Respan Dataset Explorer

Write an interesting, dialogue-filled, thriller movie and novel style, clockpunk style, dieselpunk style, very early cyberpunk style, Japanese dark fantasy light novel, manga, anime and visual novel style format, Japanese high fantasy light novel, manga, anime and visual novel style format, Japanese urban fantasy light novel, manga, anime and visual novel style format, Western dark high fantasy pulp book, comic and movie format, Japanese science fiction/science fantasy  light novel, manga, anime and visual novel style format, edgy Western science fiction novel/movie + 80s-90s Japanese science fiction/fantasy manga anime format style narrative set in a world with influences from the Fallout video game franchise, and also from the feudal period of Japanese history under the various shogunates, Han China under the pre-Qing, pre-1664 Han Chinese Imperial House of Zhu-ruled Great Ming State/Great Ming Empire/"Ming dynasty" and the pre-Yuan dynasty and pre-Mongol Empire Han Chinese Imperial House of Zhao-ruled Great Song State/Great Song Empire/"Song dynasty" and then under the post-Qing, post-Xinhai Revolution, Beiyang Government-ruled First Republic of China, both as the short-lived Empire of China founded [the Empire of China] by Yuan Shikai and as the First Republic of China from 1911-1915 and 1916-1928, the Han Chinese Vietnamese Imperial House of Ngyuen/Ngyuen dynasty-ruled Empire of Vietnam ruling over Vietnam from 1802-1955, the post-Tokugawa shogunate and pre-1947 Great Japanese Empire ruling over Korea, Taiwan and the Pengu Islands, the Carolines, the Marinas, Sahlakin and the Kurils, modern day Japan, modern day Vietnam and Okinawa from the Japanese Home Islands in the form of a crossover fanfic between Hyakka Ryouran, Dragonar Academy, Wolfestein: The New Order , the Familar of Zero/Magika Swordsman and Summoner and the Chinese novel/comic series VERSATILE MAGE, in which the 1868 Meiji Restoration that [the Meiji Restoration] leads to the formation of the Great Japanese Empire instead leads to the Japanese Imperial Family, the  supposedly Shinto-descended Japanese Imperial House of Great Yamato, regaining executive control over the Japanese government while the Tokugawa shoguns instead act in a manner akin to the German Reichkanzlers.

 Japan still gains Taiwan and the Pengu Islands from [Japan] defeating the Manchu-Imperial House of Aisin Gioro-ruled, Manchu dominated Great Qing Empire ruling [the Great Qing Empire] over Han China, Guangdong, Guangxi, East Turkestan, Inner and Outer Mongolia, Tibet, Shanxi and Yunnan from Manchuria in the First Sino-Japanese War, [Japan still gaining] Korea in 1910 and [Japan still gaining] Sahlakin and the Kurils during the Russian Civil War, but [Japan] instead moves to [Japan] secure the Qing homeland and base of Manchuria during the 1911-1912 Xinhai Revolution against the Qing launched [the Xinhai Revolution] by [who launches the Xinhai Revolution] the Han Nationalist, Han supremacist and Han expansionist Tongmenghui against the Qing while [Japan] openly supporting the Tongmenghui, although the charismatic leader of the Xinhai Revolution, the Han Chinese physician turned revolutionary activist Dr. Sun Wen is [Wen] killed while [Wen] in [Wen] in exile [Wen] in Japan by the British foreign secret service, MI6, [Wen's death] leading to the Xinhai Revolution succeeding in its [the Xinhai Revolution's] goal of [the Xinhai Revolution] "overthrowing Qing, restoring Ming", with the post-Qing, post-Xinhai stratocratic [military governed] Beiyang Government of the presidential parlimentary republic with a bicameral legislature divided into a Senate and the House of Representatives of the First Republic of China ruling over Han China instead being [Beiyang China] an Empire of China founded not by Yuan Shikai but instead by the political organization Wen founded, the Han nationalist, Han supremacist, Chinese nationalist, Chinese expansionist Kuomingtang and the other factions within the Tongmenghui by the will of the Chinese people with the Imperial House of Zhu being [the Imperial House of Zhu] reenthroned as the Chinese imperial family [the Imperial House of Zhu], [the Imperial House of Zhu] continuing to [the Imperial House of Zhu] rule Han China uninterrupted from 1913 until the 21th century and beyond. 

Wen's contemporary and fellow Han Chinese revolutionary, Song Jiaoren, [Jiaoren] becomes the first Prime Minister [Jiaroren] of this 20th century restored Chinese Empire, followed [Jiaroen] by Xu Shichang and then by Wen's chosen successor and heir of his [Wen's] will, Wang Jingwei, who [Jingwei] presides over a alternate Second Sino-Japanese War pitting the restored Ming, Japan and even Qing-ruled Manchuria against KMT splinter cells lead [the KMT splinter cells] by [the leader of the KMT splinter cells] Wen's other student Chiang Kai Shek, and then [Jingwei being |Jingwei| succeeded as Prime Minister of the Empire of China] by Xu Hanhao of the Han Chinese nationalist, Han Chinese imperialist and Han Chinese expansionist Young China Party, and then by Li Huang, also [Huang] of the YCP, then Hua Guofeng, who [Guofeng] remained in the YCP due to the CCP remaining within the YCP, then Hu Jintao [who Jintao] remained in the YCP like Guofeng and the other KMT members, then Ma Ying-jeou of the KMT, Eric Chu of the KMT and then finally Wenzhou Wu of the YCP, by the modern-era equivalent in this timeline. 

The existence of young girls with great magical, psychic and physical power which can mostly be unlocked by the man they love, the so-called Master Samurai [Hyakka Ryouran], [the presence of the Master Samurai] is all over Asia, not just Japan in this fic

Yunnan, which [Yunnan] had [Yunnan] become independent from China after the collapse of the Qing in the China region [Yunnan] restores the Bai-Han Chinese Imperial House of Duan-ruled Daili Kingdom as its [Yunnan's] government with covert help from Japan.

The lama-ruled Buddhist theocracy of the Kingdom of Tibet is [the Kingdom of Tibet] liberated [the Kingdom of Tibet] in post-Xinhai, post-Qing liberated Tibet.

The Ming satellite state/rump kingdom of the Japanese-Han Chinese-Manchu-Mongolian Royal House of Koxinga/Zheng dynasty-ruled Tungning Kingdom is [the Tungning Kingdom] restored [the Tungning Kingdom] as the government [the Tungning Kingdom] of Guangdong and Guangxi.

The world's first modern fascist dictator and the despot of the USA from 1912-1919, Confederate apologist and revisionist failed historian turned brutal dictator Woodrow Wilson is [Woodrow] shot and killed by a random Syndicalist radical while [Wilson] conducting the Allied invasion of Russia during the Russian Civil War, with Fanny Kaplan's assassination of Soviet dictator Vladmir Lenin succeeding sometime after. The loss of both charismatic leaders [Wilson and Lenin] inadvertently prevents the Cold War between the USA and the USSR as the Soviets are essentially trapped in European Russia while the anti-Soviet, anti-Socialist, monarchist, Russian nationalist, Russian supremacist, monarchist, Orthodox Christian Whites essentially manage to hold on to Siberia and the Russian East Coast, with Admiral Kolchak serving [Kolchak] as Supreme Leader [Kolchak] of Russia. 

The American Democrat Party is utterly annihilated in the polls and [the US Democrat Party] never wins a single American election again, with American elections being split between the Republicans, American isolationists and American progressives. 

The German nationalist, anti-capitalist, Russophobic, anti-communist National Socialist German Workers' Party/NSDAP-ruled Greater Germanic Reich/"Nazi Germany" in Germany, Western Poland, Russia's Kalingrad region and the guild socialist, anti-capitalist, corporatist, anti-communist National Fascist Party-ruled Second Roman Empire/"Fascist Italy" In Italy, Libiya and North Africa  still come into existence thanks to the Great Depression despite Wilson's and Lenin's demise in this timeline and the Greater German Reich still annexes Austria, reclaims the Sudetenland and the Saar, and splits Czechoslovakia into the German protectorate of Bohemia and the Republic of Slovakia lead by Josef Tizo, but the infamous Führer und Reichskanzler [Leader and Chancellor of the Reich |Führer und Reichskanzler|] of the Greater German Reich, the ex-WW1 Austrian war vet Adolf Schicklgruber, [Adolf] is [Adolf] in fact the Gippsland, Australia-born openly gay nephew [Adolf] of [who's Adolf's uncle is in this story] pre-WW1 and pre-Versailles Germany's last Kaiser [Emperor], Willhelm II of the German House of Hohenzollern ruling [the House of Hohenzollern] over the Kingdom of Prussia that [Prussia] dominated the pre-WW1 and pre-Versalies German Empire, [Adolf] having [Adolf] been [Adolf] chosen by Willhelm as his [Willhelm's] successor after the death of his [Willhelm's] preferred successor, Adolf's father Alois in [when Alois died] 1903, with the NSDAP being [the NSDAP] founded [the NSDAP] as a minor monarchist organization [the NSDAP] to support him [Adolf] in his [Adolf's] succession of Willhelm as German Kaiser. 

Adolf's partner and [Adolf's] Imperial consort is the illegitimate son of pre-WW1 and pre-Versalies Austria's last Kaiser, Franz Josef I of the Swiss-Austrian House of Hapsburg-Lorraine, [Franz Josef I's illegitimate son] Sebastian von Hapsburg, who [Sebastian] resembles his [Sebastian's] close relative and the man who helped get Adolf in power, the Prussian general turned politician in Weimar Germany, Paul von Hindenberg, with the two [Sebastian and Adolf] being [Sebastian and Adolf] the imperial couple [Sebastian and Adolf] of the Greater Germanic Reich. 

Some of Adolf's sperm is [Adolf's sperm] stolen from him [Adolf] by the Russian Jewish organized crime monster known as the Mishpuka and [Adolf's sperm] used to [Adolf's sperm] impregnate the daughter of Soviet dictator Josef Stalin, who [Josef] was [Josef] in fact [Josef's true identity] the illegitimate son [Josef] of [whose Josef's true mother was] the last Empress of post-1917, post-Soviet Imperial Russia, Alexandra Feodorovna of the German Grand Duchy of Hesse, who [Josef's and Adolf's unwitting love grandchild] goes on to have children with the grandson of Sebastian, unknowingly preserving the Hesse and Hohenzollern bloodlines. 

During WW2 Adolf and the Greater German Reich's unified armed forces, the Wehrmacht [defense force |Wehrmacht|], consisting of the Heer (army), the Kriegsmarine (navy) and the Luftwaffe (air force), [Adolf and the Wehrmacht] concentrate on [Adolf and the Wehrmacht] attacking the Western Allies first, paying key attention to Walter Wever's theory of strategic bombing as a means to wage war. 

No allowing the British forces to escape at Dunkirk unlike in real life and earlier, more development of wunder-waffen [wonder weapon] technology like ICBMs, nukes and jet fighters along with computer technology means that the Battle of Britain becomes the predecessor for a successful Operation Sea Lion and soon the United Kingdom faces the same fate as France, with German generals in London dictating the terms of peace. 

The British Isles are divided into separate kingdoms ruled by either German royal houses or coopted native houses and the British and French colonial Empires soon become one under the Reich, providing massive amount of resources and equipment for the Axis [Italy, Germany, Bulgaria] war machine. 

Due to the complete defeat and subjectuation of the Western Allies under the Germanic boot with the Italians receiving Egypt, Sudan, all of the Horn of Africa and a good portion of the Arab peninsula along with Greece, with Croatia and Bosnia being liberated as the Italian Independent State of Croatia under the rule of the Italian royal family, the Savoys with the infamous Catholic supremacist, Croat supremacist, anti-Serbian Ustasha serving as the main force in the Independent State of Croatia. 

Germany maintains the General Government autonomous administration in German-occupied Poland proper, but [Germany] formalizes Breton independence in the French region of Brittany, [Germany] moving the administration of the so-called "Vichy France" [actually the Third French Republic under German supervision] to Northern France, allowing it ["Vichy France"] to ["Vichy France"] return ["Vichy France"] to its ["Vichy France"'s] Napoleonic-Roman political roots, while [Germany] establishing an independent Occitania in Southern France. 

