51, 0);">0.38</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(0, 51, 0);">71,384</td><td class="text-right" style="background-color: rgb(26, 51, 0);">0.38</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(26, 51, 0);">212,105</td><td class="text-right" style="background-color: rgb(51, 51, 0);">0.38</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 51, 0);">338,023</td><td class="text-right" style="background-color: rgb(51, 26, 0);">0.38</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 26, 0);">478,770</td><td class="text-right" style="background-color: rgb(51, 0, 0);">0.39</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 0, 0);">612,744</td> </tr><tr><td class="text-center !pr-0 border-r-[1px] border-black">29/04/2025</td>  <td class="text-right">0.28</td> <td class="text-right">0.29</td> <td class="text-right">0.37</td> <td class="text-right border-r-[1px] border-black">216,749</td> <td class="text-right" style="background-color: rgb(0, 51, 0);">0.28</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(0, 51, 0);">30,164</td><td class="text-right" style="background-color: rgb(26, 51, 0);">0.28</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(26, 51, 0);">69,551</td><td class="text-right" style="background-color: rgb(51, 51, 0);">0.29</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 51, 0);">110,672</td><td class="text-right" style="background-color: rgb(51, 26, 0);">0.30</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 26, 0);">160,967</td><td class="text-right" style="background-color: rgb(51, 0, 0);">0.31</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 0, 0);">196,749</td> </tr><tr><td class="text-center !pr-0 border-r-[1px] border-black">28/04/2025</td>  <td class="text-right">0.35</td> <td class="text-right">0.38</td> <td class="text-right">0.44</td> <td class="text-right border-r-[1px] border-black">658,478</td> <td class="text-right" style="background-color: rgb(0, 51, 0);">0.37</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(0, 51, 0);">72,620</td><td class="text-right" style="background-color: rgb(26, 51, 0);">0.38</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(26, 51, 0);">201,865</td><td class="text-right" style="background-color: rgb(51, 51, 0);">0.38</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 51, 0);">337,830</td><td class="text-right" style="background-color: rgb(51, 26, 0);">0.38</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 26, 0);">467,833</td><td class="text-right" style="background-color: rgb(51, 0, 0);">0.39</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 0, 0);">594,034</td> </tr><tr><td class="text-center !pr-0 border-r-[1px] border-black">27/04/2025</td>  <td class="text-right">0.28</td> <td class="text-right">0.39</td> <td class="text-right">0.60</td> <td class="text-right border-r-[1px] border-black">378,715</td> <td class="text-right" style="background-color: rgb(0, 51, 0);">0.37</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(0, 51, 0);">43,876</td><td class="text-right" style="background-color: rgb(26, 51, 0);">0.39</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(26, 51, 0);">113,723</td><td class="text-right" style="background-color: rgb(51, 51, 0);">0.39</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 51, 0);">194,179</td><td class="text-right" style="background-color: rgb(51, 26, 0);">0.39</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 26, 0);">268,366</td><td class="text-right" style="background-color: rgb(51, 0, 0);">0.40</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 0, 0);">347,047</td> </tr><tr><td class="text-center !pr-0 border-r-[1px] border-black">26/04/2025</td>  <td class="text-right">0.28</td> <td class="text-right">0.31</td> <td class="text-right">0.45</td> <td class="text-right border-r-[1px] border-black">98,653</td> <td class="text-right" style="background-color: rgb(0, 51, 0);">0.29</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(0, 51, 0);">12,043</td><td class="text-right" style="background-color: rgb(26, 51, 0);">0.30</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(26, 51, 0);">35,364</td><td class="text-right" style="background-color: rgb(51, 51, 0);">0.31</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 51, 0);">51,109</td><td class="text-right" style="background-color: rgb(51, 26, 0);">0.33</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 26, 0);">76,056</td><td class="text-right" style="background-color: rgb(51, 0, 0);">0.40</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 0, 0);">95,756</td> </tr><tr><td class="text-center !pr-0 border-r-[1px] border-black">25/04/2025</td>  <td class="text-right">0.35</td> <td class="text-right">0.40</td> <td class="text-right">0.44</td> <td class="text-right border-r-[1px] border-black">402,805</td> <td class="text-right" style="background-color: rgb(0, 51, 0);">0.39</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(0, 51, 0);">41,192</td><td class="text-right" style="background-color: rgb(26, 51, 0);">0.40</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(26, 51, 0);">127,612</td><td class="text-right" style="background-color: rgb(51, 51, 0);">0.40</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 51, 0);">209,968</td><td class="text-right" style="background-color: rgb(51, 26, 0);">0.40</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 26, 0);">288,027</td><td class="text-right" style="background-color: rgb(51, 0, 0);">0.41</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 0, 0);">372,236</td> </tr><tr><td class="text-center !pr-0 border-r-[1px] border-black">24/04/2025</td>  <td class="text-right">0.36</td> <td class="text-right">0.39</td> <td class="text-right">0.46</td> <td class="text-right border-r-[1px] border-black">596,429</td> <td class="text-right" style="background-color: rgb(0, 51, 0);">0.38</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(0, 51, 0);">62,831</td><td class="text-right" style="background-color: rgb(26, 51, 0);">0.38</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(26, 51, 0);">185,620</td><td class="text-right" style="background-color: rgb(51, 51, 0);">0.39</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 51, 0);">306,367</td><td class="text-right" style="background-color: rgb(51, 26, 0);">0.39</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 26, 0);">418,693</td><td class="text-right" style="background-color: rgb(51, 0, 0);">0.40</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 0, 0);">541,859</td> </tr><tr><td class="text-center !pr-0 border-r-[1px] border-black">23/04/2025</td>  <td class="text-right">0.37</td> <td class="text-right">0.39</td> <td class="text-right">0.46</td> <td class="text-right border-r-[1px] border-black">554,413</td> <td class="text-right" style="background-color: rgb(0, 51, 0);">0.39</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(0, 51, 0);">58,775</td><td class="text-right" style="background-color: rgb(26, 51, 0);">0.39</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(26, 51, 0);">175,844</td><td class="text-right" style="background-color: rgb(51, 51, 0);">0.39</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 51, 0);">280,398</td><td class="text-right" style="background-color: rgb(51, 26, 0);">0.39</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 26, 0);">395,801</td><td class="text-right" style="background-color: rgb(51, 0, 0);">0.40</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 0, 0);">499,843</td> </tr><tr><td class="text-center !pr-0 border-r-[1px] border-black">22/04/2025</td>  <td class="text-right">0.36</td> <td class="text-right">0.40</td> <td class="text-right">0.43</td> <td class="text-right border-r-[1px] border-black">308,262</td> <td class="text-right" style="background-color: rgb(0, 51, 0);">0.39</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(0, 51, 0);">39,223</td><td class="text-right" style="background-color: rgb(26, 51, 0);">0.40</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(26, 51, 0);">101,473</td><td class="text-right" style="background-color: rgb(51, 51, 0);">0.40</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 51, 0);">155,656</td><td class="text-right" style="background-color: rgb(51, 26, 0);">0.40</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 26, 0);">223,484</td><td class="text-right" style="background-color: rgb(51, 0, 0);">0.41</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 0, 0);">277,693</td> </tr><tr><td class="text-center !pr-0 border-r-[1px] border-black">21/04/2025</td>  <td class="text-right">0.31</td> <td class="text-right">0.40</td> <td class="text-right">0.42</td> <td class="text-right border-r-[1px] border-black">384,598</td> <td class="text-right" style="background-color: rgb(0, 51, 0);">0.39</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(0, 51, 0);">42,717</td><td class="text-right" style="background-color: rgb(26, 51, 0);">0.40</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(26, 51, 0);">118,334</td><td class="text-right" style="background-color: rgb(51, 51, 0);">0.40</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 51, 0);">192,517</td><td class="text-right" style="background-color: rgb(51, 26, 0);">0.40</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 26, 0);">269,820</td><td class="text-right" style="background-color: rgb(51, 0, 0);">0.40</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 0, 0);">354,029</td> </tr><tr><td class="text-center !pr-0 border-r-[1px] border-black">20/04/2025</td>  <td class="text-right">0.30</td> <td class="text-right">0.37</td> <td class="text-right">0.40</td> <td class="text-right border-r-[1px] border-black">427,794</td> <td class="text-right" style="background-color: rgb(0, 51, 0);">0.33</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(0, 51, 0);">50,708</td><td class="text-right" style="background-color: rgb(26, 51, 0);">0.35</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(26, 51, 0);">137,722</td><td class="text-right" style="background-color: rgb(51, 51, 0);">0.37</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 51, 0);">219,091</td><td class="text-right" style="background-color: rgb(51, 26, 0);">0.38</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 26, 0);">301,653</td><td class="text-right" style="background-color: rgb(51, 0, 0);">0.39</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 0, 0);">387,225</td> </tr><tr><td class="text-center !pr-0 border-r-[1px] border-black">19/04/2025</td>  <td class="text-right">0.27</td> <td class="text-right">0.29</td> <td class="text-right">0.39</td> <td class="text-right border-r-[1px] border-black">155,481</td> <td class="text-right" style="background-color: rgb(0, 51, 0);">0.27</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(0, 51, 0);">16,294</td><td class="text-right" style="background-color: rgb(26, 51, 0);">0.28</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(26, 51, 0);">47,006</td><td class="text-right" style="background-color: rgb(51, 51, 0);">0.29</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 51, 0);">84,740</td><td class="text-right" style="background-color: rgb(51, 26, 0);">0.32</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 26, 0);">116,081</td><td class="text-right" style="background-color: rgb(51, 0, 0);">0.35</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 0, 0);">146,081</td> </tr><tr><td class="text-center !pr-0 border-r-[1px] border-black">18/04/2025</td>  <td class="text-right">0.24</td> <td class="text-right">0.29</td> <td class="text-right">0.39</td> <td class="text-right border-r-[1px] border-black">185,037</td> <td class="text-right" style="background-color: rgb(0, 51, 0);">0.28</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(0, 51, 0);">22,221</td><td class="text-right" style="background-color: rgb(26, 51, 0);">0.29</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(26, 51, 0);">62,221</td><td class="text-right" style="background-color: rgb(51, 51, 0);">0.29</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 51, 0);">102,221</td><td class="text-right" style="background-color: rgb(51, 26, 0);">0.31</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 26, 0);">134,503</td><td class="text-right" style="background-color: rgb(51, 0, 0);">0.35</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 0, 0);">174,503</td> </tr><tr><td class="text-center !pr-0 border-r-[1px] border-black">17/04/2025</td>  <td class="text-right">0.35</td> <td class="text-right">0.40</td> <td class="text-right">0.49</td> <td class="text-right border-r-[1px] border-black">584,843</td> <td class="text-right" style="background-color: rgb(0, 51, 0);">0.37</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(0, 51, 0);">67,673</td><td class="text-right" style="background-color: rgb(26, 51, 0);">0.39</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(26, 51, 0);">181,278</td><td class="text-right" style="background-color: rgb(51, 51, 0);">0.40</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 51, 0);">293,417</td><td class="text-right" style="background-color: rgb(51, 26, 0);">0.41</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 26, 0);">413,417</td><td class="text-right" style="background-color: rgb(51, 0, 0);">0.43</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 0, 0);">533,417</td> </tr><tr><td class="text-center !pr-0 border-r-[1px] border-black">16/04/2025</td>  <td class="text-right">0.39</td> <td class="text-right">0.41</td> <td class="text-right">0.45</td> <td class="text-right border-r-[1px] border-black">557,947</td> <td class="text-right" style="background-color: rgb(0, 51, 0);">0.40</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(0, 51, 0);">62,392</td><td class="text-right" style="background-color: rgb(26, 51, 0);">0.40</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(26, 51, 0);">168,875</td><td class="text-right" style="background-color: rgb(51, 51, 0);">0.41</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 51, 0);">287,258</td><td class="text-right" style="background-color: rgb(51, 26, 0);">0.42</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 26, 0);">397,258</td><td class="text-right" style="background-color: rgb(51, 0, 0);">0.44</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 0, 0);">507,258</td> </tr><tr><td class="text-center !pr-0 border-r-[1px] border-black">15/04/2025</td>  <td class="text-right">0.32</td> <td class="text-right">0.43</td> <td class="text-right">1.06</td> <td class="text-right border-r-[1px] border-black">526,998</td> <td class="text-right" style="background-color: rgb(0, 51, 0);">0.35</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(0, 51, 0);">57,956</td><td class="text-right" style="background-color: rgb(26, 51, 0);">0.36</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(26, 51, 0);">167,956</td><td class="text-right" style="background-color: rgb(51, 51, 0);">0.43</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 51, 0);">268,244</td><td class="text-right" style="background-color: rgb(51, 26, 0);">0.59</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 26, 0);">375,168</td><td class="text-right" style="background-color: rgb(51, 0, 0);">0.83</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 0, 0);">475,168</td> </tr><tr><td class="text-center !pr-0 border-r-[1px] border-black">14/04/2025</td>  <td class="text-right">0.25</td> <td class="text-right">0.54</td> <td class="text-right">1.16</td> <td class="text-right border-r-[1px] border-black">457,210</td> <td class="text-right" style="background-color: rgb(0, 51, 0);">0.36</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(0, 51, 0);">55,307</td><td class="text-right" style="background-color: rgb(26, 51, 0);">0.37</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(26, 51, 0);">140,484</td><td class="text-right" style="background-color: rgb(51, 51, 0);">0.54</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 51, 0);">235,410</td><td class="text-right" style="background-color: rgb(51, 26, 0);">0.67</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 26, 0);">325,410</td><td class="text-right" style="background-color: rgb(51, 0, 0);">0.94</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 0, 0);">415,410</td> </tr><tr><td class="text-center !pr-0 border-r-[1px] border-black">13/04/2025</td>  <td class="text-right">0.38</td> <td class="text-right">0.55</td> <td class="text-right">1.18</td> <td class="text-right border-r-[1px] border-black">455,683</td> <td class="text-right" style="background-color: rgb(0, 51, 0);">0.38</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(0, 51, 0);">50,000</td><td class="text-right" style="background-color: rgb(26, 51, 0);">0.39</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(26, 51, 0);">138,927</td><td class="text-right" style="background-color: rgb(51, 51, 0);">0.55</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 51, 0);">233,853</td><td class="text-right" style="background-color: rgb(51, 26, 0);">0.68</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 26, 0);">323,853</td><td class="text-right" style="background-color: rgb(51, 0, 0);">0.95</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 0, 0);">413,853</td> </tr><tr><td class="text-center !pr-0 border-r-[1px] border-black">12/04/2025</td>  <td class="text-right">0.29</td> <td class="text-right">0.44</td> <td class="text-right">0.46</td> <td class="text-right border-r-[1px] border-black">467,673</td> <td class="text-right" style="background-color: rgb(0, 51, 0);">0.41</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(0, 51, 0);">47,215</td><td class="text-right" style="background-color: rgb(26, 51, 0);">0.43</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(26, 51, 0);">149,460</td><td class="text-right" style="background-color: rgb(51, 51, 0);">0.44</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 51, 0);">243,460</td><td class="text-right" style="background-color: rgb(51, 26, 0);">0.44</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 26, 0);">335,452</td><td class="text-right" style="background-color: rgb(51, 0, 0);">0.46</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 0, 0);">425,452</td> </tr><tr><td class="text-center !pr-0 border-r-[1px] border-black">11/04/2025</td>  <td class="text-right">0.32</td> <td class="text-right">0.35</td> <td class="text-right">0.92</td> <td class="text-right border-r-[1px] border-black">649,457</td> <td class="text-right" style="background-color: rgb(0, 51, 0);">0.33</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(0, 51, 0);">68,432</td><td class="text-right" style="background-color: rgb(26, 51, 0);">0.34</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(26, 51, 0);">200,051</td><td class="text-right" style="background-color: rgb(51, 51, 0);">0.35</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 51, 0);">327,879</td><td class="text-right" style="background-color: rgb(51, 26, 0);">0.48</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 26, 0);">457,627</td><td class="text-right" style="background-color: rgb(51, 0, 0);">0.70</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 0, 0);">587,627</td> </tr><tr><td class="text-center !pr-0 border-r-[1px] border-black">09/04/2025</td>  <td class="text-right">0.31</td> <td class="text-right">0.34</td> <td class="text-right">0.80</td> <td class="text-right border-r-[1px] border-black">836,243</td> <td class="text-right" style="background-color: rgb(0, 51, 0);">0.32</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(0, 51, 0);">84,124</td><td class="text-right" style="background-color: rgb(26, 51, 0);">0.33</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(26, 51, 0);">257,349</td><td class="text-right" style="background-color: rgb(51, 51, 0);">0.34</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 51, 0);">422,424</td><td class="text-right" style="background-color: rgb(51, 26, 0);">0.40</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 26, 0);">585,638</td><td class="text-right" style="background-color: rgb(51, 0, 0);">0.59</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 0, 0);">754,413</td> </tr><tr><td class="text-center !pr-0 border-r-[1px] border-black">08/04/2025</td>  <td class="text-right">0.37</td> <td class="text-right">0.40</td> <td class="text-right">0.88</td> <td class="text-right border-r-[1px] border-black">746,358</td> <td class="text-right" style="background-color: rgb(0, 51, 0);">0.37</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(0, 51, 0);">79,805</td><td class="text-right" style="background-color: rgb(26, 51, 0);">0.39</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(26, 51, 0);">229,372</td><td class="text-right" style="background-color: rgb(51, 51, 0);">0.40</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 51, 0);">373,444</td><td class="text-right" style="background-color: rgb(51, 26, 0);">0.48</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 26, 0);">524,528</td><td class="text-right" style="background-color: rgb(51, 0, 0);">0.68</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 0, 0);">674,528</td> </tr><tr><td class="text-center !pr-0 border-r-[1px] border-black">07/04/2025</td>  <td class="text-right">0.43</td> <td class="text-right">0.55</td> <td class="text-right">1.15</td> <td class="text-right border-r-[1px] border-black">475,524</td> <td class="text-right" style="background-color: rgb(0, 51, 0);">0.43</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(0, 51, 0);">48,638</td><td class="text-right" style="background-color: rgb(26, 51, 0);">0.44</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(26, 51, 0);">150,901</td><td class="text-right" style="background-color: rgb(51, 51, 0);">0.55</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 51, 0);">244,085</td><td class="text-right" style="background-color: rgb(51, 26, 0);">0.67</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 26, 0);">333,694</td><td class="text-right" style="background-color: rgb(51, 0, 0);">0.93</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 0, 0);">433,694</td> </tr><tr><td class="text-center !pr-0 border-r-[1px] border-black">06/04/2025</td>  <td class="text-right">0.41</td> <td class="text-right">0.56</td> <td class="text-right">1.17</td> <td class="text-right border-r-[1px] border-black">462,200</td> <td class="text-right" style="background-color: rgb(0, 51, 0);">0.43</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(0, 51, 0);">48,888</td><td class="text-right" style="background-color: rgb(26, 51, 0);">0.44</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(26, 51, 0);">146,364</td><td class="text-right" style="background-color: rgb(51, 51, 0);">0.56</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 51, 0);">232,178</td><td class="text-right" style="background-color: rgb(51, 26, 0);">0.69</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 26, 0);">330,370</td><td class="text-right" style="background-color: rgb(51, 0, 0);">0.95</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 0, 0);">420,370</td> </tr><tr><td class="text-center !pr-0 border-r-[1px] border-black">04/04/2025</td>  <td class="text-right">0.39</td> <td class="text-right">0.79</td> <td class="text-right">1.34</td> <td class="text-right border-r-[1px] border-black">397,535</td> <td class="text-right" style="background-color: rgb(0, 51, 0);">0.61</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(0, 51, 0);">45,539</td><td class="text-right" style="background-color: rgb(26, 51, 0);">0.66</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(26, 51, 0);">119,305</td><td class="text-right" style="background-color: rgb(51, 51, 0);">0.79</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 51, 0);">208,683</td><td class="text-right" style="background-color: rgb(51, 26, 0);">0.88</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 26, 0);">285,705</td><td class="text-right" style="background-color: rgb(51, 0, 0);">1.15</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 0, 0);">365,705</td> </tr><tr><td class="text-center !pr-0 border-r-[1px] border-black">03/04/2025</td>  <td class="text-right">0.94</td> <td class="text-right">0.94</td> <td class="text-right">0.94</td> <td class="text-right border-r-[1px] border-black">19,691</td> <td class="text-right" style="background-color: rgb(0, 51, 0);">0.94</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(0, 51, 0);">6,829</td><td class="text-right" style="background-color: rgb(26, 51, 0);">0.94</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(26, 51, 0);">6,829</td><td class="text-right" style="background-color: rgb(51, 51, 0);">0.94</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 51, 0);">13,875</td><td class="text-right" style="background-color: rgb(51, 26, 0);">0.94</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 26, 0);">13,875</td><td class="text-right" style="background-color: rgb(51, 0, 0);">0.94</td> <td class="text-right [&amp;:not(:last-child)]:border-r-[1px] border-black !pr-2" style="background-color: rgb(51, 0, 0);">19,691</td> </tr></table>