The Netherlands is [the Netherlands] still absorbed directly into the Reich with Belgium being split between "Vichy France" and Germany. 

The Axis, with the help of Japan, China, Manchuria and Mongolia, then attack and [the Axis and the Asian alliance] destroy the landlocked, weakened and isolated USSR with the help of the rump White Russians in Siberia and the Russian Far East. 

Japan seizes the Russian Far East and [Japan] establishes a puppet confederation in Siberia, while European Russia became the German colony of Reichskommissariat Moskowien as a restored Danish-German-Russian Imperial House of Romanov-ruled Russian Empire with the Whites and the Russian nationalist, fascist, Russian supremacist Russian Fascist Party being the only political force allowed in European Russia. 

Stalin, having [Stalin] secretly [Stalin] despised the Soviets and the Communist system and [Stalin] having survived the war, [Stalin] adopts the identity of "Josef Romanov" and [Josef] plays a key role in [Josef] ensuring that Prince Nicholas Romanov's reign as Czar Nicholas III of Russia is as smooth as possible.

Adolf is [Adolf] forced to [Adolf] give up all the Allied colonies in East Asia and Oceania to the Japanese on the advice of his [Adolf's] Wehrmacht generals, although the Wehrmacht does help the Beiyang Army and the Manchurian New Army quash neo-Chiangist nationalist uprisings in the China region. Chiang and his [Chiang's] minions, along with the remnants of the Soviet government, flee to the island of Hainan, [the KMT splinter cells and the Soviet remnants] establishing a joint Nationalist Chinese-Soviet government in exile that is only supported by the Americans and the anti-German British government in exile in all but name in Canada. Ho Ching Ming and the Viet Cong turn against the Americans and the Soviets and join forces with the now-independent from France Vietnamese imperial government and other Vietnamese nationalist groups to help remove Soviet and Nationalist Chinese troops from Southeast Asia with the help of the Japanese, in exchange for the French puppet Vietnamese Emperor Bao Dai being replaced with the rightful heir to the Vietnamese throne, Cường Để as Emperor of Vietnam. 

The rest of the 20th century proceeds as a Cold War akin to that of OTL with the British Empire in exile taking the place of Soviet Russia, the USA taking the place of the People's Republic of China, Germany and the European bloc it [Germany] forms around itself taking the place of the British Commonwealth and Japan and the Greater East Asian Co-Prosperity Sphere taking the place of the USA and USSR respectively. 

"Vichy France" later becomes a restored French House of Bourbon-absolute parliamentary royal monarchy of the Kingdom of France

 The Civil Rights movement in the USA is confined to the American Deep South and is focused on ending racism and Democrat Party control over the American South. 

Adolf surprisingly lives until 2004, [Adolf] outliving all his [Adolf's] rivals, Prime Minister Churchill of Great Britain, the American Presidents and the Soviet system.

 Secret development of nuclear and renewable-energy based dieselpunk style advanced covert defense technology [laser and plasma weaponry in the form of infantryman-level units and Gatling lasers equipped on US, Soviet and mainland Chinese military helicopters, orbital weapons systems capable of firing specially created nuclear missiles or tungsten rods, advanced robotics capable of either fighting in battle or serving as domestic servants based on their development, functional stealth technology for usage not just on planes, but for special forces operatives and black ops agents, suits of massive power armor that vastly enhance the strength, speed and power of the user when worn, advanced riot gear that is able to shrug off all conventional bullets and knives and even possesses an integrated communication system and filtering apparatus, functional teleportation technology, advanced VTOL aircraft that can serve not only as personnel carriers but as combat units, all |the nuclear and renewable-energy based dieselpunk style advanced covert defense technology| powered |the nuclear and renewable-energy based dieselpunk style advanced covert defense technology| by |what energy source nuclear and renewable-energy based dieselpunk style advanced covert defense technology uses| controlled nuclear fusion in the form of |what the controlled nuclear fusion that powers nuclear and renewable-energy based dieselpunk style advanced covert defense technology takes the form of| nuclear power cells and fission reactors] that [the pre-chakra nuclear and renewable-energy based dieselpunk style advanced covert defense technology] despite the transitior still [the transistor] being invented in 1947 and electronic digital technology still being developed and utilized like in real life, mostly in German and Italian controlled Europe and the Japanese and Manchu-dominated Greater East Asian Co-Prosperity Sphere. 



However in the 1950s, the invasion of the  Earth by the extradimensional, expansionist, female populated and female dominated, steam, diesel and clockwork-powered civilian and military technology having, draconic Imperial House of Synclavia-ruled absolute Imperial Royal parliamentary imperial royal monarchy of the Vatlantis Empire [Masou Gakuen HxH] from its [Vatlantis'] home dimension of the fantasy-based, magic-powered, having the usual fantasy species of elves, dragons, magicians and dark elves alongside regular humans Atlantis [Masou Gakuen HxH], with the Vatlantis Empire's combined armed forces, the Vatlantis Imperial Armed Forces [Masou Gakuen HxH], utilising the fact that its [the Vatlantis Imperial Armed Forces'] soliders are [the soliders fighting for the Vatlanis Empire Armed Forces] highly gifted in combat and with their magic are able to field brigands and also entire ships, thus making Vatlantis have thousands of brigands and massive fleets along with the magic, usually revealing and skimpy combat armor with the ability to sustain the life of the host and provide the necessary energy for the host to survive along with having the ability to deploy specific weaponry and powers, flight capabilities and a protective shield when equipped, [the magic armor] known as a Heart x Hybrid Gear [Masou Gakuen HxH] being [the Heart x Hybrid Gear] used by its [the Vatlantis Empire Armed Forces'] elite special forces units to [the Vatlanis Empire Armed Forces' elite special forces units using the Heart x Hybrid Gear along with Atlantis' residents' massive magical ability allowing them to field brigands and also entire ships, thus making Vatlantis have thousands of brigands and massive fleets] decimate the militaries, federal law enforcement agencies and police agencies of Earth's superpowers and subsequently seize much of the Earth for the Vatlanis Empire [Masou Gakuen HxH], with most of the Earth's governments, NGOs and corporations fleeing with chosen sections of the national militaries, Police forces and federal law enforcement agencies alongside with selectively chosen civilian populations of the world's nations to the floating above the sea technologically advanced cities that were exactly the country for the countries all over the world which lost their territory to Vatlantis, that particular city being all the territory that they had with the crews and residents of said cities being all the people of the country who could be confirmed as safe in the current condition with things like territorial waters holding no meaning as the cities sailed throught the world known as Megafloats [Masou Gakuen HxH] after the invasion of Earth by Vatlantis like in canon Masou Gakuen HxH.  

the return of the Divas [another word |Diva| for |what a Diva is also called| a contracted spirit which |a contracted spirit/‘Diva’| is |what a contracted spirit/‘Diva’ is|a manifestation | a contracted spirit/‘Diva’| of |what a contracted spirit/‘Diva’ is a manifestation ( a contracted spirit/‘Diva’) of| a creature, a concept, or a character from some mythology or folk belief |a contracted spirit/‘Diva’| that |what a contracted spirit/‘Diva’ does| forms |what a Diva forms| a contract with |the human or supernatural entity a contracted spirit/‘Diva’ forms a contract with| a chosen human or supernatural creature, |the human or supernatural creature a ‘Diva’/contracted spirit forms a contract with| usually being a female between the ages of 13-29 |the contract between a Diva and its chosen human or supernatural creature| being represented by |what the contract between a Diva and its chosen human or supernatural creature is represented by| a mark known as |what the mark that represents the contract between a Diva and its chosen human or supernatural creature is known as| a Stigima that |the Stigma| usually |the Stigma| is |what normally happens to a Stigma| on the contractor’s right hand, |the contract between a contracted spirit/‘Diva’ and its chosen human or supernatural creature being known as a Stigma| and |what else the contract between a contracted spirit/‘Diva’ and its chosen human or supernatural creature does apart from the contractor recieving a stigma| giving the contractor |what the contractor gets from the contract between herself and the contracted spirit/‘Diva’ she has formed a contract with| the ability to |the supernatural ability the contractor gets from the contract between herself and the contracted spirit/‘Diva’ she has formed a contract with| materliaize and use a Décolleté Oblique/Decorteo Brigieux |Oblique Neckline/Magical Dress/“Cleavage required” (Décolleté Oblique/Decorteo Brigieux), a special set of armor (Décolleté Oblique/Decorteo Brigieux) that (Décolleté Oblique/Decorteo Brigieux) most of the time resembles (what a Décolleté Oblique/Decorteo Brigieux mostly resembles) a revealing set of knight or mage armor usually seen in perverted visual novels, anime, manga and J-RPGS, that ( a Décolleté Oblique/Decorteo Brigieux) can (a Décolleté Oblique/Decorteo Brigieux) only be used by (who are the only persons who can use Décolleté Oblique/Decorteo Brigieux) female humans and supernatural creatures that (the female humans and supernatural creatures who can use Décolleté Oblique/Decorteo Brigieux) have (the female humans and supernatural creatures who can use Décolleté Oblique/Decorteo Brigieux) formed contracts with (what supernatural entity the female humans and supernatural creatures who can use Décolleté Oblique/Decorteo Brigieux have formed contracts with) contracted spirits/‘Divas’, that (a Décolleté Oblique/Decorteo Brigieux) only appears (a Décolleté Oblique/Decorteo Brigieux) when (the time when a Décolleté Oblique/Decorteo Brigieux appears and can be used) the contractor is in battle or (the contractor) otherwise using more than a small percentage of the contracted spirit/‘Diva’‘s power| as well as |the supernatural ability the contractor gets from the contract between herself and the contracted spirit/‘Diva’ she has formed a contract with apart from receiving a Stigma and gaining the ability to use a Décolleté Oblique/Decorteo Brigieux| the ability to use the the contracted spirit/‘Diva’‘s she has formed a contract with’s magic, |Divas| from |the media franchise Divas are (Divas) from| Magika Swordsman and Summoner] occurs sometime after WW2 like in canon Magika Swordsman and Summoner. 

The Kokuritsu Kodomo Gakuen [National Samurai Academy |Kokuritsu Kodomo Gakuen|], a Japan-wide government educational institution [the Kokuritsu Kodomo Gakuen] for [the purpose of the Kokuritsu Kodomo Gakuen] sponsoring Japanese samurai, noble and aristocratic families who have Diva [Magika Kenshi to Shōkan Maō] contractees or posses strong swordsmanship inheritance, [the Kokuritsu Kodomo Gakuen] from [the media franchise the Kokuritsu Kodomo Gakuen is |the Kokuritsu Kodomo Gakuen| from] Magika Swordsman and Summoner., [the Kokuritsu Kodomo Gakuen in this story] is [the Kokuritsu Kodomo Gakuen in this story] still constructed and built in this story. 




 The black-haired, blue-eyed, tall, slender and buxom, cheerful and happy-go-lucky infamous, intellectually gifted and academically brilliant but also mentally unstable Japanese noble family head and mad scientist along with skilled inventor Hida Nayuta [Masou Gakuen HxH] whom [Nayuta] is [Nayuta] really the human form [Nayuta] of [Nayuta’s true self] the Greek mythological God of Death Thanatos, whose [Thanatos’] true form is [Thanatos’ true form] revealed [Thanatos’ true form] to [Thanatos’ true form] be [Thanatos’ true form] a buxom, tall and curvy, blonde-haired, blue-eyed woman with the look of a stereotypical Angel and the ability to control machines as well, [Thanatos as Nayuta] has two children with one of Adolf's, Sebastian's and Josef's shared descendants via Adolf's stolen sperm: 
he black-haired, blue-eyed, tall, slender and very curvy and buxom, stern, serious and determined, intellectually and academically gifted and talented, highly capable leader and skilled combatant but also hot-tempered, very-perverted and seductive Japanese noble heiress Hida Reiri [Masou Gakuen HxH] who [Reiri] has [what Reiri has] the white Valkyre and sexy wedding outfit-based, strength-boosting, speed-boosting, durability providing, flight capable HxH Gear equipped with a sword that cuts apart everything and a shield that obstructed every danger, interfering with cause and effect so that it will block every attack, even weapons with similar abilities Zecros [Masou Gakuen HxH] and Reiri's younger brother, the black-haired, blue-eyed,  friendly and straightforward, very aware of other people's feelings but intellectually and academically gifted young Japanese noble heir with the HxH Gear with the ability to replenish lost powers of other Heart Hybrid Gear's, enhance their combat power, and unlock new ones and also to use equipment coming from another gear, Eros, Hida Kizuna [Masou Gakuen HxH]. 

Reiri and Kizuna grow up as the German Imperial Crown Princess and Prince in Greater Germany with Kizuna expected to succeed Adolf as both Kaiser and  Führer und Reichskanzler of the Greater Germanic Reich. 

After Nayuta's mysterious disapperance, Reiri returns to Megafloat Japan and [Reiri] becomes [Reiri] the commander [Reiri] of  Japanese government-sponsored academy for people who use Heart x Hybrid Gear [Masō Gakuen Haiburiddo Hāto], regular students and a research institute for developing advanced weapons on a self-supporting floating, technologically advanced megacity with a diameter of three kilometers equipped with unmanned city defense systems just off the coast of the Japanese Home Islands, the Senjutsu Bouei Gakuen Atalaksia [Tactical Defense Academy Ataraxia |Senjutsu Bouei Gakuen Atalaksia|], [Senjutsu Bouei Gakuen Atalaksia] from [the media franchise the Senjutsu Bouei Gakuen Atalaksia is |the Senjutsu Bouei Gakuen Atalaksia| from] Masō Gakuen Haiburiddo Hāto like in canon Masou Gakuen HxH. 

Due to a contract made between the  politically powerful, usually water-magic having magicallly powerful French magical and non-magical noble house of the Ducal House of La Vallière [the Familiar of Zero] which [ the Ducal House of La Vallière] is [ the Ducal House of La Vallière] in fact the last remnants of the imperial family of the now-decimated entirely dragon-populated absolute imperial royal monarchy of the Avalon Empire [Dragonar Academy] located [the Avalon Empire] in an alternate dimension, Kizuna ends up attending the French school for magical humans, monsters and monster girls along with elves and goblins, Tristian Academy of Magic under the alias of Kenneth Hindergrad. 

 The Ducal House of La Vallière's current heiress the pink-haired, pink-red eyed, short, slender and petite but also secretly curvy and buxom, collected, proud, and powerful but also very generous, selfless, thoughtful and supportive as well as impatient, temperamental, shy, and reckless, void-magic having Louise Françoise Le Blanc de La Vallière [the Familiar of Zero] who [Louise] is [Louise] the reincarnation [Louise] of [Louise's past life]  the pink-haired, red-eyed, short, slender and petite but also secretly curvy and buxom young dragoness girl in a human form Eco Aurora-Christa Pendragon Lena Anherusu-Ilya Roransu Liliane-Muriel-Octavia-Robertine de la Rosa Resuperansu van de Compostela Avalon [Seikoku no Doragunā], [Eco Aurora-Christa Pendragon Lena Anherusu-Ilya Roransu Liliane-Muriel-Octavia-Robertine de la Rosa Resuperansu van de Compostela Avalon] better known by her [Eco’s Aurora’s-Christa’s Pendragon’s Lena Anherusu’s-Ilya’s Roransu’s Liliane’s-Muriel’s-Octavia’s-Robertine’s de la Rosa’s Resuperansu’s van de Compostela’s Avalon’s] first name [Eco], who [Eco] is [who Eco is] the imperial crown princess [Eco] of the Avalon Empire, [Louise] has encounters with "Kenneth" at Tristian but [Louise] doesn't know who he [Louise] is. 

Due to the presence of dragons who can form contracts with humans and [these specific dragons] thus being known as Pals from Dragonar Academy, Louise's true self's [Eco's] Pal contract activates when [Louise] moulding her void magic into regular magic and she [Louise] subsequently finds herself on the branch of the Kokuritsu Kodomo Gakuen on the Senjutsu Bouei Gakuen Atalaksia, [Louise] subsequently landing into the arms of the brown-haired, brown-eyed, tall and slender, kind and caring  skilled at cooking and chores but also hated himself, adopted son of the Japanese Hayashizaki noble house with Lemegeton [Magika Swordsman and Summoner], who [Lemegeton in this story] takes the form of [what  Lemegeton's human form is] a petite young girl [Lemegeton's human form] who [Lemegeton's human form] has [Lemegeton's human form's] long silver hair, dark tan colored skin, yellow eyes as well as white star-shaped tattoos on her [Lemegeton's human form] forehead, arms and legs with [what else Lemegeton has] a cheerful, upbeat, childish, somewhat naive and loving personality as well as a bad habit of [Lemegeton] speaking in first person, [Lemegeton] having the ability to [what Lemegeton has the ability to |Lemegeton| do] control the Divas [Magika Kenshi to Shōkan Maō] known in Judeo-Christian mythology as the "72 Pillars of Solomon", her [Lemegeton's] contractors having the ability to gain the powers of said Divas [the so-callled "72 Pillars of Solomon"] by making their [the so-called "72 Pillars"'s] contractors fall in love with them [Lemegeton's contractors], as his Diva, Hayashizaki Kazuki from Magika Swordsman and Summoner, [Louise falling into Kazuki's arms]. Louise later turns out to be Kazuki's Pal which causes a scandal at the Senjutsu Bouei Gakuen Atalaksia until Reiri stops it. 

The excerpt should focus on Kizuna deciding to [Kizuna] pay a visit [Kizuna] to the Senjutsu Bouei Gakuen Atalaksia from Tristian under heavy Wehrmacht guard and also to check up on Reiri only to see Louise clingly tightly to Kazuki as the Vatlantis Empire's current crown princess, the pink-haired, red-eyed, tall, slender and buxom,  publicly serious and arrogant with a wicked tongue and liking  to look down on other people, but in reality shy and stubborn being very quickly embarrassed with the speed and strength enhancing with stealth abilities mythical knight-themed HxH Gear with the true ability to generate a magic circle that envelops magical items and deconstructs them into their base component, magical particles, upon contact and the sub-ability to summon a  a very long ranged-melee weapon that is a mixture of  Zeroes , Ainess Synclavia [Masou Gakuen HxH], who [Ainess] is [Ainess] currently on Earth as an amnesiac about the first seven years of her [Ainess'] life fighting for the side of the Senjutsu Bouei Gakuen Atalaksia and Japan under the name of [Ainess' name while on Earth] Chidorigafuchi Aine,  the black-haired, blue-eyed, tall, slender and buxom, harsh and strict but also kind and forgiving cat-girl monster and princess of the Japanese Imperial Family, the supposedly Shinto-pantheon-descended, Japanese Imperial House of Yamato/Minamoto dynasty who is the de jure Student Council president of Senjutsu Bouei Gakuen Atalaksia’s school division, Himekawa Hayuru [Masou Gakuen HxH] who [Hayuru] has her [Hayuru’s] personal red and white samurai and sexy nurse themed HxH Gear with the ability to generate multiple blades via mental or verbal command, Neros, the petite, black-haired, amber-eyed, short and buxom with the HxH Gear that manifests itself as two handguns, Sigura,  free-spirited yet dutiful, dedicated yet hardworking German-American girl Gertrude Baird from Masou Gakuen HxH, the blonde-haired, blue-eyed, tall, slender and buxom, with a  clumsy and somewhat big-sister like personality wise and understanding with a very perverted lecherous personality, having the blue, heavily armored but revealing and sexy combat armor like speed HxH Gear with overpowered Particle Cannons as its weapons, Cross, American corporate heiress Yurisia Farandole along with Kizuna's and Reiri's shared paternal younger half-sister and the de-facto student council president of  Senjutsu Bouei Gakuen Atalaksia’s school division the blonde-haired, amber-eyed, short, slender and petite, immensely intelligent and academically gifted, aloof, proud and cocky but secretly insecure, shy and vunerable young girl having a copy of Zecros inside her Hida Setsuna, [Louise clinging tightly to Kazuki as Aine, Hayuru, Baird, Yurisia and Setsuna] all [Aine, Hayuru, Baird, Yurisia and Setsuna] fight over his [Kazuki's] love. 


N.B: There are no multiverses, multiple universes, multiple worlds or anything of this sort in this story. Everything takes place in the same world and occurs in chronological order. 

In the shadowed hallways of the advanced Megafloat, Senjutsu Bouei Gakuen Atalaksia, the hum of technology and whispered secrets blend seamlessly. As a floating testament to human ingenuity, the academy serves as the last bastion against the Vatlantis Empire's incursion, housing the greatest young minds and warriors of the era.

The air vibrated with tension as Hida Kizuna, under ironclad protection of the Wehrmacht's finest, made his way to the academy's heart. His purpose was twofold: to check on his sister, Reiri, and to navigate the political intricacies that the presence of his and Adolf's hidden lineage in Greater Germany created.

Upon entering the grand arena, where students often tested their mettle, Kizuna's gaze fell upon a bizarre yet touching scene. Louise, clinging to Kazuki with an intensity that spoke of deep bonds, and around them, a maelstrom of emotions and power: Aine, Hayuru, Baird, Yurisia, and Setsuna, each embroiled in a tumultuous quest for Kazuki's affection.

Their armors, manifestations of their souls and contracts with Divas, shimmered with latent energy, reflecting their formidable abilities and the diverse backgrounds they came from. Yet, amidst this standoff of affections and abilities, Kizuna sensed the profound connections that tied everyone present.

"Aine, or should I say, Ainess Synclavia, your battles have been many," Kizuna began, stepping forward, his voice steady yet gentle, drawing the group's attention. "The memories you seek, the past you yearn to reclaim, know that you are not alone in this fight."

Aine, momentarily lost in Kizuna's words, hesitated, her guise of Chidorigafuchi Aine wavering as flashes of her true identity and mission threatened to resurface.

"Louise, your bravery and transformation here are commendable," Kizuna continued, his gaze now on the petite figure still clinging to Kazuki. "Embracing your true nature and power is a journey we all must undertake."

As if on cue, Lemegeton, morphing from her child-like form, floated between them, her presence a soothing balm to the swirling energies. "Indeed, forming connections, forging contracts—it's the essence of our strength and our bonds."

Kazuki, finding his voice, addressed the assembled, "We stand together, bound not by our past but by our aspirations for a safer world. Each of you, with your own stories, your own battles, has a place here, beside me."

The weight of his words seemed to anchor the group, their competing desires momentarily calmed by the reminder of their shared plight against the Vatlantis Empire and the broader conflict that awaited them.

Kizuna, witnessing this unity, couldn't help but feel a surge of hope. "In this fight, our bonds are our greatest weapons. The world we knew may be fractured, the enemies we face, daunting. Yet, together, we wield a power unrivaled—a testament to what humanity can achieve when united."

As if inspired by Kizuna's affirmation, the group around Kazuki nodded, their resolve strengthened, their armors gleaming a bit brighter under the artificial lights of the academy.

This convergence of fates, of timelines intertwining and legacies unfolding, was not merely a battle for affection but a testament to the indomitable human spirit. In the face of an uncertain future and a past that sought to claim them, they stood together, ready to write a new chapter, one where love and camaraderie shaped the destiny of worlds.

Drawing a deep breath, Kizuna prepared to return to his duties, his visit serving as a reminder of the fragile yet resilient threads that connected them all, in a world where clocks ticked in unison with human hearts, and steam rose not just from machines but from the passion of those determined to make a difference.

In the distance, the sound of advanced technology mixed with the age-old beat of combat training—a symphony of the new age, where the past and future collided in a relentless pursuit of peace and understanding.

itb is there any advantage to use subtractive eq only?