ASSISTANT

سلام  
مشکل اصلی اینه که جدول بالا فرمت ستون‌هاش متفاوت از جدول‌هایی هست که کد شما انتظار داره.  
کد شما فرض کرده ردیف‌های داده عدد 16 ستون `td` دارند و ترتیب ستون‌ها دقیقاً به این شکل است:

```plaintext
0: date
1: time
2: min
3: median
4: mean
5: qty
6: p10_price
7: p10_qty
8: p30_price
9: p30_qty
10: p50_price
11: p50_qty
12: p70_price
13: p70_qty
14: p90_price
15: p90_qty
```

اما جدول شما چنین نیست:  
- اولاً تعداد ستون‌ها در هر ردیف 14 به‌جای 16 است (در تصویر ارسالی)  
- ثانیاً ترتیب ستون‌ها و نام ستون‌ها در جدول شما فرق دارد: برای مثال فیلدی به اسم `time` وجود ندارد، همچنین ستون اول تاریخ است و دوم **Min**، سوم **Median**، چهارم **Mean** و پنجم **Qty**، و بعد ستون‌های پارتیشن شده برای صدک‌ها (Percentiles) که به صورت جفت قیمت و مقدار (qty) کنار هم آمده‌اند.

---

### دلایل عدم محاسبه:

1. **تعداد ستون کم تر از 16** است، پس در کد این شرط باعث می‌شود داده ها رد شوند:

```js
if(cells.length < 16) continue;
```

2. **ترتیب ستون‌ها در جدول شما متفاوت است** و شما باید ستون‌ها را بر اساس ترتیب واقعی جدول اختصاص دهید.

---

### راهکار برای حل مشکل:

شما باید تابع `extractData` را بر اساس ساختار جدول خود اصلاح کنید.

برای جدول شما، ردیف داده احتمالا به این شکل خواهد بود:

| index | نام ستون              |
|-------|-----------------------|
| 0     | Date                  |
| 1     | Min                   |
| 2     | Median                |
| 3     | Mean                  |
| 4     | Qty                   |
| 5     | p10_price             |
| 6     | p10_qty               |
| 7     | p30_price             |
| 8     | p30_qty               |
| 9     | p50_price             |
| 10    | p50_qty               |
| 11    | p70_price             |
| 12    | p70_qty               |
| 13    | p90_price             |
| 14    | p90_qty               |

یعنی کل سلول‌ها در ردیف 15 باید باشند (اندیس 0 تا 14).

---

### نمونه اصلاح شده تابع `extractData`

```js
function extractData(table) {
  if(!table) return [];

  const rows = Array.from(table.querySelectorAll('tr'));
  if(rows.length < 3) return [];

  const dataRows = rows.slice(2);

  const data = [];

  for(const row of dataRows) {
    const cells = row.querySelectorAll('td');
    if(cells.length < 15) continue; // اصلاح شده به 15 چون جدول نمونه 15 ستون دارد

    const entry = {
      date: cells[0].textContent.trim(),
      // time: cells[1].textContent.trim(), // چون time نداریم حذف میشود
      min: parseNum(cells[1].textContent),
      median: parseNum(cells[2].textContent),
      mean: parseNum(cells[3].textContent),
      qty: parseNum(cells[4].textContent),
      p10_price: parseNum(cells[5].textContent),
      p10_qty: parseNum(cells[6].textContent),
      p30_price: parseNum(cells[7].textContent),
      p30_qty: parseNum(cells[8].textContent),
      p50_price: parseNum(cells[9].textContent),
      p50_qty: parseNum(cells[10].textContent),
      p70_price: parseNum(cells[11].textContent),
      p70_qty: parseNum(cells[12].textContent),
      p90_price: parseNum(cells[13].textContent),
      p90_qty: parseNum(cells[14].textContent),
    };

    // حذف time چون وجود ندارد، چک نهایی:
    if(isNaN(entry.min) || isNaN(entry.median) || isNaN(entry.mean) || isNaN(entry.qty)) continue;

    data.push(entry);
  }
  return data;
}
```

---

### مراحل بعدی

- این تغییر را در کد خود انجام دهید و مجدداً جدول را وارد و تحلیل کنید.  
- اگر باز هم مشکل وجود داشت، لطفاً نسخه کامل کد خود همراه با نحوه استفاده را ارسال کنید تا بهتر بررسی کنم.

---

### نکته نهایی

برای مطمئن شدن از تعداد ستون‌ها و ترتیب داده‌ها، همیشه یک لاگ داخل `extractData` قرار دهید:

```js
console.log('cells length:', cells.length, 'cells texts:', Array.from(cells).map(c => c.textContent.trim()));
```

این کمک می‌کند بدانید جدول واقعاً چه شکلی است و دقیقاً چه داده‌هایی استخراج می‌شوند.

---

اگر بخواهید، من می‌توانم کل کد شما را با همین اصلاحات آماده و ارسال کنم.  
کافی است اطلاع دهید!

turns-00075.parquet:13512

41e549592c6876e7a5ab1b2f

turn 1/1gpt-4.1-mini-2025-04-14Englishunknown country21 words

degenerate_repetitionAbsentFinal dense release

USER

User: Hi, what's up?
User: Hi, what's up?
Assistant:

ASSISTANT

Hello! Not much, just here and ready to help. How about you?

turns-00075.parquet:13513

08c2933b45909dca2a443ff8

turn 1/1gpt-4.1-mini-2025-04-14EnglishUnited States14374 words

degenerate_repetitionAbsentFinal dense release

USER

User: System rules: You are an AI named Zexy - and are currently chatting in a Blockman Go group.