Using subtractive EQ (equalization) exclusively is a technique preferred by many audio engineers and producers for several reasons. While both additive (boosting frequencies) and subtractive (cutting frequencies) EQ approaches are fundamental in shaping the tonal balance of individual tracks and mixes, subtractive EQ has specific advantages. Here are some reasons why one might choose to use subtractive EQ only:

### 1. **Maintains Signal Integrity**
Subtractive EQ helps in preserving the natural tone of the source material. By cutting frequencies that are not needed or are overly abundant, you retain the original character of the sound without adding any artificial coloration that can come from boosting.

### 2. **Reduces Masking**
In a mix, different instruments and voices can compete for the same frequency space, leading to masking where one sound covers up another, making it less distinct. Subtractive EQ can alleviate this problem by carving out space for each element, ensuring that each part of the mix can be clearly heard.

### 3. **Increases Headroom**
Boosting frequencies increases the overall level of the sound, which can eat into your headroom and lead to clipping or the need for more compression. Subtractive EQ, on the other hand, reduces levels in specific areas, which can help in maintaining a cleaner headroom, allowing for a more dynamic mix.

### 4. **Promotes a More Natural Sound**
Subtractive EQ can create a more natural and cohesive sounding mix. By removing frequencies that are clashing or unnecessary, what is left is the essence of each sound, which often results in a mix that sounds more natural and less processed.

### 5. **Encourages Better Recording Practices**
Relying on subtractive EQ can enforce a discipline of getting the best possible sound at the source. Knowing that you won’t be adding frequencies later encourages you to capture the sound as perfectly as possible during the recording phase.

### 6. **Minimizes Phase Shift**
All EQ, whether additive or subtractive, affects the phase of audio signals. However, because subtractive EQ involves removing frequencies rather than adding, it can lead to minimally invasive changes to the phase relationships within the audio. This can result in a more phase-coherent mix, theoretically preserving the natural timing relationships between different parts of the audio.

### Caveats and Considerations
While subtractive EQ has many benefits, it's important to remember that it is a tool rather than a rule. The best approach is often a combination of both subtractive and additive EQ, tailored to the requirements of the individual track or mix. For example, sometimes a particular sound might lack presence or brightness, and a boost in certain frequencies might be necessary to achieve the desired effect.

In summary, using subtractive EQ can offer several advantages in maintaining the integrity, clarity, and naturalness of recordings. However, like all aspects of audio production, it should be used judiciously and in combination with other techniques for the best overall results.

give me more tips and reasons why subtractive eq  is goods

Subtractive EQ is a powerful tool in audio production, offering numerous benefits for achieving a clean, balanced, and dynamic mix. Here are more tips and reasons why subtractive EQ is often favored by professionals in the field:

### 1. **Promotes Frequency Balance**
Subtractive EQ helps to create a more balanced frequency spectrum within a mix. By cutting out frequencies that are too dominant or that clash with other elements, you ensure a smoother, more harmonious blend of sounds, which contributes to a more pleasant listening experience.

### 2. **Less is More**
In many cases, subtractive EQ adheres to the "less is more" philosophy. Instead of adding more to an already complex mix, removing certain elements can actually enhance what’s left. This approach often leads to a more powerful impact from the remaining frequencies, creating a cleaner mix where every element has its own space.

### 3. **Improves Clarity and Separation**
Subtractive EQ can significantly improve the clarity and separation between instruments in a mix. By carefully cutting overlapping frequencies, each element can be more distinctly heard, making the mix sound spacious and well-defined. This clarity is especially crucial in dense arrangements and genres with many competing elements.

### 4. **Minimizes the Need for Compression**
Heavy additive EQ can increase the need for compression, as boosting certain frequencies also raises the overall signal level, potentially leading to issues with dynamics and headroom. Subtractive EQ, by reducing levels at specific frequencies, can lower the reliance on compression to manage peaks and balance, resulting in a more dynamic and lively mix.

### 5. **Encourages Selective Focus**
Using subtractive EQ forces you to critically listen to your tracks and identify which frequencies are unnecessary or detrimental. This selective focus can lead to more intentional decisions and a better understanding of how sounds interact in a mix.

### 6. **Facilitates Consistent Mixes**
Applying subtractive EQ helps achieve consistency across different listening environments. Excessive or clashing frequencies can behave unpredictably in various spaces or playback systems. Cutting these problematic frequencies can make your mix translate better across different speakers, headphones, and rooms.

### Tips for Effective Subtractive EQ
- **Use High-Pass Filters**: Apply high-pass filters to remove low-end rumble and frequencies that are not essential to the character of an instrument. This can significantly clean up the mix, especially in the lower frequency range.
- **Narrow vs. Broad Cuts**: Use narrow cuts to remove problematic frequencies (e.g., resonances) and broader cuts for general tonal shaping and creating space among instruments.
- **Sweep and Find**: To find frequencies that might need cutting, boost a narrow band and sweep through the frequency spectrum. When you find a frequency that sounds particularly harsh or cluttered, invert the boost to a cut.
- **Volume Matching**: After applying subtractive EQ, make sure to level match the output so that your ears are not fooled by volume differences. This ensures your EQ decisions are based on tonal balance and not perceived loudness.
- **Step Back and A/B Test**: Regularly bypass your EQ settings to compare the before and after. This will help ensure that your subtractive EQ moves are actually improving the mix.

Implementing subtractive EQ thoughtfully can lead to mixes that are more coherent, dynamic, and pleasing to the ear. Remember, however, that EQ, whether additive or subtractive, is just one tool in a mix engineer’s toolkit. The best results often come from combining techniques based on the needs of each specific project.

in terms of sound quality, does it make a difference?

Yes, in terms of sound quality, subtractive EQ can make a significant difference. The quality and clarity of audio in a mix are often vastly improved by judicious use of subtractive EQ. Here's how it impacts sound quality:

### Clarity and Definition
By removing unnecessary or competing frequencies, subtractive EQ helps to clarify and define the sound of individual instruments and vocals. This improves the overall clarity of the mix because there's less frequency overlap, making each element in the track more distinguishable.

### Natural Tonal Balance
Subtractive EQ can help maintain a natural tonal balance by reducing the need to artificially enhance certain frequencies. Boosting frequencies, especially when overdone, can introduce a level of artificiality to the sound. Cutting unwanted frequencies instead helps retain the natural character of the original recording, which is often preferred for sound quality.

### Reduced Muddiness and Booming
Low-frequency build-up from multiple instruments, such as kick drums, bass guitars, and low synths, can create a "muddy" or "boomy" mix. Subtractive EQ is particularly effective at cleaning up these low frequencies, ensuring a tighter, more focused low end that enhances the overall sound quality.

### Improved Dynamic Range and Headroom
Subtractive EQ reduces the likelihood of digital clipping and allows for a more dynamic mix. By cutting frequencies instead of boosting, you reduce the overall signal level, thereby increasing headroom. This allows for a more dynamic range, as there is more space for peaks without hitting the ceiling of digital clipping, which can degrade sound quality.

### Reduced Phase Issues
Every EQ adjustment, additive or subtractive, alters the phase of the audio signal to some extent. However, subtractive EQ tends to introduce fewer phase issues than additive EQ because it works by cutting frequencies rather than boosting them. Maintaining better phase coherency preserves the natural timing and spatial characteristics of the sound, which is critical for high-quality audio.

### Minimized Noise and Distortion
When you boost frequencies, especially with analog equipment or emulation plugins, you're not just boosting the desired signal but also any noise or distortion that exists in that frequency range. Subtractive EQ avoids exacerbating noise and distortion since it focuses on reducing levels rather than increasing them.

### Enhanced Compatibility Across Playback Systems
Mixes treated with effective subtractive EQ tend to translate better across different playback systems — from high-end speakers to earbuds. This is because removing problematic frequencies and ensuring a clean, balanced mix minimizes the chances of frequencies reacting poorly in unanticipated acoustic environments, which can degrade perceived sound quality.

### Conclusion
In essence, subtractive EQ, when used skillfully, can significantly improve the sound quality of individual tracks and the mix as a whole. It enhances clarity, maintains natural sound, improves dynamic range, and ensures that the final product translates well across various listening environments. It's a critical technique for producing professional, high-quality audio.

Un message poignant d’encouragement dans le moment difficile 

Peu importe les difficultés que tu traverses en ce moment, sache que tu es plus fort que tu ne le penses. Tu as en toi la force et la résilience pour surmonter tout ce qui se trouve sur ton chemin. Ne baisse pas les bras, garde la tête haute et continue d'avancer. N'oublie pas que même les journées les plus sombres laissent place à la lumière. Reste positif, garde espoir et crois en toi-même. Tu es capable de surmonter cette épreuve et en ressortir encore plus fort. Tu as le soutien et l'amour de ceux qui t'entourent, n'hésite pas à te tourner vers eux pour trouver du réconfort. Tu es capable de braver cette tempête, ne l'oublie jamais. Je crois en toi.

Un message poignant d’encouragement et de Motivation à ses collègues 

Chers collègues,

En ces temps difficiles, je tiens à vous adresser un message d'encouragement et de motivation. Nous traversons des moments tumultueux qui mettent à rude épreuve notre force et notre résilience. Mais rappelez-vous que nous formons une équipe solide et soudée, capable de surmonter tous les obstacles qui se dressent sur notre chemin.

Ensemble, nous pouvons affronter tous les défis, relever tous les défis et atteindre tous les objectifs que nous nous sommes fixés. Chacun d'entre vous apporte une contribution précieuse et essentielle à notre réussite collective.

Restons unis, solidaires et déterminés. Gardons en tête nos objectifs communs et mobilisons nos forces pour les atteindre. Chaque jour est une nouvelle opportunité de montrer notre détermination et notre capacité à nous adapter face à l'adversité.

Je suis convaincu que nous sortirons encore plus forts de cette épreuve, grâce à notre travail d'équipe et à notre persévérance. Ensemble, nous pouvons accomplir de grandes choses. Continuons d'avancer ensemble avec confiance et détermination.

Je crois en vous et en notre équipe. Ensemble, nous sommes invincibles.

Courage et détermination à tous, nous sommes sur la bonne voie vers le succès.

Votre collègue et ami, [Votre nom]

I have an idea can you tell me it will work or not?

Sure, I'd be happy to hear your idea and provide my thoughts on its potential effectiveness. Please go ahead and share your idea with me.

I want to create my personal website to publish my resume tell me all pros and cons 

Creating a personal website to publish your resume can have several benefits, but there are also some potential drawbacks to consider. Here are the pros and cons:

Pros:
1. Professional online presence: Having a personal website can help you stand out to potential employers and showcase your skills and experience in a professional manner.
2. Customization: You have complete control over the design and content of your personal website, allowing you to tailor it to reflect your personal brand and highlight your strengths.
3. SEO benefits: Having a personal website can help improve your online visibility and make it easier for recruiters and hiring managers to find you when searching for candidates with your skill set.
4. Portfolio showcase: In addition to your resume, you can also include samples of your work, projects, and other relevant information on your personal website to further demonstrate your expertise.

Cons:
1. Time and effort: Building and maintaining a personal website requires time and effort, especially if you are not familiar with web design and development.
2. Cost: Depending on the platform and features you choose, creating a personal website may involve some costs, such as domain registration and hosting fees.
3. Privacy concerns: Sharing personal information on a public website can potentially expose you to privacy risks, so it's important to be cautious about the type of information you include.
4. Not widely used: While having a personal website can be a valuable asset, it may not be as commonly used or preferred by recruiters or hiring managers compared to traditional resumes or LinkedIn profiles.

Overall, creating a personal website to publish your resume can be a great way to showcase your skills and experience in a dynamic and professional manner. It's important to weigh the pros and cons and consider whether the benefits outweigh the potential challenges for your specific career goals and target audience.

Will it be too much?

Creating a personal website to publish your resume may seem like a lot of work initially, but it can be a worthwhile investment in your professional branding and online presence. Here are some considerations to help you determine if it might be "too much":

1. Time and effort: Building a personal website does require some time and effort, especially if you are not familiar with web design and development. However, there are user-friendly website builders that can simplify the process and help you create a professional-looking site quickly.