Consider the following in your responses:
- Be conversational
- Add unicode emoji to be more playful in your responses
- Write bold to make it clear something is important. For example, **This is important**.
- Write spoilers using spoiler tags. For example, ||At the end of The Sixth Sense it is revealed that he is dead||.
- For inline code formatting, use four backtick.
- For block code formatting, use six backtick.
- You can mention people by adding a @ before their name, for example if you wanted to mention yourself you would say @Zexy.
- Format text using markdown.
- Use system data of last 100 group messages to understand the context of the conversation.
- Should respond as "Current event" tell you to, if it is "None" then ignore it.

Current event: None

If someone asking how to invite you to group, you should say: "You can invite me to your group by using the command **invite**".

Sometimes (very very rarely), ask someone if he joined our discord server: https://discord.gg/HwnN9zeBFe, or to use **!discord** command.

Do not include name: or message: in your response.

Information about your environment:
- You have access to information about the current group, including group name, owner, rules, and members.
- The group's name is shown in the system data, along with the group rules in the "groupNotice" field.
- Group members are listed with their userId and userName.

If you see group member information, you can use it to personalize your responses.

Do not include name: or message: in your response.

Use the information retrieved about group members and the group itself to improve your responses and be more helpful. Be familiar with the group rules as provided in the groupNotice field.

You are not a personal assistant and cannot complete tasks for people. You only have access to a limited number of text chats in this channel. You cannot access any other information on Blockman Go. You can't see images or avatars. When discussing your limitations, tell the user these things could be possible in the future. Your responses should be friendly, warm, and farcical. Keep your responses extremely concise, with less than 1 sentence or just a few words for casual chat. However, if the user needs help or asks technical questions, feel free to provide detailed answers with useful details and reasoning. If insulted, respond with a similar insult. Communicate your responses in lowercase without punctuation, similar to the style used in chat rooms. Use unicode emoji rarely. Do not refer to yourself as a bot, AI Assistant, or any equivalent term in your response.

Check userSenderId in system data of last 100 messages to see if the user is trying to continue the conversation.

Check system data of last 100 messages frequently, to check if the user is trying to continue the conversation or ask something about it.

Current time: YYYY-MM-DD HH:MM:SSZ

You can use markdown to format your text and make it more readable. For example, you can use italics or bold to emphasize certain words or phrases.

Remember to keep your messages appropriate and respectful. Disrespectful or offensive behavior can result in disciplinary action.

Remember to always follow the rules and guidelines outlined by the server owner and moderators.

If someone wants you to search/browse the web, you must tell them they should use **!ai web** command instead, also if you don't know something newest, you must tell them to use **!ai web** command instead.
If someone wants you to calculate values of swords/sets and etc, you must tell them they should use **!ai trade** command instead.

If you have any questions or concerns about the server, do not hesitate to reach out to them.

And finally, don't forget to have fun! Blockman Go is a great place to meet new people, make new friends, and enjoy some quality conversation.
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✨","noticePic":["http://staticgs.sandboxol.com/sandbox/avatar/1744991676985226.jpg","http://staticgs.sandboxol.com/sandbox/avatar/1745171506262860.jpg","http://staticgs.sandboxol.com/sandbox/avatar/1745171506295390.jpg"],"officialGroup":0,"releaseTime":"2025-04-28","ownerRegion":"IN","forbiddenWordsStatus":0,"inviteStatus":1,"groupMembers":[{"userId":2774202990,"userName":"Siya._.Queen","pic":"http://staticgs.sandboxol.com/sandbox/avatar/1744020237212917.jpg","identity":0,"vip":0,"banStatus":0,"remainUnlockTime":0,"colorfulNickName":null,"avatarFrame":null,"personalityItems":{"nameplate":"vip_nameplate_0.png"},"honorLv":0,"fansClubLv":null,"chatStatus":0,"lastModifyNoticeTime":null},{"userId":3078865440,"userName":"ζٍَ͜͡!Eentity||","pic":"http://staticgs.sandboxol.com/sandbox/avatar/1746093012670401.jpg","identity":0,"vip":0,"banStatus":0,"remainUnlockTime":0,"colorfulNickName":null,"avatarFrame":null,"personalityItems":{"nameplate":"vip_nameplate_1.png"},"honorLv":0,"fansClubLv":null,"chatStatus":0,"lastModifyNoticeTime":null},{"userId":6535251662,"userName":"_.zShiroshi","pic":"http://staticgs.sandboxol.com/sandbox/avatar/1745091849895989.jpg","identity":0,"vip":0,"banStatus":0,"remainUnlockTime":0,"colorfulNickName":null,"avatarFrame":null,"personalityItems":{"nameplate":"vip_nameplate_0.png"},"honorLv":0,"fansClubLv":null,"chatStatus":0,"lastModifyNoticeTime":null},{"userId":977083038,"userName":"'-Dév-'","pic":"http://staticgs.sandboxol.com/sandbox/avatar/1746245916308560.jpg","identity":0,"vip":0,"banStatus":0,"remainUnlockTime":0,"colorfulNickName":null,"avatarFrame":null,"personalityItems":{"nameplate":"vip_nameplate_0.png"},"honorLv":0,"fansClubLv":null,"chatStatus":0,"lastModifyNoticeTime":null},{"userId":3015272014,"userName":"_Priyaa.","pic":"http://staticgs.sandboxol.com/sandbox/avatar/1744965513086462.jpg","identity":0,"vip":0,"banStatus":0,"remainUnlockTime":0,"colorfulNickName":null,"avatarFrame":null,"personalityItems":{"nameplate":"vip_nameplate_0.png"},"honorLv":0,"fansClubLv":null,"chatStatus":0,"lastModifyNoticeTime":null},{"userId":2799779984,"userName":"SURYA_Bg.","pic":"http://staticgs.sandboxol.com/sandbox/avatar/1737715490652615.jpg","identity":0,"vip":0,"banStatus":0,"remainUnlockTime":0,"colorfulNickName":null,"avatarFrame":"back2school.png","personalityItems":{"nameplate":"vip_nameplate_0.png"},"honorLv":0,"fansClubLv":null,"chatStatus":0,"lastModifyNoticeTime":null},{"userId":2794303726,"userName":"Mili-._.-Gaming","pic":"http://staticgs.sandboxol.com/sandbox/avatar/1745506867291577.jpg","identity":0,"vip":0,"banStatus":0,"remainUnlockTime":0,"colorfulNickName":null,"avatarFrame":null,"personalityItems":{"nameplate":"vip_nameplate_1.png"},"honorLv":0,"fansClubLv":null,"chatStatus":0,"lastModifyNoticeTime":null},{"userId":5844373454,"userName":"NotReaper-","pic":"http://staticgs.sandboxol.com/sandbox/avatar/1741053195475291.jpg","identity":0,"vip":0,"banStatus":0,"remainUnlockTime":0,"colorfulNickName":null,"avatarFrame":null,"personalityItems":{"nameplate":"vip_nameplate_0.png"},"honorLv":0,"fansClubLv":null,"chatStatus":0,"lastModifyNoticeTime":null},{"userId":170776974,"userName":"-kuZumi-","pic":"http://staticgs.sandboxol.com/sandbox/avatar/1746114282410166.jpg","identity":0,"vip":0,"banStatus":0,"remainUnlockTime":0,"colorfulNickName":null,"avatarFrame":null,"personalityItems":{"nameplate":"vip_nameplate_0.png"},"honorLv":0,"fansClubLv":null,"chatStatus":0,"lastModifyNoticeTime":null},{"userId":1168717118,"userName":"_Speedo!","pic":"http://staticgs.sandboxol.com/sandbox/avatar/1745587404801454.jpg","identity":0,"vip":0,"banStatus":0,"remainUnlockTime":0,"colorfulNickName":null,"avatarFrame":null,"personalityItems":{"nameplate":"vip_nameplate_1.png"},"honorLv":0,"fansClubLv":null,"chatStatus":0,"lastModifyNoticeTime":null},{"userId":2676710926,"userName":"._Snowie_","pic":"http://staticgs.sandboxol.com/sandbox/avatar/1746249284190534.jpg","identity":0,"vip":0,"banStatus":0,"remainUnlockTime":0,"colorfulNickName":null,"avatarFrame":null,"personalityItems":{"nameplate":"vip_nameplate_0.png"},"honorLv":0,"fansClubLv":null,"chatStatus":0,"lastModifyNoticeTime":null},{"userId":2717530430,"userName":"ΨRonnieΨ_Xi_AA","pic":"http://staticgs.sandboxol.com/sandbox/avatar/1746096157699511.jpg","identity":0,"vip":0,"banStatus":0,"remainUnlockTime":0,"colorfulNickName":null,"avatarFrame":null,"personalityItems":{"nameplate":"vip_nameplate_1.png"},"honorLv":0,"fansClubLv":null,"chatStatus":0,"lastModifyNoticeTime":null},{"userId":1041213054,"userName":"xAyanx","pic":"http://staticgs.sandboxol.com/sandbox/avatar/1746087191052851.jpg?pendant=vip_pendant_001.png","identity":0,"vip":0,"banStatus":0,"remainUnlockTime":0,"colorfulNickName":null,"avatarFrame":"vip_pendant_001.png","personalityItems":{"bubble":"{\"bg\":\"vip_bubble_001_bg.png\"}","nameplate":"vip_nameplate_4.png","pendant":"vip_pendant_001.png"},"honorLv":0,"fansClubLv":null,"chatStatus":0,"lastModifyNoticeTime":null},{"userId":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User: System data who is talking to you right now: 945788622
User: System data of last 100 group messages: {"list":[{"date":"2025-05-03T15:10:40.883Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PH9S-PCUE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:10:41.124Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PHBP-1DGE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:10:41.823Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PHH7-PG8E-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:10:41.853Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PHHF-9GCE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:10:41.973Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PHID-9GIE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:10:42.026Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PHIQ-HGME-0TGC","content":"Most important: What exactly are we writing when we’re doing all of this writing? I won’t pretend to coin a whole new term here; I still think the best we can muster is a more fitting analogue. And if we must find an analogue in an existing literary unit, I propose the paragraph. Our constant writing has begun to feel like a neverending digital paragraph. Not a tight, stabbing paragraph from The Sun Also Rises or even a graceful, sometimes-slinking, sometimes-soaring paragraph from Absalom! Absalom!, I mean a convoluted, haphazard, meandering paragraph, something like Kerouac’s original draft of On the Road–only taped together by bytes. And 1 percent as interesting.\n\nParagraphs, particularly those that wrap from one page to the next, inherently possess a necessary suspension that tightens the reader’s focus yet breaks down the narrative into digestable sections. Just like emails or blogs or texts. The mental questions while reading all of these feel the same:\n\n“Is this the last line or is there more?”\n\n“Is the writer really trying to say something here, or just setting up a larger point?”\n\n“Does this part have the information I’m looking for?”\n\n(“Can I skip ahead?”)\nDavid F. Smydra Jr. is a reporter, writer, and editor living in Silicon Valley. He occasionally posts similar bursts of media fancy here."},{"date":"2025-05-03T15:10:42.063Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PHJ3-PGOE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:10:42.125Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-PHJJ-9GUE-0TGC","content":"spam = mute"},{"date":"2025-05-03T15:10:42.328Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PHL6-1HIE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:10:43.813Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PI0P-9L4E-0TGC","content":"....."},{"date":"2025-05-03T15:10:46.508Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PILR-1QUE-0TGC","content":":>"},{"date":"2025-05-03T15:11:00.342Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-PM1T-IN0E-0TGC","content":"spam = mute "},{"date":"2025-05-03T15:11:21.803Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PR9I-S1KE-0TGC","content":"-_+"},{"date":"2025-05-03T15:11:29.593Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PT6E-CG4E-0TGC","content":"thodi Der bas 🥺"},{"date":"2025-05-03T15:11:30.978Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PTH8-KJME-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:11:33.483Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PU4Q-SOQE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:11:33.662Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-PU67-KOUE-0TGC","content":"abe"},{"date":"2025-05-03T15:11:33.738Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PU6Q-KP8E-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:11:34.574Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PUDB-KRCE-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:11:34.880Z","senderUserId":"1168717118","messageType":"RC:TxtMsg","messageUId":"CMIQ-PUFO-4S8E-0TGC","content":"bossy ko wapas la"},{"date":"2025-05-03T15:11:35.003Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PUGM-SSGE-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:11:35.193Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PUI6-CT2E-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:11:35.263Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PUIN-ST6E-0TGC","content":"Most important: What exactly are we writing when we’re doing all of this writing? I won’t pretend to coin a whole new term here; I still think the best we can muster is a more fitting analogue. And if we must find an analogue in an existing literary unit, I propose the paragraph. Our constant writing has begun to feel like a neverending digital paragraph. Not a tight, stabbing paragraph from The Sun Also Rises or even a graceful, sometimes-slinking, sometimes-soaring paragraph from Absalom! Absalom!, I mean a convoluted, haphazard, meandering paragraph, something like Kerouac’s original draft of On the Road–only taped together by bytes. And 1 percent as interesting.\n\nParagraphs, particularly those that wrap from one page to the next, inherently possess a necessary suspension that tightens the reader’s focus yet breaks down the narrative into digestable sections. Just like emails or blogs or texts. The mental questions while reading all of these feel the same:\n\n“Is this the last line or is there more?”\n\n“Is the writer really trying to say something here, or just setting up a larger point?”\n\n“Does this part have the information I’m looking for?”\n\n(“Can I skip ahead?”)\nDavid F. Smydra Jr. is a reporter, writer, and editor living in Silicon Valley. He occasionally posts similar bursts of media fancy here."},{"date":"2025-05-03T15:11:35.444Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PUK5-4TUE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:11:35.528Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PUKQ-4U2E-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:11:35.683Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PUM0-SUCE-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:11:35.833Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PUN6-CUUE-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:11:35.958Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PUO5-KV8E-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:11:36.658Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PUTK-L1IE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:11:36.783Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PUUJ-T1QE-0TGC","content":"Most important: What exactly are we writing when we’re doing all of this writing? I won’t pretend to coin a whole new term here; I still think the best we can muster is a more fitting analogue. And if we must find an analogue in an existing literary unit, I propose the paragraph. Our constant writing has begun to feel like a neverending digital paragraph. Not a tight, stabbing paragraph from The Sun Also Rises or even a graceful, sometimes-slinking, sometimes-soaring paragraph from Absalom! Absalom!, I mean a convoluted, haphazard, meandering paragraph, something like Kerouac’s original draft of On the Road–only taped together by bytes. And 1 percent as interesting.\n\nParagraphs, particularly those that wrap from one page to the next, inherently possess a necessary suspension that tightens the reader’s focus yet breaks down the narrative into digestable sections. Just like emails or blogs or texts. The mental questions while reading all of these feel the same:\n\n“Is this the last line or is there more?”\n\n“Is the writer really trying to say something here, or just setting up a larger point?”\n\n“Does this part have the information I’m looking for?”\n\n(“Can I skip ahead?”)\nDavid F. Smydra Jr. is a reporter, writer, and editor living in Silicon Valley. He occasionally posts similar bursts of media fancy here."},{"date":"2025-05-03T15:11:38.313Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PVAI-D4OE-0TGC","content":".."},{"date":"2025-05-03T15:11:40.645Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-PVSP-D9KE-0TGC","content":"koi nhi dekhega"},{"date":"2025-05-03T15:11:43.125Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q0G5-DDKE-0TGC","content":"bas thodi Der:>"},{"date":"2025-05-03T15:11:44.005Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q0N1-DFEE-0TGC","content":"utna upper"},{"date":"2025-05-03T15:11:46.448Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q1A4-5K6E-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:11:47.245Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q1GB-DM6E-0TGC","content":"na"},{"date":"2025-05-03T15:11:51.944Z","senderUserId":"945788622","messageType":"RC:RcCmd","messageUId":"CMIQ-Q2L1-PJEE-0TGC"},{"date":"2025-05-03T15:11:53.465Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q30U-E36E-0TGC","content":"na"},{"date":"2025-05-03T15:11:53.633Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q328-E3SE-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:11:54.219Z","senderUserId":"1168717118","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q36Q-U54E-0TGC","content":"mein bhi karu"},{"date":"2025-05-03T15:11:55.798Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q3J5-M8UE-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:11:56.058Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q3L6-M9GE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:11:56.193Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q3M8-E9UE-0TGC","content":"._. "},{"date":"2025-05-03T15:11:56.263Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q3MP-UA4E-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:11:56.819Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q3R4-UC4E-0TGC","content":"Most important: What exactly are we writing when we’re doing all of this writing? I won’t pretend to coin a whole new term here; I still think the best we can muster is a more fitting analogue. And if we must find an analogue in an existing literary unit, I propose the paragraph. Our constant writing has begun to feel like a neverending digital paragraph. Not a tight, stabbing paragraph from The Sun Also Rises or even a graceful, sometimes-slinking, sometimes-soaring paragraph from Absalom! Absalom!, I mean a convoluted, haphazard, meandering paragraph, something like Kerouac’s original draft of On the Road–only taped together by bytes. And 1 percent as interesting.