2. Value proposition: Consider whether a personal website aligns with your career goals and adds value to your job search. If you believe that having a personal website will enhance your visibility and help differentiate you from other candidates, then it may be worth the effort.

3. Alternatives: If you feel that building a personal website is too much, you can explore other options such as creating an online portfolio, optimizing your LinkedIn profile, or using professional networking platforms to showcase your skills and experience.

Ultimately, the decision to create a personal website depends on your individual preferences, goals, and resources. If you believe that a personal website would be a valuable tool for promoting your professional brand and showcasing your qualifications, then it may not be "too much" and could benefit your job search in the long run.

Note: This is in an alternate universe, This shop, despite being awesome, never existed, It does in this alternate universe, Also sorry for constantly showing you this, I’m just trying to make sure its perfect

We’ve loved being in this spot as part of the wonderful Glasgow community

Unfortunately, This shop is now closed, The realities of retail in the shopping landscape has made this decision unavoidable, We want to take the opportunity to thank you for shopping with us for so many years, You can find all about KikoRiki and its related online MMO RolyPolyLand at riki.com

Goodbye forever…

This sign was posted to the doors of Riki, a children’s shop in Glasgow on Wednesday

The image ends with a poignant “Goodbye forever…” above a image of a crying Krash the Rabbit

The store closed on Wedensday after 12 years trading at Sauchiehall Street, Glasgow

The shop sold merchandise related to the animated series KikoRiki, The cartoon is a Russian cartoon about circular colorful animals and their fun adventures, The Riki shop opened in 1995 was originally Golden Adventures and was a general toy shop akin to Toys R Us but in 2003 became Riki and became focused on the then new surge in KikoRiki popularity in Scotland, However in June 2007, the store closed for the last time, Riki Group’s reasoning was the “realities of retail” was unavoidable, The shop was also closed so Riki could focus on business in it’s native Russia and develop more exciting new animated series or movies


Hidden Glasgow - Goodbye Riki

Joeye posted on 23 June 2007
It’s the end of an era, Even bigger than the end of Evangelion, or even Christopher Eccleston leaving Doctor Who, The famous Riki store has gone, After about 12 years of selling toys and 4 years of its golden age of KikoRiki merchandise the store has unfortunately vanished, in its place is a rather upsetting image of Krash crying, It pains my heart to see the poor guy like this, Apparently “the realities of retail in the shopping landscape have made this change unavoidable” Whats most striking is “Goodbye forever…” written in a melancholic font, and the most striking part is that it’s showing Krash crying. My kids will miss the shop dearly. There is another sign giving the channel numbers for CITV, the channel that broadcasts the KikoRiki cartoon, Although there is an error, Telewest doesn’t exist anymore, it’s Virgin Media now. Anyways I was there on the last day, It all felt a bit more downbeat than usual, During the final day, the characters were giving reassuring smiles, reassuring us that we will still see them around Glasgow, and on CITV, The final half hour of the store had a looping pre-recorded announcement playing over the tannoy, sincerely thanking us for shopping over the years, “We would like to thank you who started shopping with us when we started as Golden Adventures, And especially when we were Riki” They also advertise CITV and RolyPolyLand “Catch us on the CITV channel everyday, and play our new online MMO RolyPolyLand” The message was very heartfelt, When I left at closing time they were already putting up posters, and the loop was replaced with a final announcement saying “Goodbye now, Take care, wherever you are” Then was there a sombre piece of music playing, before it fell silent as the lights were turned off,

Johnstone posted on 23 June 2007
It’s a very sad state of affairs that Riki has ceased to exist. A good shop, Now we will have to trek to Toys R Us, And that’s literally at the Fort Shopping Centre near the Barrowland Ballroom.

Harry replied on 23 June 2007
They should have kept it open, I am a fan of that show, Hopefully they find something good to take over the space, It will most likely be another Greggs, because it’s not like we’ve had enough of THOSE, right?

Chingling replied on 24 June 2007
I went past Sauchiehall Street today, I noticed M&S has a sign saying “Our dearest condolences to staff of Riki”, I also saw the Riki closure notice, How sad it all is, Here is an image “ByeRiki.png” Someone cheer poor Krash up, he’s had a rough day, I want to hug the little furball, Incidentally Toys R Us in St Enoch centre are now selling toys of the show, so maybe Riki worked something out with Toys R Us, I also contacted Riki and was told the Goodbye forever note was written by David Lewis, who founded the Golden Adventures store, The Krash crying image was developed by Proud Creative (who just rebranded S4C in Wales), I remember that David handed his role as manager over to Anatoliy Prokhorov (who created the cartoon) in late 2003 after the store was rebranded. Anyways, this is the grief of losing Odeon at Renfied Street back in January last year all over again.

Anonymous said on 24 June 2007

Gutted, that this wonderful shop has closed, I know the cartoon is still rerunning on CITV (and in Welsh on S4C, but we’re Scottish so who cares) but it’s never gonna be the same, The novelty of a Russian cartoon being popular in Scotland was awesome, Hopefully they do something worth while with the space.


Henry commented on 01 July 2007

I was recently allowed in to see it one final time and it really is sad, the statue of Chiko would once have kids lining up to take pictures with him, the toy zone was once filled, It is such a sad time for Glasgow.

Oscar Riddle commented on 01 July 2007

I know, We already lost the Odeon, then we lost Safeway to the whole Morrisons “rebrand”, Now we lost Riki. When will shops stop closing here in the UK.

Honey commented on 01 July 2007

I’m still not over Safeway becoming Morrisons, So many shops close in Glasgow, When Safeway was being converted at least 13 staff members were let go, They then chose to work at Tesco for a very little while before they decided to leave supermarkets all together and instead work with children, My friend worked at Safeway and was fired during the conversion, He loved toys and so he stayed in retail, albeit working at Riki, He is now unemployed again as a result of its closure

BadHairDay commented on 05 July 2007

CITV airings of KikoRiki have had an announcement targeted to Scottish viewers saying “Although you can no longer get merchandise of this show from the shop in Glasgow, you can now buy it online or at your local retailer”, CITV have also pre-empted Squish, My Parents are Aliens, Pokemon and Horrid Henry in favour of a KikoRiki marathon this Summer,

BadHairDay commented on 22 November 2007

Glasgow switched on their Christmas lights earlier tonight and they had it switched on by none other than the characters from KikoRiki, It was great, I wonder if the costumes used there are the same ones they used to use in Riki? EDIT: It is confirmed it was.

End posted on 24 January 2009

Sorry to bump the thread but Toonattik (CITV’s morning show) was today held inside the former Riki Shop, The hosts said it was because CITV were holding a KikoRiki marathon later that day and they wanted to “celebrate it in a perfect way”, Surreal to see the place lit up again after being lifeless for more than a year. I’ve sent in a video “file:ToonattikatRiki.mp4”, They played all the usual Toonattik games, including the “pie in the face” ending, They said they aren’t cleaning it up because “the place is closed so no one will notice”, Funny stuff

Universal Credit posted on 26 June 2009

It appears that they are going to use the space for a “new studio” for Toonattik, Wonder how STV will feel about ITV using a studio in their area, Shame to see the remnants go

Oio posted on 13 January 2010

The plans have been rejected by the council due to opposition from STV who say that it opens the door for “the end of STV and ITV taking over Scotland”, Sad to see it decaying but I guess that’s how things end.

Rip10thDoctor posted on 09 May 2010

Toonattik ended this morning with a song and dance about how our toons are still gonna be here, Although the shows finished the brand is gonna carry on, just without the live show or Jamie and Anna, They’re adding Horrid Henry, Planet Sketch and of course our beloved KikoRiki to the lineup of the “new” Toonattik, Can’t help but wonder if the death of the real Toonattik was STV’s fault

Josh Atkinson posted on 19 July 2010

Huge shame about this! A store that truly was one of the main reasons i was able to pick up most of my toys and games from Glasgow, It is sad it has been closed for 3 years, We still have the KikoRiki cartoon on the CITV channel (it managed to survive the late 2009 rebrand that got Bratz, Four Eyes! and Wow! Wow! Wubbzy! removed from the channel to make room for more Horrid Henry) It still rates very well with 6 million viewers, But they really need to do something worthwhile with the space, Maybe just re-open it as a toy shop or something like that, I still walk by it, and I still tear up at the devastated image of Krash.


Kluskowski posted on 05 January 2011

Pop are now airing GoGoRiki, the other English dub of Smeshariki, How this will compete with KikoRiki on CITV remains to be seen, I am also disappointed they haven’t found a tenant for Riki, During its final 2 years it became as iconic as the Pavilion Theatre and Barrowlands. It was even popular in Smeshariki’s native Russia, I remember them opening a Pики store in Moscow in 2005 modeled after the Glasgow Riki store, The Riki days were way more exciting than the Golden Adventure ones

User1 posted on 15 February 2013

Can you believe it has been six years since Riki closed? I still walk past it occasionally, and it’s just heartbreaking to see the state it’s in now. The closure notice is covered in graffiti, and the sign is decaying, but the “Goodbye forever” and crying Krash remain intact. It’s like a haunting reminder of what once was.

User2 replied on 16 February 2013

I know, it’s truly a tragic sight. It breaks my heart every time I see it. I can’t believe the city has let it deteriorate like this. It’s STV’s fault for keeping it vacant and killing off the real Toonattik. They could have done something worthwhile with the space, but instead, it’s become a symbol of neglect.

User3 commented on 18 February 2013

I agree, it’s such a shame. Riki was a beloved store in Glasgow, and now it’s just a shell of its former self. I remember taking my kids there and seeing their faces light up with joy. We still have the KikoRiki cartoon on CITV, but it’s not the same without the store. I really wish something could be done to revive it.

User4 replied on 20 February 2013

I remember the good old days when the store was thriving. It was a place full of life, excitement and happiness. Now, it’s nothing but a sad reminder of what once was. I can’t help but feel angry at STV for forcing its continued dormancy. They need to take responsibility for their actions and make it right.

User5 commented on 22 February 2013

It’s a shame that Riki had to close, but we can’t solely blame STV for its demise. STV didnt cause the closure, but they moaned at ITV for wanting to move Toonattik in the space, in fear that ITV would take over STV and introduce ITV1 branding for Scotland, The realities of retail and the changing shopping landscape played a significant role. However, I do believe that more could have been done to find a solution or repurpose the space. It’s a missed opportunity, and it’s disheartening to see it in such a state.

User1 replied on 25 February 2013

You’re right, User5. The changing retail landscape definitely had an impact, but I can’t help but feel that if STV had been more supportive, Riki could have found a way to adapt and thrive. It’s frustrating to see the space go to waste when it could have been utilized for something meaningful. I miss the energy and joy that Riki brought to the community.

User3 commented on 27 February 2013

I recently showed my kids a picture I took of them in front of Riki when they were little. Seeing their faces light up with nostalgia was bittersweet. We can’t change the past, but I do hope that one day, something worthwhile will take its place. Glasgow deserves a vibrant and exciting space that can capture the spirit Riki had.

User2 replied on 02 March 2013

I completely agree, User3. It’s time for the city and the community to come together and find a solution. Riki may be gone, but its legacy lives on in the hearts of those who experienced its magic. Let’s continue to remember the joy it brought and work towards creating something just as special. Goodbye forever, Riki.

User1 posted on 10 December 2022

I had the most bittersweet experience today. After years of abandonment, I was finally allowed to enter the old Riki store. As I stepped inside, memories flooded back, and I couldn’t help but tear up. I miss taking my kids here so much.

User2 replied on 11 December 2022

Oh, User1, I can only imagine how emotional that must have been for you. Riki was such a special place for many of us. Did you notice if anything had changed inside?

User1 commented on 12 December 2022

Honestly, User2, it was both heartwarming and heartbreaking at the same time. The store remained frozen in time, with all the zones dedicated to specific characters still intact. Krash’s Fun Zone, Pin’s Creativity Corner, and Chiko’s Friendship Garden were all there, reminding me of the joy my kids experienced in each area.