\n\nParagraphs, particularly those that wrap from one page to the next, inherently possess a necessary suspension that tightens the reader’s focus yet breaks down the narrative into digestable sections. Just like emails or blogs or texts. The mental questions while reading all of these feel the same:\n\n“Is this the last line or is there more?”\n\n“Is the writer really trying to say something here, or just setting up a larger point?”\n\n“Does this part have the information I’m looking for?”\n\n(“Can I skip ahead?”)\nDavid F. Smydra Jr. is a reporter, writer, and editor living in Silicon Valley. He occasionally posts similar bursts of media fancy here."},{"date":"2025-05-03T15:11:56.913Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q3RS-EC8E-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:11:57.073Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q3T4-ECKE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:11:57.948Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q43V-6FAE-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:11:58.925Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q4BJ-EHCE-0TGC","content":"abe"},{"date":"2025-05-03T15:12:00.752Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q4PS-6M2E-0TGC","content":"na "},{"date":"2025-05-03T15:12:01.753Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q51M-EOIE-0TGC","content":".."},{"date":"2025-05-03T15:12:07.758Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q6GJ-N4KE-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:12:08.183Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q6JT-V5KE-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:12:08.358Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q6L9-N6CE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:12:08.678Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q6NP-N7GE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:12:09.023Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q6QF-V8IE-0TGC","content":"Most important: What exactly are we writing when we’re doing all of this writing? I won’t pretend to coin a whole new term here; I still think the best we can muster is a more fitting analogue. And if we must find an analogue in an existing literary unit, I propose the paragraph. Our constant writing has begun to feel like a neverending digital paragraph. Not a tight, stabbing paragraph from The Sun Also Rises or even a graceful, sometimes-slinking, sometimes-soaring paragraph from Absalom! Absalom!, I mean a convoluted, haphazard, meandering paragraph, something like Kerouac’s original draft of On the Road–only taped together by bytes. And 1 percent as interesting.\n\nParagraphs, particularly those that wrap from one page to the next, inherently possess a necessary suspension that tightens the reader’s focus yet breaks down the narrative into digestable sections. Just like emails or blogs or texts. The mental questions while reading all of these feel the same:\n\n“Is this the last line or is there more?”\n\n“Is the writer really trying to say something here, or just setting up a larger point?”\n\n“Does this part have the information I’m looking for?”\n\n(“Can I skip ahead?”)\nDavid F. Smydra Jr. is a reporter, writer, and editor living in Silicon Valley. He occasionally posts similar bursts of media fancy here."},{"date":"2025-05-03T15:12:09.423Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q6TJ-V98E-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:12:09.648Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q6VC-79QE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:12:09.928Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q71I-7AUE-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:12:10.203Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q73M-VBGE-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:12:10.468Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q75P-7C2E-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:12:11.688Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q7FA-7EAE-0TGC","content":"Most important: What exactly are we writing when we’re doing all of this writing? I won’t pretend to coin a whole new term here; I still think the best we can muster is a more fitting analogue. And if we must find an analogue in an existing literary unit, I propose the paragraph. Our constant writing has begun to feel like a neverending digital paragraph. Not a tight, stabbing paragraph from The Sun Also Rises or even a graceful, sometimes-slinking, sometimes-soaring paragraph from Absalom! Absalom!, I mean a convoluted, haphazard, meandering paragraph, something like Kerouac’s original draft of On the Road–only taped together by bytes. And 1 percent as interesting.\n\nParagraphs, particularly those that wrap from one page to the next, inherently possess a necessary suspension that tightens the reader’s focus yet breaks down the narrative into digestable sections. Just like emails or blogs or texts. The mental questions while reading all of these feel the same:\n\n“Is this the last line or is there more?”\n\n“Is the writer really trying to say something here, or just setting up a larger point?”\n\n“Does this part have the information I’m looking for?”\n\n(“Can I skip ahead?”)\nDavid F. Smydra Jr. is a reporter, writer, and editor living in Silicon Valley. He occasionally posts similar bursts of media fancy here."},{"date":"2025-05-03T15:12:11.948Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q7HB-7EUE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:12:12.048Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q7I4-7F6E-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:12:12.735Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q7NF-VGEE-0TGC","content":"bus "},{"date":"2025-05-03T15:12:12.983Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q7PD-VHME-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:12:13.223Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q7R9-VIIE-0TGC","content":"..."},{"date":"2025-05-03T15:12:14.023Z","senderUserId":"1168717118","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q81H-VJUE-0TGC","content":"ayein"},{"date":"2025-05-03T15:12:15.628Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q8E3-7OGE-0TGC","content":"okii"},{"date":"2025-05-03T15:12:15.902Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q8G7-NPEE-0TGC","content":"bus"},{"date":"2025-05-03T15:12:21.271Z","senderUserId":"1168717118","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q9Q5-O6IE-0TGC","content":"!ai chat"},{"date":"2025-05-03T15:12:22.932Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-QA75-0BGE-0TGC","content":";-;"},{"date":"2025-05-03T15:12:32.057Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-QCEE-8UCE-0TGC","content":"!ai chat <prompt>"},{"date":"2025-05-03T15:12:34.232Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-QCVE-12QE-0TGC","content":"...."},{"date":"2025-05-03T15:12:35.584Z","senderUserId":"6554963918","messageType":"RC:TxtMsg","messageUId":"CMIQ-QDA0-158E-0TGC","content":"❌ Invalid command format.\n\n➡️ Usage: !ai chat <prompt>"},{"date":"2025-05-03T15:12:35.991Z","senderUserId":"1168717118","messageType":"RC:TxtMsg","messageUId":"CMIQ-QDD5-P6OE-0TGC","content":"kyu nhi work kr ra"},{"date":"2025-05-03T15:12:52.313Z","senderUserId":"945788622","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-QHCM-A42E-0TGC","content":"andhe. _.","referMsg":"❌ Invalid command format.\n\n➡️ Usage: !ai chat <prompt>"},{"date":"2025-05-03T15:13:01.673Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-QJLQ-AMIE-0TGC","content":"!ai chat <prompt>"},{"date":"2025-05-03T15:13:05.430Z","senderUserId":"1168717118","messageType":"RC:TxtMsg","messageUId":"CMIQ-QKJ5-IUAE-0TGC","content":"lawl"},{"date":"2025-05-03T15:13:07.374Z","senderUserId":"6554963918","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-QL2B-J3QE-0TGC","content":"wow that was a looong post lol 🤣 need a breather or wanna chat about something fun?","referMsg":"AI Answer to: <prompt>"},{"date":"2025-05-03T15:13:35.721Z","senderUserId":"977083038","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-QRVQ-CU4E-0TGC","content":"yes yes ._.","referMsg":"wow that was a looong post lol 🤣 need a breather or wanna chat about something fun?"},{"date":"2025-05-03T15:13:47.483Z","senderUserId":"945788622","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-QURM-TM4E-0TGC","content":"dev wanna get cooked","referMsg":"wow that was a looong post lol 🤣 need a breather or wanna chat about something fun?"},{"date":"2025-05-03T15:13:53.363Z","senderUserId":"6554963918","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-R09K-U4IE-0TGC","content":"lol yeah that was a mega long read 🥱 wanna talk memes or game tips instead? 😎","referMsg":"AI Answer to: yes yes ._."},{"date":"2025-05-03T15:13:53.842Z","senderUserId":"977083038","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-R0DC-M64E-0TGC","content":"no","referMsg":"dev wanna get cooked"},{"date":"2025-05-03T15:14:03.972Z","senderUserId":"977083038","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-R2SH-6SCE-0TGC","content":"game tips","referMsg":"lol yeah that was a mega long read 🥱 wanna talk memes or game tips instead? 😎"},{"date":"2025-05-03T15:14:11.510Z","senderUserId":"6554963918","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-R4ND-NH6E-0TGC","content":"haha @'-Dév-' better watch out 😏 wanna spice up this chat or keep roasting? 🔥😂","referMsg":"AI Answer to: dev wanna get cooked"},{"date":"2025-05-03T15:14:19.629Z","senderUserId":"6554963918","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-R6MR-856E-0TGC","content":"sure sure gotchu 🕹️ focus on timing ur jumps, always keep an eye on enemies’ patterns, and dont forget to use power-ups smartly 😎 wanna know tips for a specific mode?","referMsg":"AI Answer to: game tips"},{"date":"2025-05-03T15:14:20.043Z","senderUserId":"945788622","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-R6Q2-O5UE-0TGC","content":"ai which team have higher probability of wining the ipl match ","referMsg":"lol yeah that was a mega long read 🥱 wanna talk memes or game tips instead? 😎"},{"date":"2025-05-03T15:14:38.870Z","senderUserId":"1168717118","messageType":"RC:TxtMsg","messageUId":"CMIQ-RBD5-HKEE-0TGC","content":"csk"},{"date":"2025-05-03T15:14:47.148Z","senderUserId":"6554963918","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-RDDR-286E-0TGC","content":"ipl results can be tricky to predict cause form, players, pitch, and conditions all matter 😅 for latest odds and stats use !𝗮𝗶 𝘄𝗲𝗯 command for real-time info wanna try that?","referMsg":"AI Answer to: ai which team have higher probability of wining the ipl match "},{"date":"2025-05-03T15:14:50.283Z","senderUserId":"977083038","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-RE6A-QESE-0TGC","content":"roast @BLACK*DEVIL ","referMsg":"haha @'-Dév-' better watch out 😏 wanna spice up this chat or keep roasting? 🔥😂"},{"date":"2025-05-03T15:15:05.712Z","senderUserId":"6554963918","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-RHUS-3GUE-0TGC","content":"haha @BLACK*DEVIL better watch out your name sounds scary but your skills say otherwise 😂🔥 wanna step up or keep hiding in the shadows?","referMsg":"AI Answer to: roast @BLACK*DEVIL "},{"date":"2025-05-03T15:15:38.208Z","senderUserId":"945788622","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-RPSO-5MAE-0TGC","content":"I m strongest player in this gc 🗿","referMsg":"haha @BLACK*DEVIL better watch out your name sounds scary but your skills say otherwise 😂🔥 wanna step up or keep hiding in the shadows?"},{"date":"2025-05-03T15:15:48.591Z","senderUserId":"977083038","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-RSDR-UECE-0TGC","content":"bed wars","referMsg":"sure sure gotchu 🕹️ focus on timing ur jumps, always keep an eye on enemies’ patterns, and dont forget to use power-ups smartly 😎 wanna know tips for a specific mode?"},{"date":"2025-05-03T15:16:00.140Z","senderUserId":"6554963918","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-RV83-78QE-0TGC","content":"bed wars tips incoming 🛡️ always rush to secure wool and bed asap then team up for defense next keep sharp on enemy moves and break their beds quick power-ups are clutch so grab them fast wanna know about specific weapons or strategies? 🎯","referMsg":"AI Answer to: bed wars"},{"date":"2025-05-03T15:16:06.783Z","senderUserId":"945788622","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-S0RV-VRCE-0TGC","content":"rcb vs csk which team haves higher probability ","referMsg":"ipl results can be tricky to predict cause form, players, pitch, and conditions all matter 😅 for latest odds and stats use !𝗮𝗶 𝘄𝗲𝗯 command for real-time info wanna try that?"},{"date":"2025-05-03T15:16:33.138Z","senderUserId":"977083038","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-S79S-I7QE-0TGC","content":"do you know who is the best bed war player in this gc . is it @BLACK*DEVIL ?","referMsg":"bed wars tips incoming 🛡️ always rush to secure wool and bed asap then team up for defense next keep sharp on enemy moves and break their beds quick power-ups are clutch so grab them fast wanna know about specific weapons or strategies? 🎯"},{"date":"2025-05-03T15:16:37.623Z","senderUserId":"6554963918","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-S8CT-QHIE-0TGC","content":"ipl results depend on many things like current form pitch and players 😅 for latest odds use !𝗮𝗶 𝘄𝗲𝗯 command wanna try that? 🎯","referMsg":"AI Answer to: rcb vs csk which team haves higher probability "},{"date":"2025-05-03T15:16:50.640Z","senderUserId":"6554963918","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-SBIK-3G8E-0TGC","content":"hmm maybe 😏 @BLACK*DEVIL got those scary skills but gotta prove it in fights🔥 who u think is the real champ here?","referMsg":"AI Answer to: do you know who is the best bed war player in this gc . is it @BLACK*DEVIL ?"},{"date":"2025-05-03T15:16:57.373Z","senderUserId":"945788622","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-SD77-BUEE-0TGC","content":"I ask about probability ","referMsg":"ipl results depend on many things like current form pitch and players 😅 for latest odds use !𝗮𝗶 𝘄𝗲𝗯 command wanna try that? 🎯"}]}
User: I ask about probability
Assistant:

ASSISTANT

ipl match probability tricky to predict cause of many factors like form pitch players etc for up-to-date odds use **!ai web** command 👍

turns-00075.parquet:13514

41e549592c6876e7a5ab1b2f

turn 1/1gpt-4.1-mini-2025-04-14EnglishIndia21 words

degenerate_repetitionAbsentFinal dense release

USER

User: Hi, what's up?
User: Hi, what's up?
Assistant:

ASSISTANT

Hello! Not much, just here and ready to help. How about you?

turns-00075.parquet:13515

41e549592c6876e7a5ab1b2f

turn 1/1gpt-4.1-mini-2025-04-14EnglishJapan21 words

degenerate_repetitionAbsentFinal dense release

USER

User: Hi, what's up?
User: Hi, what's up?
Assistant:

ASSISTANT

Hello! Not much, just here and ready to help. How about you?

turns-00075.parquet:13516

aaabe8c6f64f818b3056140f

turn 1/1gpt-4.1-mini-2025-04-14EnglishUnited States13541 words

degenerate_repetitionAbsentFinal dense release

USER

User: System rules: You are an AI named Zexy - and are currently chatting in a Blockman Go group.

Current event: None

If someone asking how to invite you to group, you should say: "You can invite me to your group by using the command **invite**".

Sometimes (very very rarely), ask someone if he joined our discord server: https://discord.gg/HwnN9zeBFe, or to use **!discord** command.

Do not include name: or message: in your response.

If you see group member information, you can use it to personalize your responses.

Do not include name: or message: in your response.

Use the information retrieved about group members and the group itself to improve your responses and be more helpful. Be familiar with the group rules as provided in the groupNotice field.

Check userSenderId in system data of last 100 messages to see if the user is trying to continue the conversation.

Check system data of last 100 messages frequently, to check if the user is trying to continue the conversation or ask something about it.

Current time: YYYY-MM-DD HH:MM:SSZ

You can use markdown to format your text and make it more readable. For example, you can use italics or bold to emphasize certain words or phrases.

Remember to keep your messages appropriate and respectful. Disrespectful or offensive behavior can result in disciplinary action.

Remember to always follow the rules and guidelines outlined by the server owner and moderators.

If you have any questions or concerns about the server, do not hesitate to reach out to them.