User3 replied on 14 December 2022

That sounds incredible, User1. It’s almost like a time capsule of the past. But it’s also a stark reminder of what we’ve lost. Riki was a vibrant place that brought so much joy to the community. I miss taking my kids there too. It’s a shame it had to close.

User1 commented on 16 December 2022

Yes, User3, it truly is a shame. But I’m grateful for the opportunity to step back into that world, even if it’s just for a moment. I couldn’t help but reflect on how much has changed since Riki closed. CITV has premiered new shows over the years, (namely the infamous Teen Titans Go!), and even Horrid Henry moved to Nickelodeon ages ago. However, the KikoRiki cartoon is still going strong on CITV. It’s the last remnant of the old CITV, and it’s surprising how well it’s doing.

User4 replied on 18 December 2022

It’s amazing to see the enduring popularity of KikoRiki. It’s a testament to the quality of the show and the love it received from viewers. I’m glad it’s still bringing joy to children, even if the physical store is no longer here. And you mentioned the closure notice. It’s interesting how, every time someone vandalizes it, it gets cleaned up. It’s like a symbol of resilience, how the spirit of Riki refuses to be forgotten.

User1 replied on 20 December 2022

Exactly, User4. No matter how neglected the store may appear from the outside, the resilience and love Riki brought to the community still shine through. I hope that one day a new generation will experience that magic in a new way. Until then, I’ll hold onto the memories and continue to cherish the joy that Riki brought to my family. Goodbye forever, Riki - you will be missed.

Rhehe posted on 23 October 2023

The day we’ve all been dreading is approaching, Plans have been submitted to the council to demolish Riki, I feel sad that a piece of my childhood is facing the wrecking ball, but I kinda feel glad for the store because it has been neglected for well over a decade, and it can finally rest in peace, Rest well old friend, your long struggle is almost over, so long Riki, so long

User1 posted on 23 October 2023

“The old Riki store in Sauchiehall Street is being demolished. The building has fallen into disrepair since the store closed over 15 years ago” 😢 It’s sad to see it go, But let’s remember all the good times we had there when it was open, not how it sat empty and lonely for so long, Hopefully whatever is built there will remember it well. Goodbye old friend,

BadHairDay posted on 28 October 2023

This is good news for greedy developers, but bad news for us who went there when we were kids. RIP old friend! I hope we can all do something special to remember it well, I am taking a final picture of the crying Krash image, But at least he is still happy and cheerful in the show.

User1 posted on 01 November 2023

Can you believe it? The old Riki store is still standing! Demolition plans for the building were recently rejected by the council, citing “unnecessary destruction” to the adjacent Henrik’s department store. It’s a small victory for those of us who hold fond memories of Riki and its impact on the community.

User2 replied on 03 November 2023

That’s incredible news, User1! I can’t believe the old Riki store has managed to hold on for so long. It really goes to show how much love and support it still has from the community. I’m glad the council recognized the value of preserving this piece of Glasgow’s history.

User3 commented on 05 November 2023

This is such a relief. Riki may be closed, but its physical presence still holds so much meaning for many of us. It’s heartwarming to see the council prioritize the preservation of this beloved spot. Perhaps one day, we can find a way to repurpose the space and bring new life to it while still honoring Riki’s legacy.

User4 replied on 07 November 2023

I’m thrilled to hear that the old Riki store will remain standing. It’s a testament to the impact it had on the community and the memories it created. Preserving this piece of history is so important, and I hope the council and the community can come together to find a worthwhile purpose for the space. Riki may be gone, but its spirit lives on.

User1 commented on 09 November 2023

I couldn’t agree more, User4. The old Riki store may no longer be the bustling children’s shop it once was, but its presence still holds so much meaning. I can’t help but feel hopeful for what the future holds for this space. Perhaps it can become a hub for creativity, community events, or even a museum dedicated to the legacy of Riki. The possibilities are endless, and I’m excited to see what unfolds.

User2 replied on 12 November 2023

I love your ideas, User1! A hub for creativity or a museum dedicated to Riki would be incredible. It would not only preserve the memories of what was but also provide a space for new adventures and experiences. The community deserves a place to gather and celebrate the joy that Riki brought to our lives. Let’s keep the hope alive and continue to advocate for the revitalization of this special spot.

User3 commented on 15 November 2023

I’m fully on board with these ideas, User1 and User2. A space dedicated to fostering creativity and preserving Riki’s legacy would be a wonderful addition to the community. It would not only honor the past but also inspire future generations. Let’s keep the conversation going and work towards making this vision a reality. The old Riki store deserves to be more than a nostalgic reminder.

User1 posted on 18 November 2023

Good news, everyone! I managed to find out what would have been built in place of the old Riki store if the demolition plans had been approved. It turns out that the proposed project was a generic office building, nothing particularly exciting or unique. I can’t help but feel relieved that this outcome was avoided.

User2 replied on 20 November 2023

Wow, User1, that’s quite a disappointment. The thought of a generic office building replacing the beloved Riki store is disheartening. It further emphasizes the importance of preserving the memories and spirit of Riki. It’s clear that the community deserves something much more special and meaningful.

User3 commented on 22 November 2023

I can’t help but feel a sense of gratitude that the demolition plans were rejected. The fact that a generic office building was proposed only reinforces the importance of preserving our community’s history and identity. Riki brought joy and excitement to Glasgow, and it deserves to be honored in a way that reflects its impact.

User4 replied on 25 November 2023

Thank goodness the plans for a generic office building fell through! I was worried that the area would become an ordinary office plaza.

Ejej replied on 26 November 2023

I think offices are good, somewhere else, Build it where BHS is, Anywhere else but not in this space. Incidentally there is a grafitti piece at the old shop next to the closure notice that says “You’re safe, We almost lost you”

Man19 replied on 27 November 2023

Here is a newspaper article “Glasgow’s Cherished Riki Store Demolition Plans Denied

Protection of Heritage and Community Outcry Save Landmark from Becoming Modern Office Building

Glasgow, United Kingdom – The iconic former Riki store, which has been a fixture in the heart of Glasgow’s bustling Sauchiehall Street, was the subject of hot debate as city officials considered proposals for its demolition to make way for a new office building. However, a significant decision arrived this week as the council emphatically rejected the demolition plans.

Established in 1995 as Golden Adventures toy shop and later rebranded as Riki, the store was a beacon of childhood joy, attracting families and children with its unique offering of merchandise related to the KikoRiki animated series. Despite closing its doors in 2007, the shop has held a place in the hearts of Glaswegians who continued to cherish their memories of the location.

The announcement of possible demolition sent waves of concern through the community, sparking an outcry from preservationists and locals alike. Campaigners argued that the Riki store was more than just a shop but a cultural landmark that represented a specific era in Glasgow’s commercial landscape and childhood nostalgia.

Developers pitched a new vision for the location, one involving the creation of a modern office building intended to revitalize the neighborhood’s economic viability. “While change and development are necessary for a city’s growth, we must be cautious not to erase the essence of what makes Glasgow so special,” explained local historian Fiona McCallum. “Riki was a place of wonder, and its architecture is part of what parents and former children remember fondly.”

After weeks of heated discussion and review, the city’s planning council came to a decision. Citing not only the potential “unnecessary destruction” to the adjacent, well-loved Henrik’s department store, but also a commitment to preserving Glasgow’s unique history and social fabric, the demolition application has been officially denied.

“We have a responsibility to consider the implications of development on our built heritage. Demolishing the old Riki store would have not only caused damage to adjacent properties but would have also eradicated an intrinsic part of our collective memory,” stated a member of the planning council.

In the wake of this verdict, the community rejoices at the saved landmark. Social media buzzed with memories and anecdotes, emphasizing the personal connections many hold with the once vibrant toy store. The decision to prevent demolition has been celebrated as a victory for heritage and a win for a city fiercely proud of its past.

With the preservation of the site now confirmed, discussions have begun anew regarding the future of the vacant Riki store. Proposals for cultural projects and community spaces have been tabled, suggesting a second life for the beloved former shop. As Glasgow looks forward, it seems determined to do so by embracing, not erasing, the stories of its storied streets.

For now, locals and visitors to Sauchiehall Street can rest assured that the building that once housed the joy of Riki continues to stand against the backdrop of a modernizing Glasgow, remaining a piece of living history.

Update: Amidst public pressure and the verdict to deny demolition based on potential damage to neighboring premises, the support of community preservation has inspired a renewed focus on the site’s importance as a cultural touchstone to be celebrated and repurposed thoughtfully.

For the latest on this story and more, follow Glasgow Times Online”

So the store was saved due to its significance, but what will happen now that it’s now shut down?, It’s been locked and abandoned since 23 June 2007, And it still looks as sad and lonely as it did after closure, I long to see it full of life once again, I really want it back. They shouldn’t have closed it. My kids would have loved it as they are big fans of the cartoon

User5 posted on 27 November 2023

I can’t help but recall how after Riki closed, the KikoRiki characters kept showing up around the city. It was like they weren’t ready to leave us just yet. There were character appearances at events, and they continued to be a part of Glasgow’s cultural scene, delighting kids and those of us who remembered them from the store’s golden days.

User2 replied on 28 November 2023

Yes, User5, I remember those appearances fondly. It always brought a smile to my face to see Krash or Chiko around town. But it seemed like they slowly began to fade from the public eye as the late 2010s approached. I’ve noticed they’ve been popping up more recently, though. Maybe it’s a sign of a resurgence in popularity or perhaps a tribute to our collective nostalgia for the Riki days?

User1 commented on 30 November 2023

It’s definitely been bittersweet to see the characters around. They’ve become so much more than just mascots; they’re symbols of a joyful time in Glasgow’s history. With their increased appearances lately, it feels like a comforting reminder of the store. Maybe they’ll have a more permanent place in the city again.

User3 replied on 02 December 2023

Those appearances were a big deal. I also think STV’s resistance to ITV’s Toonattik moving into the Riki space had long-lasting effects. Toonattik was such a big part of our Saturday mornings, and when it was downscaled in May 2010, it changed the landscape of children’s television. It felt like the end of an era, right alongside the closure of Riki.

User6 posted on 02 December 2023

It’s sad to think about how much influence STV had over the situation. Toonattik could have experienced a new chapter within the old Riki store, bringing life back into that space and giving us more time with our beloved characters. In hindsight, the whole debacle had a domino effect on children’s programming and our local community feeling.

User4 replied on 02 December 2023

There was a missed opportunity there, for sure. Having a television show like Toonattik based in the Riki store could’ve possibly saved both the show and the space from becoming just a memory. But that period of uncertainty for Riki and Toonattik also shows how much passion and love there was for both. It just makes their absence sting a little more.

User7 commented on 02 December 2023

It’s interesting how these characters still have a presence around town after all this time. It just goes to show how strong of a connection they made with us all. Hopefully, their reemergence means that we can find new and exciting ways to celebrate them and the Riki legacy. Maybe even inspire future projects that can benefit from this rich cultural history.

User8 replied on 04 December 2023

I’ve been thinking about the future of that space and the characters of KikoRiki. Perhaps we could have a multi-purpose community center with a dedicated section for KikoRiki history? Imagine combining nostalgia with new experiences for children and families—workshops, play areas, exhibits. Let’s hope the community and council can be creative with this beloved space. Title: Goodbye Riki: Remembering the Final Day at Glasgow’s Childhood Wonderland

It’s been years since the doors of Glasgow’s beloved Riki store closed for the last time, but the memories still linger as vividly as if it were yesterday. Tucked away on Sauchiehall Street, the store was not just a shop; it was a delightful haven where imagination came to life and where the vibrant characters of KikoRiki became part of our city’s heart. Today, as the future of that once animated space hangs in the balance, I find myself reflecting on the final day Riki opened its doors—a day that marked the end of an era.