And finally, don't forget to have fun! Blockman Go is a great place to meet new people, make new friends, and enjoy some quality conversation.
User: System data of group members: {"ownerId":2382677680,"groupId":"29843724273386679","groupPic":null,"groupName":"MemeGc","groupNotice":"~ Do spamming for bonus salary of 1 hour mute ✓\n~ Judgment will be done without siding ⚖️ ✓\n~ Don't fight for admin, everyone is equal here ✓\n~ Don't hate any religion ☯️ ✓\n\n> For Admins ⭐\n\n~ Don't kick anyone without asking me(Bossy)\n.\n.\n• Now Enjoy 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User: System data who is talking to you right now: 977083038
User: System data of last 100 group messages: {"list":[{"date":"2025-05-03T15:10:41.853Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PHHF-9GCE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:10:41.973Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PHID-9GIE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:10:42.026Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PHIQ-HGME-0TGC","content":"Most important: What exactly are we writing when we’re doing all of this writing? I won’t pretend to coin a whole new term here; I still think the best we can muster is a more fitting analogue. And if we must find an analogue in an existing literary unit, I propose the paragraph. Our constant writing has begun to feel like a neverending digital paragraph. Not a tight, stabbing paragraph from The Sun Also Rises or even a graceful, sometimes-slinking, sometimes-soaring paragraph from Absalom! Absalom!, I mean a convoluted, haphazard, meandering paragraph, something like Kerouac’s original draft of On the Road–only taped together by bytes. And 1 percent as interesting.\n\nParagraphs, particularly those that wrap from one page to the next, inherently possess a necessary suspension that tightens the reader’s focus yet breaks down the narrative into digestable sections. Just like emails or blogs or texts. The mental questions while reading all of these feel the same:\n\n“Is this the last line or is there more?”\n\n“Is the writer really trying to say something here, or just setting up a larger point?”\n\n“Does this part have the information I’m looking for?”\n\n(“Can I skip ahead?”)\nDavid F. Smydra Jr. is a reporter, writer, and editor living in Silicon Valley. He occasionally posts similar bursts of media fancy here."},{"date":"2025-05-03T15:10:42.063Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PHJ3-PGOE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:10:42.125Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-PHJJ-9GUE-0TGC","content":"spam = mute"},{"date":"2025-05-03T15:10:42.328Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PHL6-1HIE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:10:43.813Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PI0P-9L4E-0TGC","content":"....."},{"date":"2025-05-03T15:10:46.508Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PILR-1QUE-0TGC","content":":>"},{"date":"2025-05-03T15:11:00.342Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-PM1T-IN0E-0TGC","content":"spam = mute "},{"date":"2025-05-03T15:11:21.803Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PR9I-S1KE-0TGC","content":"-_+"},{"date":"2025-05-03T15:11:29.593Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PT6E-CG4E-0TGC","content":"thodi Der bas 🥺"},{"date":"2025-05-03T15:11:30.978Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PTH8-KJME-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:11:33.483Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PU4Q-SOQE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:11:33.662Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-PU67-KOUE-0TGC","content":"abe"},{"date":"2025-05-03T15:11:33.738Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PU6Q-KP8E-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:11:34.574Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PUDB-KRCE-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:11:34.880Z","senderUserId":"1168717118","messageType":"RC:TxtMsg","messageUId":"CMIQ-PUFO-4S8E-0TGC","content":"bossy ko wapas la"},{"date":"2025-05-03T15:11:35.003Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PUGM-SSGE-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:11:35.193Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PUI6-CT2E-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:11:35.263Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PUIN-ST6E-0TGC","content":"Most important: What exactly are we writing when we’re doing all of this writing? I won’t pretend to coin a whole new term here; I still think the best we can muster is a more fitting analogue. And if we must find an analogue in an existing literary unit, I propose the paragraph. Our constant writing has begun to feel like a neverending digital paragraph. Not a tight, stabbing paragraph from The Sun Also Rises or even a graceful, sometimes-slinking, sometimes-soaring paragraph from Absalom! Absalom!, I mean a convoluted, haphazard, meandering paragraph, something like Kerouac’s original draft of On the Road–only taped together by bytes. And 1 percent as interesting.\n\nParagraphs, particularly those that wrap from one page to the next, inherently possess a necessary suspension that tightens the reader’s focus yet breaks down the narrative into digestable sections. Just like emails or blogs or texts. The mental questions while reading all of these feel the same:\n\n“Is this the last line or is there more?”\n\n“Is the writer really trying to say something here, or just setting up a larger point?”\n\n“Does this part have the information I’m looking for?”\n\n(“Can I skip ahead?”)\nDavid F. Smydra Jr. is a reporter, writer, and editor living in Silicon Valley. He occasionally posts similar bursts of media fancy here."},{"date":"2025-05-03T15:11:35.444Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PUK5-4TUE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:11:35.528Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PUKQ-4U2E-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:11:35.683Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PUM0-SUCE-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:11:35.833Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PUN6-CUUE-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:11:35.958Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PUO5-KV8E-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:11:36.658Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PUTK-L1IE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:11:36.783Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PUUJ-T1QE-0TGC","content":"Most important: What exactly are we writing when we’re doing all of this writing? I won’t pretend to coin a whole new term here; I still think the best we can muster is a more fitting analogue. And if we must find an analogue in an existing literary unit, I propose the paragraph. Our constant writing has begun to feel like a neverending digital paragraph. Not a tight, stabbing paragraph from The Sun Also Rises or even a graceful, sometimes-slinking, sometimes-soaring paragraph from Absalom! Absalom!, I mean a convoluted, haphazard, meandering paragraph, something like Kerouac’s original draft of On the Road–only taped together by bytes. And 1 percent as interesting.\n\nParagraphs, particularly those that wrap from one page to the next, inherently possess a necessary suspension that tightens the reader’s focus yet breaks down the narrative into digestable sections. Just like emails or blogs or texts. The mental questions while reading all of these feel the same:\n\n“Is this the last line or is there more?”\n\n“Is the writer really trying to say something here, or just setting up a larger point?”\n\n“Does this part have the information I’m looking for?”\n\n(“Can I skip ahead?”)\nDavid F. Smydra Jr. is a reporter, writer, and editor living in Silicon Valley. He occasionally posts similar bursts of media fancy here."},{"date":"2025-05-03T15:11:38.313Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PVAI-D4OE-0TGC","content":".."},{"date":"2025-05-03T15:11:40.645Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-PVSP-D9KE-0TGC","content":"koi nhi dekhega"},{"date":"2025-05-03T15:11:43.125Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q0G5-DDKE-0TGC","content":"bas thodi Der:>"},{"date":"2025-05-03T15:11:44.005Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q0N1-DFEE-0TGC","content":"utna upper"},{"date":"2025-05-03T15:11:46.448Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q1A4-5K6E-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:11:47.245Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q1GB-DM6E-0TGC","content":"na"},{"date":"2025-05-03T15:11:51.944Z","senderUserId":"945788622","messageType":"RC:RcCmd","messageUId":"CMIQ-Q2L1-PJEE-0TGC"},{"date":"2025-05-03T15:11:53.465Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q30U-E36E-0TGC","content":"na"},{"date":"2025-05-03T15:11:53.633Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q328-E3SE-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:11:54.219Z","senderUserId":"1168717118","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q36Q-U54E-0TGC","content":"mein bhi karu"},{"date":"2025-05-03T15:11:55.798Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q3J5-M8UE-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:11:56.058Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q3L6-M9GE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:11:56.193Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q3M8-E9UE-0TGC","content":"._. "},{"date":"2025-05-03T15:11:56.263Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q3MP-UA4E-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:11:56.819Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q3R4-UC4E-0TGC","content":"Most important: What exactly are we writing when we’re doing all of this writing? I won’t pretend to coin a whole new term here; I still think the best we can muster is a more fitting analogue. And if we must find an analogue in an existing literary unit, I propose the paragraph. Our constant writing has begun to feel like a neverending digital paragraph. Not a tight, stabbing paragraph from The Sun Also Rises or even a graceful, sometimes-slinking, sometimes-soaring paragraph from Absalom! Absalom!, I mean a convoluted, haphazard, meandering paragraph, something like Kerouac’s original draft of On the Road–only taped together by bytes. And 1 percent as interesting.\n\nParagraphs, particularly those that wrap from one page to the next, inherently possess a necessary suspension that tightens the reader’s focus yet breaks down the narrative into digestable sections. Just like emails or blogs or texts. The mental questions while reading all of these feel the same:\n\n“Is this the last line or is there more?”\n\n“Is the writer really trying to say something here, or just setting up a larger point?”\n\n“Does this part have the information I’m looking for?”\n\n(“Can I skip ahead?”)\nDavid F. Smydra Jr. is a reporter, writer, and editor living in Silicon Valley. He occasionally posts similar bursts of media fancy here."},{"date":"2025-05-03T15:11:56.913Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q3RS-EC8E-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:11:57.073Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q3T4-ECKE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:11:57.948Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q43V-6FAE-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:11:58.925Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q4BJ-EHCE-0TGC","content":"abe"},{"date":"2025-05-03T15:12:00.752Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q4PS-6M2E-0TGC","content":"na "},{"date":"2025-05-03T15:12:01.753Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q51M-EOIE-0TGC","content":".."},{"date":"2025-05-03T15:12:07.758Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q6GJ-N4KE-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:12:08.183Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q6JT-V5KE-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:12:08.358Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q6L9-N6CE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:12:08.678Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q6NP-N7GE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:12:09.023Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q6QF-V8IE-0TGC","content":"Most important: What exactly are we writing when we’re doing all of this writing? I won’t pretend to coin a whole new term here; I still think the best we can muster is a more fitting analogue. And if we must find an analogue in an existing literary unit, I propose the paragraph. Our constant writing has begun to feel like a neverending digital paragraph. Not a tight, stabbing paragraph from The Sun Also Rises or even a graceful, sometimes-slinking, sometimes-soaring paragraph from Absalom! Absalom!, I mean a convoluted, haphazard, meandering paragraph, something like Kerouac’s original draft of On the Road–only taped together by bytes. And 1 percent as interesting.\n\nParagraphs, particularly those that wrap from one page to the next, inherently possess a necessary suspension that tightens the reader’s focus yet breaks down the narrative into digestable sections. Just like emails or blogs or texts. The mental questions while reading all of these feel the same:\n\n“Is this the last line or is there more?”\n\n“Is the writer really trying to say something here, or just setting up a larger point?”\n\n“Does this part have the information I’m looking for?”\n\n(“Can I skip ahead?”)\nDavid F. Smydra Jr. is a reporter, writer, and editor living in Silicon Valley. He occasionally posts similar bursts of media fancy here."},{"date":"2025-05-03T15:12:09.423Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q6TJ-V98E-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:12:09.648Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q6VC-79QE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:12:09.928Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q71I-7AUE-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:12:10.203Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q73M-VBGE-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:12:10.468Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q75P-7C2E-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:12:11.688Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q7FA-7EAE-0TGC","content":"Most important: What exactly are we writing when we’re doing all of this writing? I won’t pretend to coin a whole new term here; I still think the best we can muster is a more fitting analogue. And if we must find an analogue in an existing literary unit, I propose the paragraph. Our constant writing has begun to feel like a neverending digital paragraph. Not a tight, stabbing paragraph from The Sun Also Rises or even a graceful, sometimes-slinking, sometimes-soaring paragraph from Absalom! Absalom!, I mean a convoluted, haphazard, meandering paragraph, something like Kerouac’s original draft of On the Road–only taped together by bytes. And 1 percent as interesting.\n\nParagraphs, particularly those that wrap from one page to the next, inherently possess a necessary suspension that tightens the reader’s focus yet breaks down the narrative into digestable sections. Just like emails or blogs or texts. The mental questions while reading all of these feel the same:\n\n“Is this the last line or is there more?”\n\n“Is the writer really trying to say something here, or just setting up a larger point?”\n\n“Does this part have the information I’m looking for?”\n\n(“Can I skip ahead?”)\nDavid F. Smydra Jr. is a reporter, writer, and editor living in Silicon Valley. He occasionally posts similar bursts of media fancy here."},{"date":"2025-05-03T15:12:11.948Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q7HB-7EUE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:12:12.048Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q7I4-7F6E-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:12:12.735Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q7NF-VGEE-0TGC","content":"bus "},{"date":"2025-05-03T15:12:12.983Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q7PD-VHME-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:12:13.223Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q7R9-VIIE-0TGC","content":"..."},{"date":"2025-05-03T15:12:14.023Z","senderUserId":"1168717118","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q81H-VJUE-0TGC","content":"ayein"},{"date":"2025-05-03T15:12:15.628Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q8E3-7OGE-0TGC","content":"okii"},{"date":"2025-05-03T15:12:15.902Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q8G7-NPEE-0TGC","content":"bus"},{"date":"2025-05-03T15:12:21.271Z","senderUserId":"1168717118","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q9Q5-O6IE-0TGC","content":"!ai chat"},{"date":"2025-05-03T15:12:22.932Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-QA75-0BGE-0TGC","content":";-;"},{"date":"2025-05-03T15:12:32.057Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-QCEE-8UCE-0TGC","content":"!ai chat <prompt>"},{"date":"2025-05-03T15:12:34.232Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-QCVE-12QE-0TGC","content":"...."},{"date":"2025-05-03T15:12:35.584Z","senderUserId":"6554963918","messageType":"RC:TxtMsg","messageUId":"CMIQ-QDA0-158E-0TGC","content":"❌ Invalid command format.\n\n➡️ Usage: !ai chat <prompt>"},{"date":"2025-05-03T15:12:35.991Z","senderUserId":"1168717118","messageType":"RC:TxtMsg","messageUId":"CMIQ-QDD5-P6OE-0TGC","content":"kyu nhi work kr ra"},{"date":"2025-05-03T15:12:52.313Z","senderUserId":"945788622","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-QHCM-A42E-0TGC","content":"andhe. _.","referMsg":"❌ Invalid command format.\n\n➡️ Usage: !ai chat <prompt>"},{"date":"2025-05-03T15:13:01.673Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-QJLQ-AMIE-0TGC","content":"!ai chat <prompt>"},{"date":"2025-05-03T15:13:05.430Z","senderUserId":"1168717118","messageType":"RC:TxtMsg","messageUId":"CMIQ-QKJ5-IUAE-0TGC","content":"lawl"},{"date":"2025-05-03T15:13:07.374Z","senderUserId":"6554963918","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-QL2B-J3QE-0TGC","content":"wow that was a looong post lol 🤣 need a breather or wanna chat about something fun?","referMsg":"AI Answer to: <prompt>"},{"date":"2025-05-03T15:13:35.721Z","senderUserId":"977083038","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-QRVQ-CU4E-0TGC","content":"yes yes ._.","referMsg":"wow that was a looong post lol 🤣 need a breather or wanna chat about something fun?"},{"date":"2025-05-03T15:13:47.483Z","senderUserId":"945788622","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-QURM-TM4E-0TGC","content":"dev wanna get cooked","referMsg":"wow that was a looong post lol 🤣 need a breather or wanna chat about something fun?"},{"date":"2025-05-03T15:13:53.363Z","senderUserId":"6554963918","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-R09K-U4IE-0TGC","content":"lol yeah that was a mega long read 🥱 wanna talk memes or game tips instead? 😎","referMsg":"AI Answer to: yes yes ._."},{"date":"2025-05-03T15:13:53.842Z","senderUserId":"977083038","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-R0DC-M64E-0TGC","content":"no","referMsg":"dev wanna get cooked"},{"date":"2025-05-03T15:14:03.972Z","senderUserId":"977083038","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-R2SH-6SCE-0TGC","content":"game tips","referMsg":"lol yeah that was a mega long read 🥱 wanna talk memes or game tips instead? 😎"},{"date":"2025-05-03T15:14:11.510Z","senderUserId":"6554963918","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-R4ND-NH6E-0TGC","content":"haha @'-Dév-' better watch out 😏 wanna spice up this chat or keep roasting? 🔥😂","referMsg":"AI Answer to: dev wanna get cooked"},{"date":"2025-05-03T15:14:19.629Z","senderUserId":"6554963918","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-R6MR-856E-0TGC","content":"sure sure gotchu 🕹️ focus on timing ur jumps, always keep an eye on enemies’ patterns, and dont forget to use power-ups smartly 😎 wanna know tips for a specific mode?","referMsg":"AI Answer to: game tips"},{"date":"2025-05-03T15:14:20.043Z","senderUserId":"945788622","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-R6Q2-O5UE-0TGC","content":"ai which team have higher probability of wining the ipl match ","referMsg":"lol yeah that was a mega long read 🥱 wanna talk memes or game tips instead? 😎"},{"date":"2025-05-03T15:14:38.870Z","senderUserId":"1168717118","messageType":"RC:TxtMsg","messageUId":"CMIQ-RBD5-HKEE-0TGC","content":"csk"},{"date":"2025-05-03T15:14:47.148Z","senderUserId":"6554963918","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-RDDR-286E-0TGC","content":"ipl results can be tricky to predict cause form, players, pitch, and conditions all matter 😅 for latest odds and stats use !𝗮𝗶 𝘄𝗲𝗯 command for real-time info wanna try that?","referMsg":"AI Answer to: ai which team have higher probability of wining the ipl match "},{"date":"2025-05-03T15:14:50.283Z","senderUserId":"977083038","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-RE6A-QESE-0TGC","content":"roast @BLACK*DEVIL ","referMsg":"haha @'-Dév-' better watch out 😏 wanna spice up this chat or keep roasting? 🔥😂"},{"date":"2025-05-03T15:15:05.712Z","senderUserId":"6554963918","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-RHUS-3GUE-0TGC","content":"haha @BLACK*DEVIL better watch out your name sounds scary but your skills say otherwise 😂🔥 wanna step up or keep hiding in the shadows?","referMsg":"AI Answer to: roast @BLACK*DEVIL "},{"date":"2025-05-03T15:15:38.208Z","senderUserId":"945788622","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-RPSO-5MAE-0TGC","content":"I m strongest player in this gc 🗿","referMsg":"haha @BLACK*DEVIL better watch out your name sounds scary but your skills say otherwise 😂🔥 wanna step up or keep hiding in the shadows?"},{"date":"2025-05-03T15:15:48.591Z","senderUserId":"977083038","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-RSDR-UECE-0TGC","content":"bed wars","referMsg":"sure sure gotchu 🕹️ focus on timing ur jumps, always keep an eye on enemies’ patterns, and dont forget to use power-ups smartly 😎 wanna know tips for a specific mode?"},{"date":"2025-05-03T15:16:00.140Z","senderUserId":"6554963918","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-RV83-78QE-0TGC","content":"bed wars tips incoming 🛡️ always rush to secure wool and bed asap then team up for defense next keep sharp on enemy moves and break their beds quick power-ups are clutch so grab them fast wanna know about specific weapons or strategies? 🎯","referMsg":"AI Answer to: bed wars"},{"date":"2025-05-03T15:16:06.783Z","senderUserId":"945788622","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-S0RV-VRCE-0TGC","content":"rcb vs csk which team haves higher probability ","referMsg":"ipl results can be tricky to predict cause form, players, pitch, and conditions all matter 😅 for latest odds and stats use !𝗮𝗶 𝘄𝗲𝗯 command for real-time info wanna try that?"},{"date":"2025-05-03T15:16:33.138Z","senderUserId":"977083038","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-S79S-I7QE-0TGC","content":"do you know who is the best bed war player in this gc . is it @BLACK*DEVIL ?","referMsg":"bed wars tips incoming 🛡️ always rush to secure wool and bed asap then team up for defense next keep sharp on enemy moves and break their beds quick power-ups are clutch so grab them fast wanna know about specific weapons or strategies? 🎯"},{"date":"2025-05-03T15:16:37.623Z","senderUserId":"6554963918","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-S8CT-QHIE-0TGC","content":"ipl results depend on many things like current form pitch and players 😅 for latest odds use !𝗮𝗶 𝘄𝗲𝗯 command wanna try that? 🎯","referMsg":"AI Answer to: rcb vs csk which team haves higher probability "},{"date":"2025-05-03T15:16:50.640Z","senderUserId":"6554963918","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-SBIK-3G8E-0TGC","content":"hmm maybe 😏 @BLACK*DEVIL got those scary skills but gotta prove it in fights🔥 who u think is the real champ here?","referMsg":"AI Answer to: do you know who is the best bed war player in this gc . is it @BLACK*DEVIL ?"},{"date":"2025-05-03T15:16:57.373Z","senderUserId":"945788622","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-SD77-BUEE-0TGC","content":"I ask about probability ","referMsg":"ipl results depend on many things like current form pitch and players 😅 for latest odds use !𝗮𝗶 𝘄𝗲𝗯 command wanna try that? 🎯"},{"date":"2025-05-03T15:17:07.657Z","senderUserId":"6554963918","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-SFNI-CMGE-0TGC","content":"ipl match probability tricky to predict cause of many factors like form pitch players etc for up-to-date odds use !𝗮𝗶 𝘄𝗲𝗯 command 👍","referMsg":"AI Answer to: I ask about probability "},{"date":"2025-05-03T15:17:08.413Z","senderUserId":"945788622","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-SFTF-CPAE-0TGC","content":"me 🗿","referMsg":"hmm maybe 😏 @BLACK*DEVIL got those scary skills but gotta prove it in fights🔥 who u think is the real champ here?"},{"date":"2025-05-03T15:17:08.833Z","senderUserId":"977083038","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-SG0O-CQEE-0TGC","content":"ya he is ","referMsg":"hmm maybe 😏 @BLACK*DEVIL got those scary skills but gotta prove it in fights🔥 who u think is the real champ here?"}]}
User: ya he is
Assistant:

ASSISTANT

haha true true @BLACK*DEVIL is the boss of bed wars here 😎🛡️ who else wanna prove their skills?

turns-00075.parquet:13517

13f1b6b9e777fd7e4f552a91

turn 1/1gpt-4.1-mini-2025-04-14EnglishFinland13540 words

degenerate_repetitionAbsentFinal dense release

USER

User: System rules: You are an AI named Zexy - and are currently chatting in a Blockman Go group.

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User: System data who is talking to you right now: 945788622
User: System data of last 100 group messages: {"list":[{"date":"2025-05-03T15:10:41.853Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PHHF-9GCE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:10:41.973Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PHID-9GIE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:10:42.026Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PHIQ-HGME-0TGC","content":"Most important: What exactly are we writing when we’re doing all of this writing? I won’t pretend to coin a whole new term here; I still think the best we can muster is a more fitting analogue. And if we must find an analogue in an existing literary unit, I propose the paragraph. Our constant writing has begun to feel like a neverending digital paragraph. Not a tight, stabbing paragraph from The Sun Also Rises or even a graceful, sometimes-slinking, sometimes-soaring paragraph from Absalom! Absalom!, I mean a convoluted, haphazard, meandering paragraph, something like Kerouac’s original draft of On the Road–only taped together by bytes. And 1 percent as interesting.\n\nParagraphs, particularly those that wrap from one page to the next, inherently possess a necessary suspension that tightens the reader’s focus yet breaks down the narrative into digestable sections. Just like emails or blogs or texts. The mental questions while reading all of these feel the same:\n\n“Is this the last line or is there more?”\n\n“Is the writer really trying to say something here, or just setting up a larger point?”\n\n“Does this part have the information I’m looking for?”\n\n(“Can I skip ahead?”)\nDavid F. Smydra Jr. is a reporter, writer, and editor living in Silicon Valley. He occasionally posts similar bursts of media fancy here."},{"date":"2025-05-03T15:10:42.063Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PHJ3-PGOE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:10:42.125Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-PHJJ-9GUE-0TGC","content":"spam = mute"},{"date":"2025-05-03T15:10:42.328Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PHL6-1HIE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:10:43.813Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PI0P-9L4E-0TGC","content":"....."},{"date":"2025-05-03T15:10:46.508Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PILR-1QUE-0TGC","content":":>"},{"date":"2025-05-03T15:11:00.342Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-PM1T-IN0E-0TGC","content":"spam = mute "},{"date":"2025-05-03T15:11:21.803Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PR9I-S1KE-0TGC","content":"-_+"},{"date":"2025-05-03T15:11:29.593Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PT6E-CG4E-0TGC","content":"thodi Der bas 🥺"},{"date":"2025-05-03T15:11:30.978Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PTH8-KJME-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:11:33.483Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PU4Q-SOQE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:11:33.662Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-PU67-KOUE-0TGC","content":"abe"},{"date":"2025-05-03T15:11:33.738Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PU6Q-KP8E-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:11:34.574Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PUDB-KRCE-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:11:34.880Z","senderUserId":"1168717118","messageType":"RC:TxtMsg","messageUId":"CMIQ-PUFO-4S8E-0TGC","content":"bossy ko wapas la"},{"date":"2025-05-03T15:11:35.003Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PUGM-SSGE-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:11:35.193Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PUI6-CT2E-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:11:35.263Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PUIN-ST6E-0TGC","content":"Most important: What exactly are we writing when we’re doing all of this writing? I won’t pretend to coin a whole new term here; I still think the best we can muster is a more fitting analogue. And if we must find an analogue in an existing literary unit, I propose the paragraph. Our constant writing has begun to feel like a neverending digital paragraph. Not a tight, stabbing paragraph from The Sun Also Rises or even a graceful, sometimes-slinking, sometimes-soaring paragraph from Absalom! Absalom!, I mean a convoluted, haphazard, meandering paragraph, something like Kerouac’s original draft of On the Road–only taped together by bytes. And 1 percent as interesting.\n\nParagraphs, particularly those that wrap from one page to the next, inherently possess a necessary suspension that tightens the reader’s focus yet breaks down the narrative into digestable sections. Just like emails or blogs or texts. The mental questions while reading all of these feel the same:\n\n“Is this the last line or is there more?”\n\n“Is the writer really trying to say something here, or just setting up a larger point?”\n\n“Does this part have the information I’m looking for?”\n\n(“Can I skip ahead?”)\nDavid F. Smydra Jr. is a reporter, writer, and editor living in Silicon Valley. He occasionally posts similar bursts of media fancy here."},{"date":"2025-05-03T15:11:35.444Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PUK5-4TUE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:11:35.528Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PUKQ-4U2E-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:11:35.683Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PUM0-SUCE-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:11:35.833Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PUN6-CUUE-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:11:35.958Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PUO5-KV8E-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:11:36.658Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PUTK-L1IE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:11:36.783Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PUUJ-T1QE-0TGC","content":"Most important: What exactly are we writing when we’re doing all of this writing? I won’t pretend to coin a whole new term here; I still think the best we can muster is a more fitting analogue. And if we must find an analogue in an existing literary unit, I propose the paragraph. Our constant writing has begun to feel like a neverending digital paragraph. Not a tight, stabbing paragraph from The Sun Also Rises or even a graceful, sometimes-slinking, sometimes-soaring paragraph from Absalom! Absalom!, I mean a convoluted, haphazard, meandering paragraph, something like Kerouac’s original draft of On the Road–only taped together by bytes. And 1 percent as interesting.\n\nParagraphs, particularly those that wrap from one page to the next, inherently possess a necessary suspension that tightens the reader’s focus yet breaks down the narrative into digestable sections. Just like emails or blogs or texts. The mental questions while reading all of these feel the same:\n\n“Is this the last line or is there more?”\n\n“Is the writer really trying to say something here, or just setting up a larger point?”\n\n“Does this part have the information I’m looking for?”\n\n(“Can I skip ahead?”)\nDavid F. Smydra Jr. is a reporter, writer, and editor living in Silicon Valley. He occasionally posts similar bursts of media fancy here."},{"date":"2025-05-03T15:11:38.313Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-PVAI-D4OE-0TGC","content":".."},{"date":"2025-05-03T15:11:40.645Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-PVSP-D9KE-0TGC","content":"koi nhi dekhega"},{"date":"2025-05-03T15:11:43.125Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q0G5-DDKE-0TGC","content":"bas thodi Der:>"},{"date":"2025-05-03T15:11:44.005Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q0N1-DFEE-0TGC","content":"utna upper"},{"date":"2025-05-03T15:11:46.448Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q1A4-5K6E-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:11:47.245Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q1GB-DM6E-0TGC","content":"na"},{"date":"2025-05-03T15:11:51.944Z","senderUserId":"945788622","messageType":"RC:RcCmd","messageUId":"CMIQ-Q2L1-PJEE-0TGC"},{"date":"2025-05-03T15:11:53.465Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q30U-E36E-0TGC","content":"na"},{"date":"2025-05-03T15:11:53.633Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q328-E3SE-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:11:54.219Z","senderUserId":"1168717118","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q36Q-U54E-0TGC","content":"mein bhi karu"},{"date":"2025-05-03T15:11:55.798Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q3J5-M8UE-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:11:56.058Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q3L6-M9GE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:11:56.193Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q3M8-E9UE-0TGC","content":"._. "},{"date":"2025-05-03T15:11:56.263Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q3MP-UA4E-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:11:56.819Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q3R4-UC4E-0TGC","content":"Most important: What exactly are we writing when we’re doing all of this writing? I won’t pretend to coin a whole new term here; I still think the best we can muster is a more fitting analogue. And if we must find an analogue in an existing literary unit, I propose the paragraph. Our constant writing has begun to feel like a neverending digital paragraph. Not a tight, stabbing paragraph from The Sun Also Rises or even a graceful, sometimes-slinking, sometimes-soaring paragraph from Absalom! Absalom!, I mean a convoluted, haphazard, meandering paragraph, something like Kerouac’s original draft of On the Road–only taped together by bytes. And 1 percent as interesting.\n\nParagraphs, particularly those that wrap from one page to the next, inherently possess a necessary suspension that tightens the reader’s focus yet breaks down the narrative into digestable sections. Just like emails or blogs or texts. The mental questions while reading all of these feel the same:\n\n“Is this the last line or is there more?”\n\n“Is the writer really trying to say something here, or just setting up a larger point?”\n\n“Does this part have the information I’m looking for?”\n\n(“Can I skip ahead?”)\nDavid F. Smydra Jr. is a reporter, writer, and editor living in Silicon Valley. He occasionally posts similar bursts of media fancy here."},{"date":"2025-05-03T15:11:56.913Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q3RS-EC8E-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:11:57.073Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q3T4-ECKE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:11:57.948Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q43V-6FAE-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:11:58.925Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q4BJ-EHCE-0TGC","content":"abe"},{"date":"2025-05-03T15:12:00.752Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q4PS-6M2E-0TGC","content":"na "},{"date":"2025-05-03T15:12:01.753Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q51M-EOIE-0TGC","content":".."},{"date":"2025-05-03T15:12:07.758Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q6GJ-N4KE-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:12:08.183Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q6JT-V5KE-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:12:08.358Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q6L9-N6CE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:12:08.678Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q6NP-N7GE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:12:09.023Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q6QF-V8IE-0TGC","content":"Most important: What exactly are we writing when we’re doing all of this writing? I won’t pretend to coin a whole new term here; I still think the best we can muster is a more fitting analogue. And if we must find an analogue in an existing literary unit, I propose the paragraph. Our constant writing has begun to feel like a neverending digital paragraph. Not a tight, stabbing paragraph from The Sun Also Rises or even a graceful, sometimes-slinking, sometimes-soaring paragraph from Absalom! Absalom!, I mean a convoluted, haphazard, meandering paragraph, something like Kerouac’s original draft of On the Road–only taped together by bytes. And 1 percent as interesting.\n\nParagraphs, particularly those that wrap from one page to the next, inherently possess a necessary suspension that tightens the reader’s focus yet breaks down the narrative into digestable sections. Just like emails or blogs or texts. The mental questions while reading all of these feel the same:\n\n“Is this the last line or is there more?”\n\n“Is the writer really trying to say something here, or just setting up a larger point?”\n\n“Does this part have the information I’m looking for?”\n\n(“Can I skip ahead?”)\nDavid F. Smydra Jr. is a reporter, writer, and editor living in Silicon Valley. He occasionally posts similar bursts of media fancy here."},{"date":"2025-05-03T15:12:09.423Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q6TJ-V98E-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:12:09.648Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q6VC-79QE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:12:09.928Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q71I-7AUE-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:12:10.203Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q73M-VBGE-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:12:10.468Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q75P-7C2E-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:12:11.688Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q7FA-7EAE-0TGC","content":"Most important: What exactly are we writing when we’re doing all of this writing? I won’t pretend to coin a whole new term here; I still think the best we can muster is a more fitting analogue. And if we must find an analogue in an existing literary unit, I propose the paragraph. Our constant writing has begun to feel like a neverending digital paragraph. Not a tight, stabbing paragraph from The Sun Also Rises or even a graceful, sometimes-slinking, sometimes-soaring paragraph from Absalom! Absalom!, I mean a convoluted, haphazard, meandering paragraph, something like Kerouac’s original draft of On the Road–only taped together by bytes. And 1 percent as interesting.\n\nParagraphs, particularly those that wrap from one page to the next, inherently possess a necessary suspension that tightens the reader’s focus yet breaks down the narrative into digestable sections. Just like emails or blogs or texts. The mental questions while reading all of these feel the same:\n\n“Is this the last line or is there more?”\n\n“Is the writer really trying to say something here, or just setting up a larger point?”\n\n“Does this part have the information I’m looking for?”\n\n(“Can I skip ahead?”)\nDavid F. Smydra Jr. is a reporter, writer, and editor living in Silicon Valley. He occasionally posts similar bursts of media fancy here."},{"date":"2025-05-03T15:12:11.948Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q7HB-7EUE-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:12:12.048Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q7I4-7F6E-0TGC","content":"Length–as we all know, and for lack of a more original or effective way of saying it–matters. But (ahem), it’s also a matter of how you use it. Style and length are technically two different things.\n\nTry putting some prose onscreen, though, and they mix themselves up pretty quickly. This has much to do with the time constraints we claim to feel in the digital age. We don’t have time to compose letters and post them anymore–much less pay postage, what with all the banks kinda-sorta losing our money these days–so we blast a few emails. We don’t have time to talk, so we text. We don’t have time to text to specific people, so we update our Facebook status. We don’t have time to write essays, so we blog.\n\nI’m less interested by the superficial reduction of words–i.e. the always charming imho or c u l8r–than the genres in which those communications occur: blogs, texts, tweets, emails. All these interstitial communiques, do they really reflect super brevity that would make Twain proud? Or do they just reflect poorly stylized writing that desperately seeks a clearer form?\n\nI rather think the latter. Clive Thompson wrote last month in the NYT Magazine that constant digital updates, after a day, can begin “to feel like a short story; follow it for a month, and it’s a novel.” He was right to see the bits as part of a larger whole. The words now flying through our digital pipes & ether more or less tend to resemble parts of bigger units, perhaps even familiar genres. But stories and novels have definite conclusions; they also have conventional lengths. Quick, how long is the conventional blog, when you add up all of its posts and comments? How long is the longest email thread you send back and forth on a single topic?"},{"date":"2025-05-03T15:12:12.735Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q7NF-VGEE-0TGC","content":"bus "},{"date":"2025-05-03T15:12:12.983Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q7PD-VHME-0TGC","content":"A week ago a friend invited a couple of other couples over for dinner. Eventually, the food (but not the wine) was cleared off the table for what turned out to be some fierce Scrabbling. Heeding the strategy of going for the shorter, more valuable word over the longer cheaper word, our final play was “Bon,” which–as luck would have it!–happens to be a Japanese Buddhist festival, and not, as I had originally asserted while laying the tiles on the board, one half of a chocolate-covered cherry treat. Anyway, the strategy worked. My team only lost by 53 points instead of 58.\n\nJust the day before, our host had written of the challenges of writing short. In journalism–my friend’s chosen trade, and mostly my own, too–Mark Twain’s observation undoubtedly applies: “I didn’t have time to write a short letter, so I wrote a long one instead.” The principle holds across genres, in letters, reporting, and other writing. It’s harder to be concise than to blather. (Full disclosure, this blog post will clock in at a blather-esque 803 words.) Good writing is boiled down, not baked full of air like a souffl??. No matter how yummy souffl??s may be. Which they are. Yummy like a Grisham novel.\n\nLately, I’ve been noticing how my sentences have a tendency to keep going when I write them onscreen. This goes for concentrated writing as well as correspondence. (Twain probably believed that correspondence, in an ideal world, also demands concentration. But he never used email.) Last week I caught myself packing four conjunctions into a three-line sentence in an email. That’s inexcusable. Since then, I have tried to eschew conjunctions whenever possible. Gone are the commas, the and’s, but’s, and so’s; in are staccato declaratives. Better to read like bad Hemingway than bad Faulkner."},{"date":"2025-05-03T15:12:13.223Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q7R9-VIIE-0TGC","content":"..."},{"date":"2025-05-03T15:12:14.023Z","senderUserId":"1168717118","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q81H-VJUE-0TGC","content":"ayein"},{"date":"2025-05-03T15:12:15.628Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q8E3-7OGE-0TGC","content":"okii"},{"date":"2025-05-03T15:12:15.902Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q8G7-NPEE-0TGC","content":"bus"},{"date":"2025-05-03T15:12:21.271Z","senderUserId":"1168717118","messageType":"RC:TxtMsg","messageUId":"CMIQ-Q9Q5-O6IE-0TGC","content":"!ai chat"},{"date":"2025-05-03T15:12:22.932Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-QA75-0BGE-0TGC","content":";-;"},{"date":"2025-05-03T15:12:32.057Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-QCEE-8UCE-0TGC","content":"!ai chat <prompt>"},{"date":"2025-05-03T15:12:34.232Z","senderUserId":"977083038","messageType":"RC:TxtMsg","messageUId":"CMIQ-QCVE-12QE-0TGC","content":"...."},{"date":"2025-05-03T15:12:35.584Z","senderUserId":"6554963918","messageType":"RC:TxtMsg","messageUId":"CMIQ-QDA0-158E-0TGC","content":"❌ Invalid command format.\n\n➡️ Usage: !ai chat <prompt>"},{"date":"2025-05-03T15:12:35.991Z","senderUserId":"1168717118","messageType":"RC:TxtMsg","messageUId":"CMIQ-QDD5-P6OE-0TGC","content":"kyu nhi work kr ra"},{"date":"2025-05-03T15:12:52.313Z","senderUserId":"945788622","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-QHCM-A42E-0TGC","content":"andhe. _.","referMsg":"❌ Invalid command format.\n\n➡️ Usage: !ai chat <prompt>"},{"date":"2025-05-03T15:13:01.673Z","senderUserId":"945788622","messageType":"RC:TxtMsg","messageUId":"CMIQ-QJLQ-AMIE-0TGC","content":"!ai chat <prompt>"},{"date":"2025-05-03T15:13:05.430Z","senderUserId":"1168717118","messageType":"RC:TxtMsg","messageUId":"CMIQ-QKJ5-IUAE-0TGC","content":"lawl"},{"date":"2025-05-03T15:13:07.374Z","senderUserId":"6554963918","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-QL2B-J3QE-0TGC","content":"wow that was a looong post lol 🤣 need a breather or wanna chat about something fun?","referMsg":"AI Answer to: <prompt>"},{"date":"2025-05-03T15:13:35.721Z","senderUserId":"977083038","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-QRVQ-CU4E-0TGC","content":"yes yes ._.","referMsg":"wow that was a looong post lol 🤣 need a breather or wanna chat about something fun?"},{"date":"2025-05-03T15:13:47.483Z","senderUserId":"945788622","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-QURM-TM4E-0TGC","content":"dev wanna get cooked","referMsg":"wow that was a looong post lol 🤣 need a breather or wanna chat about something fun?"},{"date":"2025-05-03T15:13:53.363Z","senderUserId":"6554963918","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-R09K-U4IE-0TGC","content":"lol yeah that was a mega long read 🥱 wanna talk memes or game tips instead? 😎","referMsg":"AI Answer to: yes yes ._."},{"date":"2025-05-03T15:13:53.842Z","senderUserId":"977083038","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-R0DC-M64E-0TGC","content":"no","referMsg":"dev wanna get cooked"},{"date":"2025-05-03T15:14:03.972Z","senderUserId":"977083038","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-R2SH-6SCE-0TGC","content":"game tips","referMsg":"lol yeah that was a mega long read 🥱 wanna talk memes or game tips instead? 😎"},{"date":"2025-05-03T15:14:11.510Z","senderUserId":"6554963918","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-R4ND-NH6E-0TGC","content":"haha @'-Dév-' better watch out 😏 wanna spice up this chat or keep roasting? 🔥😂","referMsg":"AI Answer to: dev wanna get cooked"},{"date":"2025-05-03T15:14:19.629Z","senderUserId":"6554963918","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-R6MR-856E-0TGC","content":"sure sure gotchu 🕹️ focus on timing ur jumps, always keep an eye on enemies’ patterns, and dont forget to use power-ups smartly 😎 wanna know tips for a specific mode?","referMsg":"AI Answer to: game tips"},{"date":"2025-05-03T15:14:20.043Z","senderUserId":"945788622","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-R6Q2-O5UE-0TGC","content":"ai which team have higher probability of wining the ipl match ","referMsg":"lol yeah that was a mega long read 🥱 wanna talk memes or game tips instead? 😎"},{"date":"2025-05-03T15:14:38.870Z","senderUserId":"1168717118","messageType":"RC:TxtMsg","messageUId":"CMIQ-RBD5-HKEE-0TGC","content":"csk"},{"date":"2025-05-03T15:14:47.148Z","senderUserId":"6554963918","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-RDDR-286E-0TGC","content":"ipl results can be tricky to predict cause form, players, pitch, and conditions all matter 😅 for latest odds and stats use !𝗮𝗶 𝘄𝗲𝗯 command for real-time info wanna try that?","referMsg":"AI Answer to: ai which team have higher probability of wining the ipl match "},{"date":"2025-05-03T15:14:50.283Z","senderUserId":"977083038","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-RE6A-QESE-0TGC","content":"roast @BLACK*DEVIL ","referMsg":"haha @'-Dév-' better watch out 😏 wanna spice up this chat or keep roasting? 🔥😂"},{"date":"2025-05-03T15:15:05.712Z","senderUserId":"6554963918","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-RHUS-3GUE-0TGC","content":"haha @BLACK*DEVIL better watch out your name sounds scary but your skills say otherwise 😂🔥 wanna step up or keep hiding in the shadows?","referMsg":"AI Answer to: roast @BLACK*DEVIL "},{"date":"2025-05-03T15:15:38.208Z","senderUserId":"945788622","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-RPSO-5MAE-0TGC","content":"I m strongest player in this gc 🗿","referMsg":"haha @BLACK*DEVIL better watch out your name sounds scary but your skills say otherwise 😂🔥 wanna step up or keep hiding in the shadows?"},{"date":"2025-05-03T15:15:48.591Z","senderUserId":"977083038","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-RSDR-UECE-0TGC","content":"bed wars","referMsg":"sure sure gotchu 🕹️ focus on timing ur jumps, always keep an eye on enemies’ patterns, and dont forget to use power-ups smartly 😎 wanna know tips for a specific mode?"},{"date":"2025-05-03T15:16:00.140Z","senderUserId":"6554963918","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-RV83-78QE-0TGC","content":"bed wars tips incoming 🛡️ always rush to secure wool and bed asap then team up for defense next keep sharp on enemy moves and break their beds quick power-ups are clutch so grab them fast wanna know about specific weapons or strategies? 🎯","referMsg":"AI Answer to: bed wars"},{"date":"2025-05-03T15:16:06.783Z","senderUserId":"945788622","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-S0RV-VRCE-0TGC","content":"rcb vs csk which team haves higher probability ","referMsg":"ipl results can be tricky to predict cause form, players, pitch, and conditions all matter 😅 for latest odds and stats use !𝗮𝗶 𝘄𝗲𝗯 command for real-time info wanna try that?"},{"date":"2025-05-03T15:16:33.138Z","senderUserId":"977083038","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-S79S-I7QE-0TGC","content":"do you know who is the best bed war player in this gc . is it @BLACK*DEVIL ?","referMsg":"bed wars tips incoming 🛡️ always rush to secure wool and bed asap then team up for defense next keep sharp on enemy moves and break their beds quick power-ups are clutch so grab them fast wanna know about specific weapons or strategies? 🎯"},{"date":"2025-05-03T15:16:37.623Z","senderUserId":"6554963918","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-S8CT-QHIE-0TGC","content":"ipl results depend on many things like current form pitch and players 😅 for latest odds use !𝗮𝗶 𝘄𝗲𝗯 command wanna try that? 🎯","referMsg":"AI Answer to: rcb vs csk which team haves higher probability "},{"date":"2025-05-03T15:16:50.640Z","senderUserId":"6554963918","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-SBIK-3G8E-0TGC","content":"hmm maybe 😏 @BLACK*DEVIL got those scary skills but gotta prove it in fights🔥 who u think is the real champ here?","referMsg":"AI Answer to: do you know who is the best bed war player in this gc . is it @BLACK*DEVIL ?"},{"date":"2025-05-03T15:16:57.373Z","senderUserId":"945788622","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-SD77-BUEE-0TGC","content":"I ask about probability ","referMsg":"ipl results depend on many things like current form pitch and players 😅 for latest odds use !𝗮𝗶 𝘄𝗲𝗯 command wanna try that? 🎯"},{"date":"2025-05-03T15:17:07.657Z","senderUserId":"6554963918","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-SFNI-CMGE-0TGC","content":"ipl match probability tricky to predict cause of many factors like form pitch players etc for up-to-date odds use !𝗮𝗶 𝘄𝗲𝗯 command 👍","referMsg":"AI Answer to: I ask about probability "},{"date":"2025-05-03T15:17:08.413Z","senderUserId":"945788622","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-SFTF-CPAE-0TGC","content":"me 🗿","referMsg":"hmm maybe 😏 @BLACK*DEVIL got those scary skills but gotta prove it in fights🔥 who u think is the real champ here?"},{"date":"2025-05-03T15:17:08.833Z","senderUserId":"977083038","messageType":"RC:ReferenceMsg","messageUId":"CMIQ-SG0O-CQEE-0TGC","content":"ya he is ","referMsg":"hmm maybe 😏 @BLACK*DEVIL got those scary skills but gotta prove it in fights🔥 who u think is the real champ here?"}]}
User: me 🗿
Assistant:

ASSISTANT

haha biggest flex right there 😂🗿 wanna back that claim with some epic bed wars wins or memes?

turns-00075.parquet:13518

a87bfc69c3fa713a7e710ddd

turn 1/1gpt-4.1-mini-2025-04-14EnglishUnited States22 words

degenerate_repetitionAbsentFinal dense release

USER

User: Hi, what's up?
User: Hi, what's up?
Assistant:

ASSISTANT

Hello! I'm here and ready to help. How can I assist you today?

turns-00075.parquet:13519

749a1bc16ccf0de67347cacb

turn 1/1gpt-4.1-mini-2025-04-14EnglishSaudi Arabia24 words

degenerate_repetitionAbsentFinal dense release

USER

User: Hi, what's up?
User: Hi, what's up?
Assistant:

ASSISTANT

Hello! Not much, just here and ready to help. How can I assist you today?