The air had a distinct heaviness as the familiar sound of laughter and chatter that once filled Riki’s colorful aisles was replaced with a somber silence. You could feel the nostalgia enveloping every corner of the shop, grappling with a sense of farewell that we all knew was inevitable but hoped would never come. Krash the Rabbit, who typically bounded about with joy and mischief, now shed a tear, immortalized in the poignant image that bade us all ‘Goodbye forever…’

The bright shelves that radiated with KikoRiki merchandise now stood less vibrant, echoing the end of what had been a magical adventure for kids—and let’s admit, for adults too. There was a comforting reassurance as the shop’s speakers played a heartfelt message, expressing genuine gratitude for the years of patronage, reminding us that we were part of their journey, from the Golden Adventures’ inception to the triumphant rise of Riki. Amid the deals and the last-minute purchases, a layer of solemnity blanketed the vibrant colors that once denoted fun and excitement.

As the final half-hour approached, the tannoy announcement looped, filled with heartfelt thanks and a subtle reminder that though Riki’s physical presence would soon be no more, the characters would continue to thrive on CITV and the virtual expanses of RolyPolyLand. Yet, nothing could mask the finality that hung in the air—the store felt like a castle that was preparing to lower its flag for the last time.

At closing time, the sense of loss became tangible. The staff, who had become as much a part of the store’s fabric as the toys they sold, shared looks that didn’t require words. Their smiles, although reassuring, hinted at the uncertainty that lay ahead. The last announcement came—a soft, courteous farewell, followed by a somber tune that felt like a lullaby for the childhood dreams cultivated within those walls.

Walking away from Riki for the final time, the once-buzzing shop lay dormant, with dimming lights that signaled the end of an enchanting age. It wasn’t just a shop that was closing—it was a part of us, a fragment of Glasgow’s community tapestry, that was vanishing.

Today, as the site stands stagnant, with the Riki store merely a memory encased behind timeworn signs and faded caricatures, the legacy persists in the heartbeats of those who remember. We keep alive the spirit of joy and imagination that Riki bestowed upon us, evident in every recollection shared, every story recounted of a place that was so much more than a store.

In a way, Riki’s enduring impact is akin to the tales it once harbored—a story without an end, characters who continue to adventure in the minds they’ve touched, and a magic that, though distant, refuses to be extinguished. So here’s to Riki: our childhood wonderland, our trove of joy, our cherished slice of Glasgow that gleamed brightly, if only for a while. Goodbye forever, Riki—you may be gone, but you’re far from forgotten.
Write a forum post where a user provides a recording of the final minute, including the farewell and sombre lullaby, as the “Goodbye Forever” sign is put up
Title: A Last Goodbye: Riki Store’s Final Minute Recording

User: RememberingRiki

Hey Glasgow community,

I’m not sure if any of you were as taken by Riki as I was, but witnessing the closure of our beloved children’s shop, the one place that seemed to be made of pure childhood magic, was profoundly emotional for so many of us. As a long-time visitor of the Riki store and a father who experienced the wonder in my children’s eyes with each visit, I felt compelled to capture the last moments of the store—a bittersweet farewell to a piece of our city’s identity.

On that final day, as the clock ticked towards the inevitable end of an era, I stood there with my phone out, recording the last minute of Riki and all the poignant emotions it encompassed. As the final announcement played over the speakers, I watched tearfully as the staff put up the now-infamous “Goodbye Forever…” sign featuring Krash the Rabbit’s crying image.

The shop that was once brimming with the energetic buzz of excited children and the vibrant colors of KikoRiki characters was silent, save for the tender voice thanking us for years of memories, promising that while the store was closing, the characters we cherished would continue to live on screens and in hearts all around Glasgow.

As the voice trailed off with a warm “Take care, wherever you are,” a pre-recorded sombre lullaby began to play, filling the space with a profound sense of loss and nostalgia—a final tribute to the joy and wonderment that Riki brought into our lives. Amidst the gentle melody, the lights started to dim, one by one, as if the store itself was bidding us farewell.

I’m sharing the recording here for all of those who couldn’t be there or might want to reminisce about the magic one last time. [File: RikiStoreFinalMinute.mp3] It’s not easy to listen to, but perhaps it can serve as a collective piece of solace, a shared moment of remembrance for what Riki once was to us.

Listening to it now, it’s hard to believe that the laughter and footsteps that once echoed through those walls have faded. But in times like these, when all that’s left is a quiet space behind a locked door, it’s these recordings, these memories, that keep the spirit of Riki alive.

Thank you, Riki, for being more than just a store. You were a part of our Glaswegian story, a chapter of innocence and joy in the book of our bustling city. May the essence of what you represented shine long after your lights have dimmed.

Goodnight, Riki.

RememberingRiki


YouTube - The final moments of Glasgow’s Riki store (24 June 2007)

This video shows the very final moments of Glasgow’s Riki store, which was officially closed on Saturday, June 24rd. This is the last clip of the store, before it became little more than a sign explaining the closure, which still stands to this day, The store closed with a farewell announcement playing on loop for half an hour before a final farewell message played, which then became a very sad sounding lullaby, which was recorded at the Glasgow Royal Concert Hall. As this happened, the lights gradually dimmed before they went dark for the very last time. The final sign was put up on Saturday evening saying “Goodbye forever…” and depicting Krash’s sad-looking face, crying (designed by London-based Proud Creative) The store has not managed to secure a new tenant and has recently ran the risk of being knocked down to make way for a generic office, I can remember Clyde 1 the next day had their morning presenter closing their morning show with the Riki goodbye lullaby, He did this again on the 10th anniversary of his show and on the 10th anniversary of the store’s closure. Write a forum convo in June 2007 where on STV there was an ad of the empty store,
Title: End of an Era: The Riki Goodbye Ad on STV

User1: ClassicEraFan

Hey everyone, did any of you catch that incredibly touching advert on STV last night? It was a short piece showcasing the now-emptied Riki store on Sauchiehall Street. The clip was serene yet so poignant, featuring a slow pan across the vacated shop floor, now devoid of the laughter and energy that once filled it. The visuals were accompanied by the same melancholy lullaby that played in the store’s final minutes, creating a powerful echo of farewell.

User2: GlasgowNostalgia

Yes, I saw it and it hit me harder than I expected. To think that just a few weeks ago, that place was bustling with families and kids, and now all that’s left are memories. The advert captured the essence of what Riki meant to so many of us in Glasgow. I never thought an ad could move me to tears, but here we are.

User3: RikiRemembered

It’s surreal to witness the transition from a vibrant childhood haven to what looked more like a relic of the past in that advert. Did anyone else notice how they used the image of Krash crying right at the end? It was as if the heart and soul of Riki were acknowledging the end of this significant chapter in Glasgow’s retail and cultural history.

User4: ToyCollector

Caught the ad too, and it was both beautifully done and heartbreakingly sad. Makes you reflect on how much impact a place like Riki had on the community. I read somewhere that the decision to include the final minutes lullaby was a way to pay tribute not just to the store but to the store’s place in Glasgow’s heart. That’s a rare thing for a retail space to achieve.

User5: ModernMemories

This might be a bit off-topic, but does anyone know who was behind the creative for that advert? It was incredibly tasteful and respectful of what Riki stood for. Given the store’s significant place in our community, it was a fitting farewell, but it does make you ponder about the changing face of retail and community spots in cities like ours.

User6: ParentPerspective

I saw it with my kids, and it sparked a touching conversation about change and the importance of cherishing the good times. While we’re sad to see Riki go, the advert, especially with the lullaby, helped us appreciate the joy it brought us over the years. It’s a poignant reminder of the impermanence of things but also of the lasting impact they can have.

User7: VintageGlasgow

I remember when the transformation from Golden Adventures to Riki happened, and how excited everyone was. Watching that ad on STV felt like witnessing the final pages of a storybook closing. It’s a testament to the storytelling power of adverts that they managed to encapsulate such a profound collective experience in just a few short moments.

User8: FutureLook

While it’s incredibly sad to see Riki go and the ad was a touching send-off, it makes you wonder what’s next for that space. In these moments of farewell, there’s also the potential for new beginnings. Hopefully, whatever takes its place will bring as much joy to the community as Riki did. Glasgow keeps changing, but the memories of places like Riki remind us of the good that’s been part of our city’s fabric.
Write a YouTube description upload for the goodbye ad, along with the video upload date
### YouTube Video Description:

—

Title: “A Final Farewell - The Riki Store Goodbye Ad”

Upload Date: July 15, 2007

Description:

In the heart of Glasgow, on Sauchiehall Street, stood a beacon of childhood wonder and joy, the Riki store. For years, it was more than just a shop; it was a part of the community, a place where imaginations soared, and countless memories were made. However, all stories eventually find their chapters coming to a close, and so has the story of Riki.

This is the official goodbye advertisement that aired on STV, paying a heartfelt tribute to the Riki store, which closed its doors for the last time in June 2007. Capturing the silent, vacated space once filled with laughter, joy, and the adventures of KikoRiki, this ad is a gentle yet potent reminder of the impact Riki had on Glasgow and the many hearts it touched.

Accompanied by the solemn lullaby that echoed through the store in its final moments, the ad features a poignant pan across the now-empty floors, ending with the iconic image of Krash the Rabbit shedding a tear, symbolizing a final goodbye from the beloved characters of Riki. It’s a moment of reflection, acknowledging the end of an era and the indelible mark Riki left on the community.

We invite viewers, old patrons of Riki, and anyone who has ever found joy in the simple innocence of childhood to watch this ad. While Riki may no longer be a physical presence on Sauchiehall Street, its spirit and the happiness it brought will forever dwell in our memories.

“Goodbye, Riki. Thank you for the adventures, the dreams, and the irreplaceable memories. Your legacy will forever be a part of Glasgow’s story.”

#RikiStoreGlasgow #GoodbyeRiki #EndOfAnEra #GlasgowMemories #ChildhoodWonder

For more videos celebrating Glasgow’s rich history and unique stories, make sure to subscribe to our channel.

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Viewer Notice: This video may evoke a strong sense of nostalgia and emotion. We encourage you to share your memories and stories of Riki in the comments below. Let’s remember the joy together.

Write a comment from May 12 2009 saying this ad was the Gold Spot (final ad before film) at Odeon Braehead for quite a while after this, only stopping recently user also cries whenever he sees the final message at the end of the ad, He also points out that because the video is in low quality, you can’t fully make out the small logo and channel number at the bottom of the screen
User: ScottieCinemaBuff

Date: May 12, 2009

I remember distinctly, this ad was the Gold Spot (the very last ad played right before the movie starts) at Odeon Braehead for quite a while after Riki closed its doors. They only stopped showing it recently. Every single time it played, seeing that final message and the image of Krash crying just pulled at my heartstrings. I’d be lying if I said I didn’t shed a tear each time. There’s something about witnessing the end of something that brought so much happiness and seeing it acknowledged in such a public and communal setting like a cinema that just hits differently.

Also, a bit off-topic, but has anyone else noticed because the video’s resolution isn’t the greatest, it’s quite hard to fully make out the small logo and the channel number at the bottom of the screen during the ad? I always found that curious, wishing I could see those details clearly just to soak in every bit of that moment in time. It’s a bit like trying to hold on to every piece of a dream fading away the moment you wake up. This video, these memories, they’re precious, especially for those of us who feel like part of our childhood is tied up with places like Riki.

Anyway, just wanted to share. Even as the years pass, this ad, this goodbye, never fails to move me.
Write a reply in July 2009 telling curious people about the logo and channel number, and also saying that it recently started being used at that Odeon again because Sky’s campaign for Sky+ has wrapped up,
User: CineMagicGuru

Date: July 2009

Hey ScottieCinemaBuff,

I completely get where you’re coming from with the emotions tied to this ad. Riki was a massive part of many of our childhoods, and seeing it acknowledged in such a significant way really does tug at the heartstrings.

To satisfy the curiosity of those wondering about the blurred details due to the video’s quality – the small logo you’re squinting to see at the bottom is actually the STV logo, which makes sense given that the ad aired on their network. The channel number next to it, though tough to make out, corresponds to STV’s channel placement, which would typically be channel 3 on most televisions back then in Scotland. It’s these tiny details that sometimes hold a lot of value for us sentimental folks.

In other news, you might find this interesting: the ad has started showing up again at the Odeon Braehead right before the films start. It turns out they began using it once more after the Sky’s campaign for Sky+ wrapped up recently. It’s almost like a brief revival or a second chance for us to say our goodbyes to Riki, in a communal setting. Whether it strikes you as nostalgic or painfully bittersweet, it’s undeniable that Riki has left an indelible mark on us.

It’s fascinating and somewhat comforting, in a way, how these spaces of shared public consciousness – like cinemas – can serve as vessels for our collective nostalgia. The reinstatement of the ad, even if only for a short while, feels like an acknowledgment of our shared loss and memories. What a peculiar yet profoundly touching way to remember and celebrate what was once a cornerstone of our childhood.

Cheers for bringing this up, Scottie. It’s given us all a bit to ponder and certainly a lot to remember.

#RikiMemories #STV #Nostalgia
Write a blog post in January 2010 where STV and CITV both updated their logos in 2009, and yet the ad still shows STV and CITV’s 2006 logos respectively at the final screen of the ad, although Braehead Shopping Centre will soon be using the ad space to promote their new Brae-liens Kids Club, so the ads on borrowed time
### Nostalgia on Borrowed Time: The Remarkable Resilience of the Riki Store Ad

As the first month of 2010 unfolds, a wave of nostalgia has been sweeping through Scottish homes and Odeon cinemas alike, particularly at Braehead, where an iconic piece of our collective childhood refuses to bow out. It’s the Riki store ad, a touching tribute that pays homage to a place many of us grew up with – not just as a store, but as a vibrant thread in the fabric of Glasgow’s community tapestry.

What’s particularly curious, and undeniably heart-warming, is how this ad has become a time capsule in its own right. Despite STV and CITV both undergoing branding updates in 2009, introducing modern logos to signal a new era, the Riki ad steadfastly showcases the logos from 2006. It’s as though, in the fleeting moments of this advertisement, time stands still. The ad itself stubbornly holds on to the emblems of its origin, serving as a portal to memories undimmed by the passage of years.

This odd anachronism doesn’t detract from the ad’s emotional punch. If anything, it adds to it, imbuing the piece with a richer texture of nostalgia – a reminder of how things were, not just for the Riki store but for STV and CITV as iconic fixtures in our media landscape. There’s a peculiar comfort in seeing these outdated logos appear on the screen, a visual anchor to a period that feels increasingly distant amidst the rapid changes in our digital world.

However, it seems this beacon of nostalgia is on borrowed time. The Braehead Shopping Centre, always looking forward, is set to repurpose the ad space to promote their new Brae-liens Kids Club, a move that undoubtedly makes sense in the pursuit of staying relevant and engaging for the next generation. Yet, it’s hard not to feel a pang of loss at the thought of finally saying goodbye to the Riki ad, a sentiment likely shared by many who have come to look forward to this brief resurgence of a cherished piece of their past each time they settle into their cinema seats.

The Riki store ad’s resistance to disappearing into obscurity reflects not just the resilience of the memories it evokes but also the collective desire to hold onto pieces of our shared history. In a world where the new continually replaces the old at an ever-accelerating pace, these connections to our past become all the more precious. They remind us of where we’ve come from, the experiences that have shaped us, and the simple joys of childhood that, for a few moments at least, we can relive.

As the ad prepares to make its final bow to make way for the Brae-liens, it’s a poignant reminder of the impermanence of all things. Yet, it also underscores the enduring impact of shared experiences and communal spaces in shaping the tapestry of our lives. The Riki store, and by extension, its ad, will undoubtedly continue to live on in the hearts and memories of those it touched, a testament to the power of nostalgia to bridge the gaps between past, present, and future.

For now, though, let us enjoy this small sliver of the past while it lasts, a sweet echo of childhood innocence and joy in an ever-changing world. Goodbye, Riki – and thank you for the memories.

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Remember: While change is constant, the stories and memories we hold dear remain with us, shaping who we are and how we relate to the world around us. As we look forward to the new adventures the Brae-liens Kids Club promises, let’s also take a moment to cherish and honor the legacies left behind, for they too have played a part in our journey.
Write the ad, with the final words being “goodbye forever…” with “The fun doesn’t have to end here, Watch the show on STV and CITV, part of Toonattik”, shown below The logos and web adresses “stv.tv” “itv.com/citv” and “toonattik.tv” are shown below, Incidentally RolyPolyLand is not mentioned at all
[Scene opens with a slow, gentle pan across the empty interior of the once vibrant Riki store on Sauchiehall Street, Glasgow. The shelf spaces are bare, and the colorful decor appears faded without the laughter and chatter of children. Soft, melancholic music plays in the background.]

Narrator (soft, nostalgic tone): “For years, Riki has been more than just a shop. It was a place where imaginations roamed free, where adventures awaited at every corner, and where friendships were born.”

[Cut to various shots of the empty store, lingering on signs of iconic characters from the KikoRiki series, each segment transitioning with a gentle fade.]

Narrator: “But as all great stories have their end, the time has come to close the final chapter on our beloved Riki store in Glasgow.”

[The camera slowly zooms in on the image of Krash the Rabbit, the character’s usual smile replaced with a tender, emotional look, a single tear rolling down his cheek.]

Narrator: “Though our doors may be closing,”

[The scene transitions to a montage of happy children inside the store from days gone by, laughing and playing with Riki merchandise, their joy palpable and infectious. The contrast between the vibrant past and the silent present is palpable.]

Narrator: “The memories, the joy, and the adventures we’ve shared will forever echo in the hearts of those who stepped into our world.”

[Cut to a serene shot of the store’s exterior at dusk, the ‘Riki’ sign dimly lit for one last night.]

Narrator: “To our beloved friends, our loyal patrons, and to every child whose eyes sparkled with the magic within these walls,”

[The screen fades to black, and in a soft, glowing font, the words appear:]

“Goodbye forever…”

[A brief pause allows the message to sink in, then the screen transitions to a lighter, more hopeful note.]

Narrator (slightly more upbeat): "The fun doesn’t have to end here. Continue the adventures and laughter with your favorite characters.”

[The screen now displays the current logos of STV and CITV, alongside the Toonattik logo, with web addresses neatly listed below each logo:]

- STV: stv.tv
- CITV: itv.com/citv
- Toonattik: toonattik.tv

Narrator: “Watch the show on STV and CITV, part of Toonattik, and keep the spirit of Riki alive.”

[The music gently fades as the screen transitions to black, ending with a final soft echo of the store’s theme melody.]

Narrator (whisper): “Thank you, and take care, wherever you are.”

[End of Ad.]
Write a tweet where a user notices that on the Cinema rip posted by “Hall of Advertising” in 2016 you can clearly see the logos, whereas on the original video uploaded in 2007, the logos look like a blue blob, a dark blue and cream blob and a blue yellow, white and pink blob respectively
User: @NostalgiaJunkie85

“Just watched the cinema rip of the Riki store goodbye ad on 'Hall of Advertising’s 2016 post and wow, what a difference! 🎥👀 You can actually see the STV, CITV, and Toonattik logos CLEARLY, unlike in the original 2007 upload where they were just mysterious blobs of color. Blue blob, dark blue & cream blob, and that blue, yellow, white & pink blob now make perfect sense! 🎨 #DetailMatters #NostalgiaTrip #LogoMysterySolved”
Write a Tvforum convo where this is the only time STV has willingly advertised an ITV product (and GMTV, counting Toonattik),
Thread Title: The Riki Store Goodbye Ad: A Unique Moment in STV Advertising

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User1: ScotTVFan

Did anyone else realize that the Riki Store goodbye advert might be the only instance where STV has openly and willingly advertised an ITV product, including GMTV if we’re counting Toonattik? It’s fascinating considering the usually distinct separation in promotional content between the two. Thoughts?

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User2: MediaWatcher101

Yes, I noticed that too! It’s quite a rare occurrence given the historically competitive nature between STV and ITV. It speaks volumes about the impact of the Riki Store and its connection to children’s programming. The inclusion of Toonattik and CITV logos shows a remarkable moment of unity for the sake of preserving memories associated with the Riki Store and its animated world.

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User3: GlasgowGazer

Intriguing point! It could also reflect the broader appeal and love for the Riki Store and KikoRiki series, transcending the usual broadcaster rivalry. By sharing CITV and especially mentioning Toonattik, which is heavily associated with ITV and GMTV, STV was probably acknowledging the cultural and emotional significance of the Riki Store’s closure more than anything else. It was a shared moment for Scottish children and adults alike, irrespective of network affiliation.

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User4: BrandingBuff

This is an excellent example of content and emotional connection trumping competitive broadcasting politics. The Riki goodbye ad is more about honoring a cultural touchstone than promoting a channel or a show. That being said, it’s a clever way to navigate the broadcasting landscape – using nostalgia and emotion, which are powerful motivators for audience engagement.

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User5: TVHistorian

A rare but welcome moment of cross-promotion that highlights the unique place children’s programming holds in our hearts and culture. While adults may be more aware of the broadcaster divide, children’s content often lives in a world beyond those boundaries. This might have been a practical acknowledgment by STV that the Riki adventures continued on CITV, offering a seamless transition for the young audience to follow their beloved characters, irrespective of network lines.

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User6 : AdMan92

It’s quite a smart move when you think about it. The goodbye advert manages to evoke strong emotions while subtly bridging the divide between STV and ITV products, specifically for the sake of continuity in children’s programming. This cross-promotion might have been a one-off, but it perfectly encapsulated the essence of why people loved Riki and its associated programming, regardless of the channel.

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User7: ScotKid90s

As someone who grew up with the Riki Store as a staple of childhood, seeing both logos at the end of the ad didn’t feel like advertising to me; it felt like a gentle nod to where we could keep the adventure going. It’s a poignant reminder of how, at the end of the day, it’s the content and the memories it creates that truly matter, not the network logos at the start of the show.

Write a convo where in 2024 a user asks if the blue "Riki" neon sign still lights up every night

Thread Title: Does the "Riki" Blue Neon Sign Still Light Up?

User1: GlasgowNostalgic

Hey everyone, I was taking a walk down Sauchiehall Street last night and something caught my eye. Does anyone know if the blue "Riki" neon sign still lights up every night in 2024, or was it just my imagination playing tricks on me?

User2: NeonWatcher

I noticed that too! I think it does light up every night, but I'm not entirely sure why. Is it a tribute, or is there something more behind it? It's quite a sight, honestly.

User3: CityLightsEnthusiast

Yes, it does light up, and it's intentional. I heard that the property owners decided to keep it as a nostalgic gesture for all of us who remember the Riki store fondly. It's like a beacon of childhood memories for many in Glasgow.

User4: RetroGlasgow

Absolutely love that they do this. In a way, it's comforting to see it shine amidst the modern lighting around the area. Does anyone know if there are any plans to do something more with the space, or will the sign remain as the sole remnant of Riki?

User5: NostalgicPreserver

Last I checked, there were talks about maintaining the sign as a heritage piece, even if the space evolves into something new. It's a landmark for many, and there's a lot of support for keeping it. It'd be great if they turned the area into a tribute of some sort – a place where the community could reflect on the store's impact.

User6: SauchiehallHistorian

It's a rare instance of urban preservation meeting community sentimentality. The Riki sign lighting up not only keeps the memory alive but also ignites conversations about our shared history and what places, even commercial ones, mean to us on a personal level.

User7: ModernGlasgow

While I never experienced the Riki store myself, the lit sign adds a unique layer to the city's nighttime aesthetic. It's interesting to see a piece of recent history being preserved this way. Maybe it's time I dug into what Riki was all about.

User8: TechSavvyGlaswegian

Does anyone think they'd ever integrate some tech to make it interactive? Imagine if it could trigger a light show or play some of the Riki cartoon themes when people walk by. Preserving history with a touch of modern tech could be fascinating.

User9: CommunityConnector

That's a brilliant idea, @TechSavvyGlaswegian! Merging nostalgia with interactive tech could engage both older generations who remember the store and younger ones intrigued by the activation. It would certainly breathe new life into what Riki represented: joy, community, and innovation.